1. Sculpture with Intaglio or Negative Forms
  2. Roy Adzak
  3. pp. 205-210
  4. restricted access
  1. Acrylics, Oils and Encaustic: Experiences and Opinions of an Artist-Chemical Engineer
  2. George A. Agoston
  3. pp. 211-219
  4. restricted access
  1. Wall, Space and Sculpture: A Memoir
  2. Peter Lipman-Wulf
  3. pp. 221-226
  4. restricted access
  1. Aesthetic Tree Patterns in Graph Theory
  2. Frank Harary, Miss Beverley Taylor
  3. pp. 227-231
  4. restricted access
  1. Exploring Stereo Images: A Changing Awareness of Space in the Fine Arts
  2. Harold A. Layer
  3. pp. 233-238
  4. restricted access
  1. On Architecture, the Plastic Arts and the Cultural Evolution of Man
  2. Arpad Mezei
  3. pp. 239-244
  4. restricted access
  1. No-Art: An American Psycho-Social Phenomenon
  2. Emanuel K. Schwartz, Reta Shacknove Schwartz
  3. pp. 245-254
  4. restricted access
  1. On the Making of a Sculpture
  2. Martin Blaszko
  3. pp. 255-256
  4. restricted access
  1. Chromatic Versus Polychrome Sculpture
  2. Mortimer Borne
  3. pp. 257-258
  4. restricted access
  1. On Literality in my Drawings
  2. James W. Davis
  3. pp. 259-261
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  1. Comments on Visual Fine Art Produced by Digital Computers
  2. Frank J. Malina
  3. pp. 263-265
  4. restricted access
  1. Op Art Paintings: ‘Metaphenomena’
  2. Milcovitch
  3. pp. 267-268
  4. restricted access
  1. ‘Architectonic Psalm’: A Sculpture for a Church
  2. Richard Harrell Rogers
  3. pp. 269-270
  4. restricted access
  1. Paintings on Cotton or Linen Absorbent Canvas
  2. Soshana
  3. pp. 271-272
  4. restricted access
  1. The Mathematics of Map Coloring
  2. H. S. M. Coxeter
  3. pp. 273-277
  4. restricted access
  1. Sculpture: Transformables with Permanent Magnets
  2. Alice Hutchins, Guy S. Métraux
  3. pp. 279-282
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  1. Sculptures of Unusual Perceptions
  2. Raivo Puusemp, Henry P. Raleigh
  3. pp. 283-286
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  1. Terminology
  2. pp. 287-288
  3. restricted access
  1. Art and Its Objects by Richard Wollheim (review)
  2. Kenneth R. Adams
  3. pp. 289-291
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  1. The Theory of the Avant-Garde by Renato Poggioli (review)
  2. Joseph Acheson
  3. pp. 291-292
  4. restricted access
  1. The Social Context of Art ed. by Jean Creedy (review)
  2. Peter Lengyel
  3. pp. 292-293
  4. restricted access
  1. The Indignant Eye. The Artist as Social Critic in Prints and Drawings from the Fifteenth Century to Picasso by Ralph E. Shikes (review)
  2. Gabriel P. Weisberg
  3. pp. 293-294
  4. restricted access
  1. The Esthetics of the Middle Ages by Edgar De Bruyne (review)
  2. Norman Narotzky
  3. p. 294
  4. restricted access
  1. Meaning in the Arts by Louis Arnaud Reid (review)
  2. James W. Davis
  3. pp. 294-295
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  1. Principles of Perception by S. H. Hartley (review)
  2. Jacques Mandelbrojt
  3. pp. 295-296
  4. restricted access
  1. The Computer Simulation of Behaviour by Michael J. Apter (review)
  2. Roy Ascott
  3. p. 296
  4. restricted access
  1. Lasers and Light (review)
  2. Grace Marmor Spruch
  3. p. 297
  4. restricted access
  1. Exploring Light by Alexander Efron (review)
  2. Earl M. Reiback
  3. pp. 297-298
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  1. The Design of Design by Gordon L. Glegg (review)
  2. S. K. Ghaswala
  3. p. 298
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  1. Carving Shells and Cameos by Carson I. A. Ritchie (review)
  2. Mortimer Borne
  3. p. 299
  4. restricted access
  1. A Dictionary of Art Terms and Techniques by Ralph Mayer (review)
  2. George A. Agoston
  3. p. 299
  4. restricted access
  1. The Painter’s Pocket Book of Methods and Materials by Hilaire Hiler (review)
  2. George A. Agoston
  3. p. 299
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  1. Books Received
  2. pp. 299-300
  3. restricted access