1. On My Approach to Painting
  2. Sandor Torday
  3. pp. 271-274
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  1. Constructions Based on a Curved Perspective
  2. Alan Turner
  3. pp. 275-278
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  1. Illustration
  2. p. 278
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  1. The Perception of Pictorial Space in Perspective Pictures
  2. John L. Ward
  3. pp. 279-288
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  1. Tetraconic Perspective for a Complete Sphere of Vision
  2. Kenneth R. Adams
  3. pp. 289-291
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  1. The ‘Visual World’ Program at the University of Northern Iowa, U.S.A.
  2. Roy R. Behrens, Kenneth Lash
  3. pp. 292-294
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  1. On the symbolism in Paul Klee’s Painting ‘Um den Fisch’
  2. Naomi Boretz
  3. pp. 295-297
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  2. Neva Delihas
  3. pp. 298-299
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  1. Kalcinat Prints And Relief Sculpture from Flame-Treated Plastic Sheet
  2. Paul Franck
  3. pp. 300-302
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  1. Kenneth Beittel on Art Education Research
  2. Glenn B. Hamm
  3. pp. 303-305
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  1. Comments on Hypothetical Extrasensory Perception (ESP)
  2. Richard I. Land
  3. pp. 306-307
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  1. On Making Drawings While Practising Rajneesh’s Dhyana Yoga
  2. Om Upadhya
  3. pp. 308-310
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  1. Report on the 1975 Conference on Pictorial Perception at the University of Minnesota, U.S.A.
  2. Albert Yonas, Robert Cooper
  3. pp. 311-313
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  1. On Conditions for Creativity and Innovation
  2. André Jaumotte
  3. pp. 315-319
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  1. Robert Falk (1886–1958) as A Teacher of Painting
  2. Oleg Prokofiev
  3. pp. 320-324
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  1. Terminology
  2. p. 325
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  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 326-327
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  1. Aesthetics for the Contemporary Artist
  2. Elmer H. Duncan
  3. pp. 328-331
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  1. Seven Theories of Human Nature by Leslie Stevenson (review)
  2. Patrick Shaw
  3. pp. 332-333
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  2. Grace Marmor Spruch
  3. p. 333
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  1. Topophilia: A Study of Environmental Perception, Attitudes and Values by Yi-Fu Tuan (review)
  2. N. N. Patricios
  3. pp. 333-334
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  1. Right and Left: Essays on Dual Symbolic Classification ed. by Rodney Needham (review)
  2. Kenneth R. Adams
  3. pp. 334-335
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  1. E.S.P. and Psychology ed. by Cyril Burt, Anita Gregory (review)
  2. Richard I. Land
  3. p. 335
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  1. Charles Henry and the Formation of a Psychophysical Aesthetic by José A. Argüelles (review)
  2. James T. Miller
  3. pp. 335-336
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  1. The Voice of the Symbol by Martin Grotjahn, and: Symbolism and Art Nouveau by Alistair Mackintosh (review)
  2. Peter Fingesten
  3. p. 336
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  1. Principles of Egyptian Art by Heinrich Schafer (review)
  2. Vernie Logan
  3. p. 336
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  1. Maritain’s Ontology of the Work of Art by John W. Hanke (review)
  2. Magnus J. Wenninger
  3. pp. 336-337
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  1. The Concept of the Avant-Garde: Explorations in Modernism by John Weightman (review)
  2. Michael Holt
  3. p. 337
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  1. Marxism and Form: Twentieth-Century Dialectical Theories of Literature by Frederick Jameson (review)
  2. Teddy Brunius
  3. pp. 337-338
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  1. The New Humanism: Art in a Time of Change by Barry Schwartz (review)
  2. Boris Lurie
  3. pp. 338-339
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  1. Pictures as Arguments by Hans Hess (review)
  2. Nicholas Orsini
  3. p. 339
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  1. The Restless Image: A Sociology of Fashion by René König, Dress Art and Society, 1560–1970 by Geoffrey Squire (review)
  2. Christopher Frayling
  3. pp. 339-340
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  1. Posada’s Popular Mexican Prints ed. by Roberto Berdecio, Stanley Appelbaum (review)
  2. Enrique C. G. Sebastian
  3. p. 340
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  1. The Man Who … and Other Drawings by H. M. Bateman (review)
  2. Mel Caiman
  3. p. 340
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  1. Brice Marden. Exhibition catalogue by Linda Shearer (review)
  2. Thomas T. Ichinose
  3. pp. 340-341
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  2. Peter Lloyd Jones
  3. p. 341
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  2. Carson I. A. Ritchie
  3. p. 341
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  2. Arthur Lucas
  3. p. 342
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  2. Dorothy Cameron
  3. p. 342
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  2. Frederick S. Duncan
  3. p. 342
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  2. Thomas A. Rose
  3. p. 343
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  1. On Weaving by Anni Albers (review)
  2. Marianne Straub
  3. p. 343
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  1. Basic Questions of Design Theory ed. by William R. Spillers (review)
  2. Michael Thompson
  3. pp. 343-344
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  2. Momodou Ceesay
  3. p. 344
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  3. p. 344
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  2. Harry Rand
  3. pp. 344-345
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  2. p. 345
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  2. E. W. F. Tomlin
  3. p. 345
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  2. pp. 345-346
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  1. Artist’s Market ’76 ed. by Kirk Polking, Liz Prince (review)
  2. p. 346
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  1. The Writers’ and Artists’ Year Book 1974 by Adam, Charles Black (review)
  2. p. 346
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  2. p. 346
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  1. The ‘Umbrella Series’: Static and Kinetic Constructions
  2. Bryan Rogers
  3. pp. 265-269
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  1. Style in Art History: An Introduction to Theories of Style and Sequence by Margaret Finch (review)
  2. Alan C. Birnholz
  3. p. 336
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  1. Books Received
  2. pp. 346-347
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