1. Kinetic Art: Application of Abstract Algebra to Objects with Computer-Controlled Flashing Lights and Sound Combinations
  2. Vladimir Bonačić
  3. pp. 193-200
  4. restricted access
  1. Conceptual Art: Transformation of Natural and of Cultural Environments
  2. William Vazan, Paul Heyer
  3. pp. 201-205
  4. restricted access
  1. Kinetic Environmental Art: Sky Sculpture
  2. Howard Woody
  3. pp. 207-210
  4. restricted access
  1. A Hypothesis of the Evolution of Art from Play
  2. Ellen Dissanayake
  3. pp. 211-217
  4. restricted access
  1. Perspective Based on a New Optics
  2. Vasco Ronchi
  3. pp. 219-225
  4. restricted access
  1. Intelligent Computers and Visual Artists
  2. Michael Thompson
  3. pp. 227-234
  4. restricted access
  1. Astrology and Modern Science Revisited
  2. James R. Barth, James T. Bennett
  3. pp. 235-237
  4. restricted access
  1. Sculpture: My Outlook and Work
  2. Eugen Ciuca
  3. pp. 239-241
  4. restricted access
  1. Report on Colour 73. Second Congress of the International Colour Association (AIC)
  2. Albert Garrett
  3. pp. 243-244
  4. restricted access
  1. On the Response to the Present in Still and Kinetic Painting and to Eternity in Sculpture
  2. Árpád Mezei
  3. pp. 245-246
  4. restricted access
  1. Painting with Dyes on Fabrics
  2. John C. Stenhouse
  3. pp. 247-248
  4. restricted access
  1. Workshop Problems in the Printing of Oversize Relief Prints
  2. Romas Viesulas
  3. pp. 249-252
  4. restricted access
  1. A Discussion of Kinetic Art with a Group of Italian Art Students
  2. Nino Calos
  3. pp. 253-254
  4. restricted access
  1. Scientists and Artists: Motivations, Aspirations, Approaches and Accomplishments
  2. Michael J. Moravcsik
  3. pp. 255-259
  4. restricted access
  1. Terminology
  2. p. 261
  3. restricted access
  1. Scientific Thought: Some Underlying Concepts, Methods and Procedures (review)
  2. Michael J. Apter
  3. p. 269
  4. restricted access
  1. Science as Metaphor: The Historical Role of Scientific Theories in Forming Western Culture by Richard Olson (review)
  2. Peter T. Landsberg
  3. p. 269
  4. restricted access
  1. Biology and Culture in Modern Perspective: Readings from Scientific American by Joseph G. Jorgensen (review)
  2. Richard G. Coss
  3. p. 270
  4. restricted access
  1. Man, Machines and Tomorrow by M. W. Thring (review)
  2. R. S. Hartenberg
  3. pp. 270-271
  4. restricted access
  1. Daydreams and Nightmares by William R. Burch, Jr., Arts of the Environment ed. by Gyorgy Kepes (review)
  2. J. C. Kapur
  3. p. 271
  4. restricted access
  1. Environmental Psychology by H. M. Proshansky (review)
  2. Yona Friedman
  3. pp. 271-272
  4. restricted access
  1. The Social Context of Art ed. by Jean Creedy (review)
  2. James A. Goldman
  3. p. 272
  4. restricted access
  1. Varieties of Visual Experience: Art as Image and Idea by Edmund Burke Feldman (review)
  2. Arnold Berleant
  3. p. 272
  4. restricted access
  1. Art & Language ed. by Paul Maenz and Gerd de Vries (review)
  2. Martin Steinmann Jr.
  3. p. 272
  4. restricted access
  1. Visual Perception of Form by Leonard Zusne (review)
  2. Rudolf Arnheim
  3. p. 273
  4. restricted access
  1. Velazquez, Goya, The Dehumanization of Art and Other Essays by José Ortega, Gassett (review)
  2. Mercedes Molleda
  3. pp. 274-275
  4. restricted access
  1. Critique of Modern Art by Frederick Solomon (review)
  2. Alan C. Birnholz
  3. p. 275
  4. restricted access
  1. Modern European Art by Alan Bowness (review)
  2. Clive Phillpot
  3. p. 275
  4. restricted access
  1. Baudelaire: Selected Writings on Art and Artists ed. by P. E. Charvet (review)
  2. Bradford R. Collins
  3. pp. 275-276
  4. restricted access
  1. Surrealism and Painting by André Breton (review)
  2. Norman Narotsky
  3. p. 276
  4. restricted access
  1. Painting the Nude by Glenn Hamm (review)
  2. Frank Covino
  3. pp. 276-277
  4. restricted access
  1. Designing with Natural Forms by Natalie d’Arbeloff (review)
  2. S. W. Hayter
  3. p. 277
  4. restricted access
  1. Masks: Their Meaning and Function by Andreas Lommel (review)
  2. Jack D. Flam
  3. p. 277
  4. restricted access
  1. African Design: From Traditional Sources by Geoffrey Williams (review)
  2. Romare H. Bearden
  3. p. 277
  4. restricted access
  1. Graphic Languages ed. by F. Nake, A. Rosenfeld (review)
  2. Michael Thompson
  3. p. 278
  4. restricted access
  1. Prop Art by Gary Yanker (review)
  2. Nadine Faingold
  3. p. 278
  4. restricted access
  1. Comics: Anatomy of a Mass Medium by Reinhold Reitberger, Wolfgang Fuchs (review)
  2. Peter C. Marzio
  3. p. 279
  4. restricted access
  1. Tie and Dye as a Present Day Craft by Anne Maile, and: Tie and Dye Made Easy by Anne Maile (review)
  2. Marjorie S. Thompson
  3. p. 279
  4. restricted access
  1. Steuben Glass by James S. Plaut (review)
  2. Harvey K. Littleton
  3. pp. 279-280
  4. restricted access
  1. Glass by G.O. Jones (review)
  2. S. Isenberg
  3. p. 280
  4. restricted access
  1. Glass, Resin and Metal Construction by Peter Tysoe (review)
  2. George A. Agoston
  3. p. 280
  4. restricted access
  1. Creativity and Education by Hugh Lytton (review)
  2. Harold K. Hughes
  3. p. 280
  4. restricted access
  1. Art Education: An International Survey (review)
  2. David Friend
  3. p. 281
  4. restricted access
  1. An Introduction to Luminescence of Solids by Humboldt W. Leverenz (review)
  2. George A. Agoston
  3. p. 280
  4. restricted access
  1. Art: An Introduction by Dale G. Cleaver, The Visual Dialogue: An Introduction to the Appreciation of Art by Nathan Knobler (review)
  2. Barron M. Hirsch
  3. p. 281
  4. restricted access
  1. Books Received
  2. p. 282
  3. restricted access