1. Music-Kinetic Art Medium: On the Work of the Group ‘Prometei’ (SKB), Kazan, U.S.S.R.
  2. B. M. Galeyev
  3. pp. 177-182
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  1. The Collotype Printing Process: A Proposal for its Revival
  2. Kent Kirby
  3. pp. 183-186
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  1. Making Mosaics: A Painter’s Approach
  2. Michel Schmidt-Chevalier
  3. pp. 187-190
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  1. Experiments on the Interaction of Color and Form
  2. Lois Swirnoff
  3. pp. 191-195
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  1. Still-Life Paintings in a Consumer Society
  2. R. G. Saisselin
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  1. The Sociology of Time: Histories and Historians in the Cultures of the West and of China
  2. Peter Young
  3. pp. 205-208
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  1. Characteristics of Ideas: A Triangle of their Interactions
  2. Pierre Auger
  3. pp. 209-210
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  1. On the Effects of Flashing White and Coloured Light on Humans
  2. Albert Garrett
  3. pp. 213-214
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  1. A Mathematical Approach to Nonfigurative Modular Pictures
  2. Frank Harary
  3. pp. 215-216
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  1. Conventionality and Perspective
  2. Marcus B. Hester
  3. pp. 217-218
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  1. Comments on Derȩgowski’s Analysis of Seeing a Picture for the First Time
  2. John M. Kennedy
  3. pp. 219-221
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  1. Television Images: The Illusion of Space and form Aided by Lighting
  2. Ray E. Knight
  3. pp. 222-223
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  1. Kinetic Art: A Programmed and a Sound-controlled Flashing-light Installation
  2. Thorbjørn Lausten
  3. pp. 224-225
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  1. Balloons and Kites in Participatory Outdoor Sculpture
  2. Joyce Ozier
  3. pp. 226-227
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  1. Report on the 1975 International ‘Arttransition’ Conference at the Massachusetts Institute of Technology (M.I.T.)
  2. Robert O. Preusser
  3. pp. 228-230
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  1. The Character of Writings by Artists about their Art
  2. Rita Nolan
  3. pp. 231-234
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  1. A Conversation between a Sculptor and a Painter
  2. Warren Padula, Louise A. DeSalvo
  3. pp. 235-237
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  1. Kinetic Art: Third Conference on ‘Light and Music’, Kazan, U.S.S.R., 27 June–4 July, 1975
  2. pp. 238-239
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  1. Terminology
  2. p. 240
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  1. Man’s Responsibility for Nature: Ecological Problems and Western Traditions by John Passmore (review)
  2. J. Lukasiewicz
  3. p. 245
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  1. Man and Nature by William Taylor (review)
  2. P. T. Landsberg
  3. p. 245
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  1. The Next Ten Thousand Years: A Vision of Man’s Future in the Universe by Adrian Berry (review)
  2. Berol Robinson
  3. pp. 245-246
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  1. New Worlds in Physics by John G. Taylor (review)
  2. Robert F. Erickson
  3. p. 246
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  1. Almost All about Waves by John R. Pierce (review)
  2. S. W. Hayter
  3. p. 246
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  1. Eye and Brain: The Psychology of Seeing by R. L. Gregory (review)
  2. Kim James
  3. pp. 246-247
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  1. Behaviour and Perception in Strange Environments by Helen E. Ross (review)
  2. R. W. Pickford
  3. pp. 247-248
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  1. Hermeneutic Philosophy and the Sociology of Arts by Janet Wolff (review)
  2. Kim James
  3. p. 248
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  1. Craft and Consciousness: Occupational Techniques and the Development of World Images by Joseph Bensman, Robert Lilienfeld (review)
  2. Rémy G. Saisselin
  3. pp. 248-249
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  1. The Phenomenology of Aesthetic Experience by Mikel Dufrenne (review)
  2. Gerhard Charles Rump
  3. p. 249
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  1. On Literature and Art: Karl Marx and Frederick Engels ed. by Lee Baxendall (review)
  2. Jeanne Brody
  3. pp. 249-250
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  1. The Comedy of Survival: Studies in Literary Ecology by J. W. Meeker (review)
  2. Daniel E. Noble
  3. p. 250
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  1. The Meaning of Unintelligibility in Modern Art by Edward F. Rothschild (review)
  2. Sandra Packard
  3. p. 250
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  1. The Quiet Rebellion: The Making and Meaning of the Arts by James K. Feibleman (review)
  2. John A. Walker
  3. pp. 250-251
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  1. The Art Critic and the Art Historian: The Leslie Stephen Lecture 1973 by Quentin Bell (review)
  2. Michael Rosenthal
  3. p. 251
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  1. Voices from the Stone Age: A Search for Cave and Canyon Art by Douglas Mazonowicz (review)
  2. Sherly Farness
  3. p. 251
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  1. The History of Impressionism by John Rewald (review)
  2. John Milner
  3. pp. 251-252
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  1. The Sacred Spring: The Arts in Vienna 1898–1918 by Nicolas Powell (review)
  2. Alfred Werner
  3. p. 252
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  1. The Blaue Reiter Almanac. Wassily Kandinsky and Franz Marc, eds. by Klaus Lankheit (review)
  2. Glenn B. Hamm
  3. pp. 252-253
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  1. The New Deal for Artists by Richard D. McKinzie (review)
  2. Gifford Phillips
  3. pp. 253-254
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  1. To Keep Art Alive: The Effort of Kenneth Hayes Miller, American Painter (1876–1952) by Lincoln Rothschild (review)
  2. Francis V. O’Connor
  3. p. 254
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  1. The World of M. C. Escher ed. by J. L. Locher (review)
  2. Nahum Joël
  3. pp. 254-255
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  1. The Realms of Colour—Eranos Yearbook, 41–1972 ed. by Adolf Portmann, Rudolf Ritsema (review)
  2. Ralph Brocklebank
  3. p. 255
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  1. Arabic Geometrical Pattern and Design by J. Bourgoin (review)
  2. Arthur L. Loeb
  3. pp. 255-256
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  1. Original Art Deco Designs by William Rowe (review)
  2. Arthur L. Loeb
  3. p. 256
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  1. Metalwork and Enamelling by Herbert Maryon (review)
  2. Edward Winter
  3. p. 256
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  1. The Techniques of China Painting by Gunhild Jørgensen (review)
  2. Thelma Frazier Winter
  3. p. 256
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  1. Introducing Expanded Polystyrene by Alan Barnsley (review)
  2. Derek A. Norman
  3. pp. 256-257
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  1. Color and Composition: A Guide for Artists by Robert Girard (review)
  2. Albert Garrett
  3. p. 257
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  1. Electrical Installation in Pictures by M. Neidle (review)
  2. p. 257
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  1. Somewhere Else: A Living Learning Catalog ed. by The Center for Curriculum Design (review)
  2. p. 257
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  1. Grants and Aid to Individuals in the Arts (review)
  2. p. 257
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  1. Editor’s note
  2. p. 264
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  1. Illustrations
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  1. Culture and Thought: A Psychological Introduction by Michael Cole, Sylvia Scribner (review)
  2. Jan B. Deregowski
  3. p. 247
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  1. Books Received
  2. pp. 257-258
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