1. On Stereoscopic Painting
  2. Roger Ferragallo
  3. pp. 97-104
  4. restricted access
  1. Animation as a Form of Expression: An Artist’s Reflections on a Personal Mode of Film Making
  2. Irving Kriesberg
  3. pp. 105-110
  4. restricted access
  1. On My Outlook as a Painter: A Memoir
  2. J. Tworkov
  3. pp. 111-116
  4. restricted access
  1. A Twentieth Century Image of Man
  2. J. Bronowski
  3. pp. 117-121
  4. restricted access
  1. Mysticism, Science and Art
  2. Ithamar Gruenwald
  3. pp. 123-130
  4. restricted access
  1. A Psychosocial Approach to the Peking Opera
  2. John D. Mitchell, Emanuel K. Schwartz
  3. pp. 131-138
  4. restricted access
  1. On Order, Simplicity and Entropy
  2. Rudolf Arnheim
  3. pp. 139-141
  4. restricted access
  1. A Convex Canvas as an Aid to Augment Three-Dimensional Illusions in Painting
  2. Mortimer Borne
  3. pp. 143-144
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  1. Participatory Art and Body Sculptures with Mirrors
  2. Hans Breder, Robert Alexander
  3. pp. 145-146
  4. restricted access
  1. On Symmetries and the Structure of Our Own Nature
  2. Roland Fischer
  3. pp. 147-148
  4. restricted access
  1. Sculpture: Growth Structures
  2. Barbara Freeman
  3. pp. 149-150
  4. restricted access
  1. On Astrology and Modern Science
  2. James R. Hein
  3. pp. 151-152
  4. restricted access
  1. Electroluminescence as an Art Medium
  2. H. K. Henisch
  3. pp. 153-154
  4. restricted access
  1. The West London Social Resource Project
  2. Stephen Willats
  3. pp. 155-158
  4. restricted access
  1. The Ignorance Explosion
  2. J. Lukasiewicz
  3. pp. 159-163
  4. restricted access
  1. Terminology
  2. pp. 165-166
  3. restricted access
  1. International Science—Art News
  2. John H. Holloway, Trevor Tolhurst
  3. pp. 167-168
  4. restricted access
  1. Aesthetics for the Contemporary Artist
  2. Allan Shields
  3. pp. 169-172
  4. restricted access
  1. Truth in the Sciences by Scott Buchanan, and: Human Understanding by Stephen Toulmin (review)
  2. P. T. Landsberg
  3. p. 173
  4. restricted access
  1. Adventures in Experimental Physics ed. by Bogdan Maglich (review)
  2. Grace Marmor Spruch
  3. pp. 173-174
  4. restricted access
  1. Psychophysical Analysis of Visual Space by John C. Baird (review)
  2. Nicholas Patricios
  3. p. 174
  4. restricted access
  1. Understanding Natural Language by Terry Winograd (review)
  2. Michael Thompson
  3. pp. 174-175
  4. restricted access
  1. Climate for Creativity ed. by Calvin W. Taylor (review)
  2. Florence Vidal
  3. p. 175
  4. restricted access
  1. Languages of Art: An Approach to a Theory of Symbols by Nelson Goodman, and: Laws of Form by C. Spencer Brown (review)
  2. Michael Thompson
  3. pp. 175-176
  4. restricted access
  1. Toward a Psychology of Art by Rudolf Arnheim (review)
  2. Árpád Mezei
  3. p. 176
  4. restricted access
  1. Art and Society: Sex by Ken Baynes (review)
  2. Leonard Blank
  3. p. 177
  4. restricted access
  1. Visual Aesthetics by J. J. de Lucio-Meyer, and: Aesthetics ed. by Harold Osborne (review)
  2. Albert Garrett
  3. p. 177
  4. restricted access
  1. Form, Style, Tradition: Reflections on Japanese Art and Society by Shuichi Kato (review)
  2. Thomas T. Ichinose
  3. pp. 177-178
  4. restricted access
  1. Hazard, Form and Value by Sister Mary Francis Slattery (review)
  2. James A. Goldman
  3. p. 178
  4. restricted access
  1. Vorticism and the English Avant-Garde by William C. Wees (review)
  2. Alan C. Birnholz
  3. pp. 178-179
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  1. Symbolist Art by Edward Lucie-Smith, and: The Eclipse of Symbolism by Peter Fingesten (review)
  2. Alan C. Birnholz
  3. p. 179
  4. restricted access
  1. New Realism by Udo Kulterman (review)
  2. Donna M. Stein
  3. p. 180
  4. restricted access
  1. The History of Photography by Beaumont Newhall (review)
  2. Jacques J. Halbert
  3. pp. 180-181
  4. restricted access
  1. The Technique of Film Animation by John Halas, Roger Manvell (review)
  2. Ana Sacerdote de Guthmann
  3. p. 181
  4. restricted access
  1. A New Language for Environmental Design by Lynden Herbert (review)
  2. Rod Hackney
  3. p. 181
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  1. Archigram ed. by Peter Cook, and: The Architect and the Computer by Boyd Auger (review)
  2. Philip Steadman
  3. pp. 181-182
  4. restricted access
  1. The Art of Papercraft by H. Ogawa (review)
  2. M. S. Thompson
  3. p. 183
  4. restricted access
  1. The Conservation of Antiquities and Works of Art: Treatment, Repair and Restoration by H. L. Plenderleith, A. E. A. Warner (review)
  2. George A. Agoston
  3. pp. 183-184
  4. restricted access
  1. Books Received
  2. pp. 184-185
  3. restricted access