1. Change, Chance and Structure: Randomness and Formalism in Art
  2. Michael Challinor
  3. pp. 1-11
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  1. Drawing as Suspended Narrative
  2. John Elderfield
  3. pp. 13-22
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  1. An Op Art Picture on Contiguous Double-Curved Minimal Surfaces
  2. P. K. Hoenich
  3. pp. 23-26
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  1. The Information Available in Pictures
  2. James J. Gibson
  3. pp. 27-35
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  1. Lithography as a Democratic Art: A Reappraisal
  2. Peter C. Marzio
  3. pp. 37-48
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  1. Aesthetics and The Artist Today
  2. Harold Osborne
  3. pp. 49-54
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  1. Sculpture: On My Constructions
  2. Matthew Frere-Smith
  3. pp. 55-57
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  1. On My Work with Verbal-Visual Puns and Assemblages
  2. Alan Gummerson
  3. pp. 59-61
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  1. On My Paintings and Collage Sculptures
  2. Ahti Lavonen
  3. pp. 63-65
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  1. Drawing with a Felt-Tipped Pen
  2. Rahel Shavit
  3. pp. 67-68
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  1. Toward Civic Art
  2. Gyorgy Kepes
  3. pp. 69-73
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  1. Chinese and Japanese Colour Wood-Block Printing
  2. Jan Tschichold
  3. pp. 75-79
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  1. Terminology
  2. pp. 81-82
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  1. Artistic Expression—A Sociological Analysis by Vytautas Kavolis (review)
  2. Peter Lengyel
  3. pp. 83-84
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  1. Analyzing Children’s Art by Rhoda Kellogg (review)
  2. Richard G. Coss
  3. pp. 84-85
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  1. Aspects of Form. A Symposium on Form in Nature and Art ed. by Lancelot Law Whyte (review)
  2. John H. Holloway
  3. p. 85
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  1. Idea: A Concept in Art Theory by Erwin Panofsky (review)
  2. Eric Gustav Carlson
  3. pp. 85-86
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  1. Engineering and the Liberal Arts by Samuel C. Florman (review)
  2. S. K. Ghaswala
  3. pp. 86-87
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  1. The Joys and Sorrows of Recent American Art by Allen S. Weller (review)
  2. LeGrace Benson
  3. pp. 87-88
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  1. Sculpture with a Torch by John Rood (review)
  2. Harold Cousins
  3. p. 88
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  1. Architettura Giapponese Contemporanea. (Contemporary Japanese Architecture) (review)
  2. Lászlo Németh
  3. pp. 90-91
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  1. Letters
  2. FranGois Baschet, John Grayson, Donald L. Weismann, Ernst Erik Pfannschmidt, E. Gordon Couzens
  3. pp. 97-98
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  1. Books Received
  2. p. 91
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