1. Paintings with Fluorescent Pigments of the Microcosm and Macrocosm
  2. Richard Bowman
  3. pp. 289-292
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  1. Objects for Producing Visual Phenomena with High-Voltage Electricity
  2. Louis Cork Marcheschi
  3. pp. 293-297
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  1. Judgement of my Paintings by a Sample of the Public in France
  2. Claude Rutault
  3. pp. 299-303
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  1. Engineering Education and the Humanities in America
  2. Henry Knepler
  3. pp. 305-309
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  1. Concepts of Space in Urban Design, Architecture and Art
  2. N. N. Patricios
  3. pp. 311-318
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  1. Is there a Black Aesthetics?
  2. Allan Shields
  3. pp. 319-323
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  1. Kinetic Art: A Mural of Variably Stressed Photoelastic Material With Light Polarizers
  2. Joseph A. Burns, Judith Klein Burns
  3. pp. 325-327
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  1. On Several Plexiglas Art Works
  2. Ida Karskaya, Ludmila Kaprasová
  3. pp. 329-330
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  1. Comments on Discussions of Entropy and Art in Leonardo in 1973
  2. Richard I. Land
  3. pp. 331-333
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  1. The Elitist, the Populist and Mr. Phillips
  2. Kenneth Lash
  3. pp. 335-336
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  1. Modified Photographic Slides as an Art Medium
  2. Jean Otth
  3. pp. 337-338
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  1. Social Situation Sculpture, Using Polyester Resin Figures and Found Objects
  2. Thomas A. Rose
  3. pp. 339-340
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  1. Why I Make Collages
  2. Ehrenfried Viola
  3. pp. 341-343
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  1. An Artist’s Views on his Work
  2. Steven L. Sles
  3. pp. 345-346
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  1. The Artist’s Reserved Rights Transfer and Sale Agreement
  2. Seth Siegelaub
  3. pp. 347-350
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  1. Letter from a Scientist to an Artist
  2. Lancelot Law Whyte
  3. pp. 351-354
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  1. Terminology
  2. pp. 355-356
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  1. International Science—Art News
  2. John H. Holloway
  3. pp. 357-359
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  1. Aesthetics for the Contemporary Artist
  2. Allan Shields
  3. pp. 361-364
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  1. Cultural Policy in Great Britain (review)
  2. E. W. F. Tomlin
  3. p. 365
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  1. The Universe of Light by Sir William Bragg (review)
  2. P. K. Hoenich
  3. pp. 365-366
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  1. Language, Truth and Logic by Alfred Jules Ayer (review)
  2. Martin Steinmann Jr.
  3. pp. 366-367
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  1. The Universe of the Mind by George E. Owen (review)
  2. p. 367
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  1. Art and Belief by David W. Bolam, James L. Henderson (review)
  2. Richard H. Rogers
  3. p. 367
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  1. Great Ideas in Information Theory, Language and Cybernetics by Jaggit Singh (review)
  2. Harold Cohen
  3. pp. 367-368
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  1. Computers and Society by Richard W. Hamming (review)
  2. Michael Thompson
  3. p. 368
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  1. Information Theory by J. F. Young (review)
  2. p. 368
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  1. Studies in Art, Architecture and Design by Nikolaus Pevsner (review)
  2. Laszlo Nemeth, Jen Nemeth
  3. pp. 369-370
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  1. The Aesthetic Movement by Robin Spencer (review)
  2. Arnold Berleant
  3. pp. 370-371
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  1. Other Criteria: Confrontations with Twentieth-Century Art by Leo Steinberg (review)
  2. Ethel Schwabacher
  3. pp. 371-372
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  1. Art Since Mid-Century ed. by Ernest Goldschmidt (review)
  2. Annette Gadney
  3. p. 372
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  1. The Arts of Black Africa by Jean Laude (review)
  2. Jack D. Flam
  3. p. 373
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  1. Outsider Art by Roger Cardinal (review)
  2. John Milner
  3. pp. 373-374
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  1. New Graphic Design in Revolutionary Russia by Szymon Bojko (review)
  2. Bradford R. Collins
  3. p. 374
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  1. Computer Graphics ed. by Johann Willsberger, Winfried Fischer (review)
  2. Herbert W. Franke
  3. pp. 374-375
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  1. Design in Miniature by David Gentleman (review)
  2. Carson I. A. Ritchie
  3. pp. 375-376
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  1. Ceramic Sculpture: Methods and Processes by John B. Kenny (review)
  2. P. S. Robertson
  3. p. 376
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  1. The Arts on Campus: The Necessity for Change ed. by Margaret Mahoney (review)
  2. Peter Lipman-Wulf
  3. pp. 376-377
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  1. Teaching Secondary School Art by Earle W. Linderman, and: Teaching Art: Sources and Resources by Adelaide Sproul (review)
  2. David Friend
  3. pp. 377-378
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  1. Letters
  2. pp. 381-384
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  1. Books Received
  2. pp. 378-379
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