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In this Issue

Table of Contents

  1. On the Use and Phenomena of Fluorescent Pigments in Paintings
  2. Herb Aach
  3. pp. 135-138
  4. restricted access
  1. Visual Dialogue through ‘Conversational’ Drawings
  2. James W. Davis
  3. pp. 139-147
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  1. Polymorphism in Painting through the use of a Labyrinth
  2. Walter Gaudnek
  3. pp. 149-158
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  1. Rôle et valeur de la vision intérieure dans la création picturale
  2. Raoul Michau
  3. pp. 159-167
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  1. Les matériaux plastiques à la disposition des peintres et des sculpteurs
  2. Edouard Adam
  3. pp. 169-171
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  1. For a Change in the Education of Artists
  2. Barron M. Hirsch
  3. pp. 173-176
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  1. My Paintings: Unplanned Structures
  2. Vic Gray
  3. pp. 177-179
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  1. My Geometrical Paintings
  2. Frederick Hammersley
  3. pp. 181-184
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  1. Dance in My Sculpture
  2. Peter Lipman-Wulf
  3. pp. 185-187
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  1. Notes on Jack Burnham’s Concepts of a Software Exhibition
  2. Robert Mallary
  3. pp. 189-190
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  1. Objets-gateaux
  2. Paul Neagu
  3. pp. 191-193
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  1. The Helicoidal Skyscraper
  2. Manfredi G. Nicoletti
  3. pp. 195-197
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  1. Ceramic Sculptures from a Potter’s Wheel
  2. Pamela Robertson
  3. pp. 199-201
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  1. My Abstract Paintings: Subject, Way and Impulse
  2. Martha Zuik
  3. pp. 203-206
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  1. L’accroissement de la créativité
  2. Harold K. Hughes, France de Bal
  3. pp. 207-212
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  1. Behavior Patterns Of Scientists
  2. Robert K. Merton
  3. pp. 213-220
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  1. Government Policy and Economic Security for Artists: The Case of the Droit de Suite
  2. Monroe E. Price
  3. pp. 221-231
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  1. Terminology = Terminologie
  2. pp. 233-234
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  1. Data: Developments in Art, Theory and Aesthetics ed. by Anthony Hill (review)
  2. Kenneth Frampton
  3. pp. 235-239
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  1. Création picturale et ordre cérébral by Marcelle Wahl (review)
  2. François Molnar
  3. pp. 239-241
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  1. American Negro Art by Cedric Dover (review)
  2. Romare Bearden
  3. pp. 241-243
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  1. The Machine by K. G. Pontus Hultén (review)
  2. Reginald Gadney
  3. pp. 243-244
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  1. Human Color Perception by J. J. Sheppard, Jr. (review)
  2. John Adams
  3. pp. 244-246
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  1. An Artist’s Workbook by Natalie d’Arbeloff (review)
  2. Joseph Acheson
  3. pp. 246-247
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  1. Graphic Perception of Space by Frank Mulvey (review)
  2. Jen Németh
  3. p. 247
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  1. On the Wisdom of Words by Geoffrey Wagner (review)
  2. James W. Davis
  3. pp. 247-248
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  1. The Forensic Examination of Paints and Pigments by David A. Crown (review)
  2. George A. Agoston
  3. pp. 248-249
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  1. International Science-Art News = Art et science: Nouvelles de l’etranger
  2. John H. Holloway
  3. pp. 257-263
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  1. Letters = Lettres
  2. Jack Burnham, Garo Z. Antreasian, Gyula Kosice, Frank E. Marble, Jeffrey Steele, Beverly G. Frazier, Roy Ascott
  3. pp. 265-267
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  1. Books Received
  2. pp. 249-250
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