1. Kinetic Art: On the Use of Subliminal Stimulation of Visual Perception
  2. Robert B. Baldwin
  3. pp. 1-5
  4. restricted access
  1. Transformable Paintings and my Mystical Outlook
  2. Yo Ichikawa
  3. pp. 7-11
  4. restricted access
  1. Sculpture Incorporating Electric Lights
  2. Joanne Grant Petersen
  3. pp. 13-18
  4. restricted access
  1. Some thoughts on the Sense of Smell in Analogy to Language
  2. Michael M. Benarie
  3. pp. 19-22
  4. restricted access
  1. Experimental Aesthetics or the Science of Art
  2. F. Molnar
  3. pp. 23-26
  4. restricted access
  1. A Course in Technology for Artists
  2. Lee Rosenthal
  3. pp. 27-29
  4. restricted access
  1. A Program on Art and Science at the Bezalel Academy of Arts and Design, Jerusalem, Israel
  2. Vladimir Bonačić
  3. pp. 31-32
  4. restricted access
  1. A Comparison of the Artistic Theories of Leonardo Da Vinci and of Wassily Kandinsky
  2. David L. Carleton
  3. pp. 33-35
  4. restricted access
  1. Collage Works of Layers of Japanese Hand-made Paper Produced as Print Editions
  2. Albert Garrett
  3. pp. 37-39
  4. restricted access
  1. Visualizing Conceived as Visual Apprehending without any Particular Point of Observation
  2. J. J. Gibson
  3. pp. 41-42
  4. restricted access
  1. Psychophysics of Time
  2. Michael Hoare
  3. pp. 43-45
  4. restricted access
  1. Kinetic Art: Two Installations with Flashing Electric Lights
  2. Thorbjørn Lausten
  3. pp. 47-48
  4. restricted access
  1. Parts of British Buildings as Sculpture by Architects
  2. Dolores Mitchell
  3. pp. 49-52
  4. restricted access
  1. Paintings Based on Atomic Spectra: ‘Quantum Realism’
  2. M. Sabri
  3. pp. 53-55
  4. restricted access
  1. Some Physiological Limitations on Aesthetic Experience in the Visual Arts
  2. George K. Shortess
  3. pp. 57-59
  4. restricted access
  1. Can Science Lead to an Understanding of Beauty?
  2. Jean Chaguiboff
  3. pp. 61-64
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  1. Terminology
  2. pp. 65-67
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  1. Man and the Environment by Arthur S. Boughey, and: Environmental Insight by Robert M. Chute (review)
  2. J. C. Kapur
  3. p. 73
  4. restricted access
  1. The Philosophy of Art by Giovanni Gentile (review)
  2. Allan Shields
  3. pp. 73-74
  4. restricted access
  1. The Concept of Art by Haig Khatchadourian, and: Criticism and Personal Taste by R. Peacock (review)
  2. Donald Brook
  3. pp. 74-75
  4. restricted access
  1. Concepts of Communication: Interpersonal, Intrapersonal and Mathematical ed. by Edwin F. Beckenbach, Charles B. Tompkins (review)
  2. Michael Thompson
  3. pp. 76-77
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  1. Non-Verbal Communication ed. by R. A. Hinde (review)
  2. Richard G. Coss
  3. pp. 77-78
  4. restricted access
  1. Indian Art by Philip Rawson (review)
  2. K. G. Subramanyan
  3. p. 78
  4. restricted access
  1. Futurism by Jane Rye (review)
  2. Alfonz Lengyel
  3. p. 79
  4. restricted access
  1. Circle: International Survey of Constructive Art ed. by J. L. Martin, Ben Nicholson, N. Gabo (review)
  2. Clive Phillpot
  3. p. 79
  4. restricted access
  1. Surrealism and Film by J. H. Matthews, and: Surrealism: The Road to the Absolute by Anna Balakian (review)
  2. Peter Fingesten
  3. pp. 79-80
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  1. Alexandra Exter by Andrei B. Nakov (review)
  2. John E. Bowlt
  3. pp. 80-81
  4. restricted access
  1. Max Jacob and the Poetics of Cubism by Gerald Kamber (review)
  2. J. S. Bodolai
  3. p. 81
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  1. Viking Eggeling 1880–1925: Artist and Film-maker, Life and Work by Louise O’Konor (review)
  2. John E. Jones
  3. pp. 81-82
  4. restricted access
  1. Optical and Geometrical Patterns and Designs by Spyros Horemis (review)
  2. John Scott Willson
  3. p. 82
  4. restricted access
  1. Das Bild als Schein der Wirklichkeit. Optische Tauschungen in Wissenschaft und Kunst by Herbert Schober, Ingo Rentschier (review)
  2. Herbert W. Franke
  3. p. 82
  4. restricted access
  1. Polyhedron Models by Magnus J. Wenninger (review)
  2. Arthur L. Loeb
  3. pp. 82-83
  4. restricted access
  1. Human Anatomy and Figure Drawing by Jack Kramer, and: Artistic Anatomy by Paul Richer (review)
  2. Norman Narotzky
  3. p. 83
  4. restricted access
  1. Sculpture in Glass Fibre by John Panting (review)
  2. Peggy Goldstein
  3. p. 85
  4. restricted access
  1. Art and Design in Papier-Maché by Karen Kuykendall (review)
  2. Maurice Lang
  3. p. 85
  4. restricted access
  1. The Beginning of the World by Edward Burne-Jones, and: A Decade of Printmaking ed. by Charles Spencer (review)
  2. Carson I. A. Ritchie
  3. pp. 85-86
  4. restricted access
  1. Multiples: The First Decade by John L. Tancock (review)
  2. Effie Stephano
  3. p. 86
  4. restricted access
  1. African Crafts and Craftsmen by René Gardi, and: Afro-American Art and Craft by Judith Wragg Chase (review)
  2. Carson I. A. Ritchie
  3. p. 87
  4. restricted access
  1. Assemblage: A New Dimension in Creative Teaching in Action by Victor D’Amico, Arlette Buchman (review)
  2. Natalie d’Arbeloff
  3. pp. 88-89
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  1. Emphasis: Art; A Qualitative Program for the Elementary School by Frank Wachowiak, Theodore Ramsay (review)
  2. Constance E. Wagar
  3. p. 89
  4. restricted access
  1. Art as Therapy with Children by Edith Kramer (review)
  2. Raymond S. Stites
  3. pp. 89-90
  4. restricted access
  1. Letters
  2. Richard I. Land, Frank J. Malina, Michael Zeilik II, F.H. George, H. Arthur Klein, G. Autriasian, John Tovey, Jagjit Singh, Roger Cardinal
  3. pp. 93-96
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  1. Books Received
  2. pp. 90-91
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