1. On the Use and Phenomena of Fluorescent Pigments in Paintings
  2. Herb Aach
  3. pp. 135-138
  4. restricted access
  1. Visual Dialogue through ‘Conversational’ Drawings
  2. James W. Davis
  3. pp. 139-147
  4. restricted access
  1. Polymorphism in Painting through the use of a Labyrinth
  2. Walter Gaudnek
  3. pp. 149-158
  4. restricted access
  1. Rôle et valeur de la vision intérieure dans la création picturale
  2. Raoul Michau
  3. pp. 159-167
  4. restricted access
  1. Les matériaux plastiques à la disposition des peintres et des sculpteurs
  2. Edouard Adam
  3. pp. 169-171
  4. restricted access
  1. For a Change in the Education of Artists
  2. Barron M. Hirsch
  3. pp. 173-176
  4. restricted access
  1. My Paintings: Unplanned Structures
  2. Vic Gray
  3. pp. 177-179
  4. restricted access
  1. My Geometrical Paintings
  2. Frederick Hammersley
  3. pp. 181-184
  4. restricted access
  1. Dance in My Sculpture
  2. Peter Lipman-Wulf
  3. pp. 185-187
  4. restricted access
  1. Notes on Jack Burnham’s Concepts of a Software Exhibition
  2. Robert Mallary
  3. pp. 189-190
  4. restricted access
  1. Objets-gateaux
  2. Paul Neagu
  3. pp. 191-193
  4. restricted access
  1. The Helicoidal Skyscraper
  2. Manfredi G. Nicoletti
  3. pp. 195-197
  4. restricted access
  1. Ceramic Sculptures from a Potter’s Wheel
  2. Pamela Robertson
  3. pp. 199-201
  4. restricted access
  1. My Abstract Paintings: Subject, Way and Impulse
  2. Martha Zuik
  3. pp. 203-206
  4. restricted access
  1. L’accroissement de la créativité
  2. Harold K. Hughes, France de Bal
  3. pp. 207-212
  4. restricted access
  1. Behavior Patterns Of Scientists
  2. Robert K. Merton
  3. pp. 213-220
  4. restricted access
  1. Government Policy and Economic Security for Artists: The Case of the Droit de Suite
  2. Monroe E. Price
  3. pp. 221-231
  4. restricted access
  1. Terminology = Terminologie
  2. pp. 233-234
  3. restricted access
  1. Data: Developments in Art, Theory and Aesthetics ed. by Anthony Hill (review)
  2. Kenneth Frampton
  3. pp. 235-239
  4. restricted access
  1. Création picturale et ordre cérébral by Marcelle Wahl (review)
  2. François Molnar
  3. pp. 239-241
  4. restricted access
  1. American Negro Art by Cedric Dover (review)
  2. Romare Bearden
  3. pp. 241-243
  4. restricted access
  1. The Machine by K. G. Pontus Hultén (review)
  2. Reginald Gadney
  3. pp. 243-244
  4. restricted access
  1. Human Color Perception by J. J. Sheppard, Jr. (review)
  2. John Adams
  3. pp. 244-246
  4. restricted access
  1. An Artist’s Workbook by Natalie d’Arbeloff (review)
  2. Joseph Acheson
  3. pp. 246-247
  4. restricted access
  1. Graphic Perception of Space by Frank Mulvey (review)
  2. Jen Németh
  3. p. 247
  4. restricted access
  1. On the Wisdom of Words by Geoffrey Wagner (review)
  2. James W. Davis
  3. pp. 247-248
  4. restricted access
  1. The Forensic Examination of Paints and Pigments by David A. Crown (review)
  2. George A. Agoston
  3. pp. 248-249
  4. restricted access
  1. International Science-Art News = Art et science: Nouvelles de l’etranger
  2. John H. Holloway
  3. pp. 257-263
  4. restricted access
  1. Letters = Lettres
  2. Jack Burnham, Garo Z. Antreasian, Gyula Kosice, Frank E. Marble, Jeffrey Steele, Beverly G. Frazier, Roy Ascott
  3. pp. 265-267
  4. restricted access
  1. Books Received
  2. pp. 249-250
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