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In this Issue

Table of Contents

  1. Experiences in Making Drawings by Computer and by Hand
  2. Colette S. Bangert, Charles J. Bangert
  3. pp. 289-296
  4. restricted access
  1. A Discussion of My Art Objects: ‘Action Works’
  2. Stathis Logothetis
  3. pp. 297-301
  4. restricted access
  1. Illustration
  3. p. 308
  4. restricted access
  1. Streamlining and American Industrial Design
  2. Donald J. Bush
  3. pp. 309-317
  4. restricted access
  1. Thematic Structure of Strindberg’s ‘a Dream Play’
  2. Barbara Lipman-Wulf
  3. pp. 319-323
  4. restricted access
  1. Iridescence
  2. W. D. Wright
  3. pp. 325-328
  4. restricted access
  1. Art and Science Project: ‘Waiting-for-light-planes’
  2. Lowry Burgess
  3. pp. 329-331
  4. restricted access
  1. On Producing Graded Black and White or Color Computer Graphics in Combination with a Photographic Technique
  2. Herbert W. Franke
  3. pp. 333-335
  4. restricted access
  1. Art as Therapy for Juvenile Delinquents
  2. Barron M. Hirsch
  3. pp. 337-338
  4. restricted access
  1. Scintigraphic Art
  2. Ismail Kazem
  3. pp. 339-341
  4. restricted access
  1. Violence without Caprice in ‘No-Art’
  2. Boris Lurie
  3. pp. 343-344
  4. restricted access
  1. On My Work as a Painter in Pakistan
  2. S. M. Sadequain, W. K. Bhatty
  3. pp. 345-347
  4. restricted access
  1. Aesthetics and the Artist
  2. Thomas Munro
  3. pp. 349-356
  4. restricted access
  1. Terminology
  3. p. 357
  4. restricted access
  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 359-360
  4. restricted access
  1. Aesthetics for the Contemporary Artist
  2. Allan Shields
  3. pp. 361-364
  4. restricted access
  1. The Past Two Million Years (review)
  2. Berol Robinson
  3. p. 365
  4. restricted access
  1. Civilization and Science: In Conflict or Collaboration (review)
  2. S. K. Ghaswala
  3. pp. 365-366
  4. restricted access
  1. Scientists in Search of Their Conscience ed. by Anthony R. Michaelis, Hugh Harvey (review)
  2. John Scott Willson
  3. p. 366
  4. restricted access
  1. The Doomsday Syndrome by John Maddox, and: Thinking about the Future: A Critique of the Limits to Growth ed. by H. S. D. Cole, et al. (review)
  2. J. Lukasiewicz
  3. pp. 366-367
  4. restricted access
  1. Modern Art and Scientific Thought by John Adkins Richardson (review)
  2. Michael Hoare
  3. pp. 367-368
  4. restricted access
  1. Psychology of the Arts by Hans Kreitler, Shulamith Kreitler (review)
  2. Árpád Mezei
  3. pp. 368-369
  4. restricted access
  1. Structure and Functions of Fantasy by Eric Klinger (review)
  2. Ellen Dissanayake
  3. p. 369
  4. restricted access
  1. Communication by W. H. Freeman (review)
  2. Gerhard Charles Rump
  3. pp. 369-370
  4. restricted access
  1. Pattern Classification and Scene Analysis by Richard O. Duda and Peter E. Hart (review)
  2. Michael Thompson
  3. p. 370
  4. restricted access
  1. Bare Bones: An Exploration in Art and Science by Beverley Halstead and Jennifer Middleton (review)
  2. M. H. Bornstein
  3. p. 370
  4. restricted access
  1. Music and Painting: A Study in Comparative Ideas from Turner to Schoenberg by Edward Lockspeiser (review)
  2. Barbara Hero
  3. pp. 370-371
  4. restricted access
  1. Indian Painters and White Patrons by J. J. Brody (review)
  2. LeRoy H. Appleton
  3. p. 371
  4. restricted access
  1. Art Nouveau: An Anthology of Design and Illustration from The Studio by Edmund V. Gillon Jr (review)
  2. John Milner
  3. pp. 371-372
  4. restricted access
  1. La Peinture, le geste, l’action (l’existentialisme en peinture) by Margit Rowell (review)
  2. Nicole Magnan de Bormier
  3. p. 372
  4. restricted access
  1. Proceedings of the Seventh National Sculpture Conference, 27, 28, 29 April 1972 ed. by Elden C. Tefft (review)
  2. Peter Lipman-Wulf
  3. pp. 372-373
  4. restricted access
  1. Printmaking Today: A Studio Handbook by Jules Heller, and: Introducing Relief Printing by John O’Connor (review)
  2. Romas Viesulas
  3. p. 373
  4. restricted access
  1. Apparative Kunst by Herbert W. Franke, Gottfried Jäger (review)
  2. Gerhard Charles Rump
  3. p. 373
  4. restricted access
  1. All Things Bright and Beautiful: Design in Britain 1830 to Today by Fiona MacCarthy, and: Design as Art by Bruno Munari (review)
  2. Rod Hackney
  3. pp. 373-374
  4. restricted access
  1. Comix: A Case History of Comic Books in America by Les Daniels (review)
  2. Peter C. Marzio
  3. p. 374
  4. restricted access
  1. Sporting Art: England 1700–1900 by Stella A. Walker (review)
  2. James Laver
  3. pp. 374-375
  4. restricted access
  1. Metalwork for Craftsmen by Emil F. Kronquist (review)
  2. Harold Cousins
  3. p. 375
  4. restricted access
  1. Experimental Techniques in Enameling by Fred Ball (review)
  2. Edward Winter
  3. p. 375
  4. restricted access
  1. Computers and Computation: Readings from Scientific American by Robert R. Fenichel and Joseph Weizenbaum, Computers and Society by Stanley Rothman and Charles Mosmann, Man and the Computer by John Kemeny (review)
  2. Dale Sparks
  3. pp. 375-376
  4. restricted access
  1. On Adam’s House in Paradise: The Idea of the Primitive Hut in Architectural History by Joseph Rykwert (review)
  2. Árpád Mezei
  3. p. 376
  4. restricted access
  1. Artists in the Making by Frank Barron (review)
  2. David Friend
  3. pp. 376-377
  4. restricted access
  1. Actions, Styles and Symbols in Kinetic Family Drawings (K-F-D) by Robert C. Burns, S. Harvard Kaufman (review)
  2. Peter Fingesten
  3. p. 377
  4. restricted access
  1. Art Restoration: A Guide to the Care and Preservation of Works of Art by Francis Kelly, and: Art Objects: Their Care and Preservation; A Handbook for Museums and Collectors by Frieda Kay Fall, and: Conservation of Paintings and the Graphic Arts (review)
  2. George A. Agoston
  3. pp. 377-378
  4. restricted access
  1. Letters
  2. N. N. Patricios, Marcus Hester, Elmer H. Duncan, François Molnar, Myron A. Coler, James J. Gibson, Lincoln Rothschild, Louis R. Marcheschi, John S. Keel, Lee Harrison III, James A. Goldman
  3. pp. 379-384
  4. restricted access
  1. Painting: My ‘Pontormo Variations’ Series
  2. Nicholas Orsini
  3. pp. 303-307
  4. restricted access
  1. Books Received
  3. p. 378
  4. restricted access