1. On Teaching a Fundamental Sculpture Course
  2. Peter Lipman-Wulf
  3. pp. 193-197
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  1. Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.)
  2. Robert Preusser
  3. pp. 199-206
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  1. Acrylic Sculpture
  2. John Safer
  3. pp. 207-212
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  1. Projective Geometry in the Colour Drawings of H. P. Nightingale
  2. Charles Nightingale
  3. pp. 213-217
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  1. The Social Challenge to Art in America
  2. Gifford Phillips
  3. pp. 219-225
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  1. Urban Sculpture: A Kind of Therapy
  2. Peter F. Smith
  3. pp. 227-232
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  1. On Gibson’s and Goodman’s Accounts of Depiction
  2. Dennis Couzin
  3. pp. 233-235
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  1. Paintings on Themes Taken from Astronautics
  2. Hans-Gunther Cremers, Anna C. Funk
  3. pp. 237-238
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  1. Aspects of Reality in my Paintings
  2. Stephen Greene
  3. pp. 239-240
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  1. Spacichromes: Stabiles of Colored Glass
  2. Jacques Gruber
  3. pp. 241-242
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  1. On Sculpture and Architecture
  2. Henry Moore, Dolores Mitchell
  3. pp. 243-246
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  1. Sociology of the Tension Between Culture and Science at the Level of Rapid Transition
  2. Mikhail Drobyshev
  3. pp. 247-255
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  1. Notes on Soviet Aesthetics
  2. N. Goncharenko
  3. pp. 257-260
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  1. Terminology
  2. pp. 261-262
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  1. Order and Life by Joseph Needham (review)
  2. Stephen Jay Gould
  3. p. 267
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  1. Problem Solving and Creativity in Individuals and Groups by Norman R. F. Maier (review)
  2. Florence Vidal
  3. pp. 268-269
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  1. Magnetism: An Introductory Survey by E. W. Lee (review)
  2. Peter M. Levy
  3. p. 269
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  1. Cybernetics by F.H. George (review)
  2. Michael Holt
  3. pp. 269-270
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  1. Holography by H. Arthur Klein (review)
  2. Margaret Benyon
  3. p. 270
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  1. Art and Society 1: War by Ken Baynes, and: Art and Society 2: Work by Ken Baynes and Alan Robinson (review)
  2. Alfonz Lengyel
  3. p. 271
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  1. The Art of Black Africa by Elsy Leuzinger (review)
  2. Jack D. Flam
  3. pp. 271-272
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  1. Interaction of Color by Josef Albers (review)
  2. Arthur Karp
  3. p. 272
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  1. The Elements of Drawing by John Ruskin, and: Drawing Systems by Fred Dubery and John Willats (review)
  2. Rod Hackney
  3. pp. 272-273
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  1. The Tamarind Book of Lithography: Art and Technique by Garo Antreasian and Clinton Adams (review)
  2. Marcel Salinas
  3. pp. 274-275
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  1. The Technique of Kinetic Art by John Tovey (review)
  2. David Smith
  3. p. 275
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  1. Change in Art Education by Dick Field (review)
  2. Peter Lipman-Wulf
  3. p. 276
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  1. Practical Gemstone Craft by Helen Hutton (review)
  2. Jehangir S. Bhownagary
  3. p. 277
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  1. Scrimshaw by Carson I. A. Ritchie (review)
  2. Winefride Wilson
  3. pp. 277-278
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  1. A Collector’s Guide to Prints and Printmakers, from Dürer to Picasso by F. Salamon (review)
  2. Carson I. A. Ritchie
  3. p. 278
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  1. Letters
  2. pp. 281-287
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  1. The Visual Artist and the Law, and: Art Censorship: A Chronology of Proscribed and Prescribed Art by Jane Clapp (review)
  2. Ira M. Low, James J. McGillan
  3. pp. 276-277
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  1. Books Received
  2. pp. 278-279
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