1. Pottery Reduction Firing with a Fuel-Burning Kiln
  2. Gregg Conway
  3. pp. 89-93
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  1. Painting: The Impact of Astronautics and Science Fiction on my Work
  2. David A. Hardy
  3. pp. 95-98
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  1. Pictures Based on Computer Drawings Made by Deforming an Initial Design
  2. Ruth Leavitt, Jay Leavitt
  3. pp. 99-103
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  1. Illustration
  3. p. 104
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  1. Color Perception in Art: Beyond the Eye into the Brain
  2. Faber Birren
  3. pp. 105-110
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  1. Painting and Language: A Pictorial Syntax of Shapes
  2. Curtis L. Carter
  3. pp. 111-118
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  1. Sculpture: Science Fiction Machines
  2. Charles Alexander
  3. pp. 119-120
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  1. Comments on Picture Perception as Analyzed by John M. Kennedy
  2. LeGrace G. Benson
  3. pp. 122-124
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  1. The Genesis of a Painting
  2. Simona Ertan
  3. p. 125
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  1. Computer-Assisted Facial Sketching
  2. Mark L. Gillenson, B. Chandrasekaran, Charles Csuri, Robert Schwartz
  3. pp. 126-129
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  1. The Multi-Media Performance ‘987’ Based on the Golden Ratio
  2. Jeffrey B. Havill
  3. pp. 130-132
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  1. Examples of the Microscopic World through the Scanning Electron Microscope
  2. B. A. Meylan, N. E. Flower
  3. pp. 133-136
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  1. An Approach to Teaching Visual Fine Art to Engineers
  2. Paul F. Miller Jr.
  3. pp. 137-139
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  1. A Code for Representing the Occidental Musical Notation in Pictorial Art
  2. S. V. Vadnerkar
  3. pp. 140-141
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  1. On Artistic Integrity
  2. Vladimir Favorsky
  3. p. 142
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  1. An Interview on Discovery in Physics with Richard P. Feynman and Fred Hoyle
  2. Richard P. Feynman, Fred Hoyle
  3. pp. 143-146
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  1. Terminology
  3. p. 147
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  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. pp. 148-149
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  1. Aesthetics for the Contemporary Artist
  2. Elmer H. Duncan
  3. pp. 150-153
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  1. Negative Dialectics by Theodor W. Adorno (review)
  2. John A. Walker
  3. p. 154
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  1. The Medium, the Mystic, and the Physicist: Toward a General Theory of the Paranormal by Lawrence LeShan (review)
  2. Tim Healey
  3. pp. 154-155
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  2. James A. Goldman
  3. p. 155
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  2. Stephen L. Klineberg
  3. pp. 155-156
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  1. Concepts and Mechanisms of Perception by R. L. Gregory (review)
  2. Lawrence Wheeler
  3. pp. 156-157
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  1. Logic and Art: Essays in Honor of Nelson Goodman ed. by Richard Rudner, Israel Scheffler (review)
  2. Michael Thompson
  3. p. 157
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  1. Animals and Their Colors: Camouflage, Warning, Coloration, Courtship and Territorial Display, Mimickry by Michael Fogden, Patricia Fogden (review)
  2. Marc Bornstein
  3. p. 158
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  1. Infinite Polyhedra by A. Wachman, M. Burt, M. Kleinman (review)
  2. Magnus J. Wenninger
  3. p. 158
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  1. Symmetry: A Stereoscopic Guide for Chemists by Ivan Bernal, Walter C. Hamilton, John S. Ricci (review)
  2. Roger Ferragallo
  3. pp. 158-159
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  1. Cultural Policy in Italy (review)
  2. Nino Calos
  3. p. 159
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  1. Art and Imagination: A Study in the Philosophy of Mind by Roger Scruton (review)
  2. Gillian Wise Ciobotaru
  3. pp. 159-160
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  1. Symbol, Mythos und Legende in der Kunst by Manfred Lurker (review)
  2. Peter Fingesten
  3. p. 160
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  1. Ästhetik als Informationsverarbeitung by Frieder Nake (review)
  2. Herbert W. Franke
  3. p. 160
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  1. Readings in Glass History ed. by Anita Engle (review)
  2. Gladys Davidson Weinberg
  3. p. 161
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  1. The Twilight of the Medici: Late Baroque Art in Florence, 1670–1743 (review)
  2. Barron M. Hirsch
  3. p. 161
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  2. J. J. Brody
  3. p. 162
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  1. Cubism and Abstract Art by Alfred H. Barr, Jr, and: The Cubist Epoch by Douglas Cooper (review)
  2. Alfred Werner
  3. pp. 162-163
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  1. Social Realism: Art as a Weapon ed. by David Shapiro (review)
  2. John Adkins Richardson
  3. p. 163
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  1. The Painted Word by Tom Wolfe (review)
  2. Dorothy Grotz
  3. pp. 163-164
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  1. Drawing: Seeing and Observation by Ian Simpson (review)
  2. Rahel Shavit
  3. p. 164
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  1. Painting with Acrylics by William Kortlander (review)
  2. Frank Covino
  3. pp. 164-165
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  2. Peter Lipman-Wulf
  3. p. 165
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  2. Harold Cousins
  3. p. 165
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  2. John Adkins Richardson
  3. pp. 165-166
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  1. Calligraphy by Arthur Baker, and: Calligraphic Alphabets by Arthur Baker (review)
  2. Jacques Decaux
  3. p. 166
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  1. Visual Illusions Coloring Book by Spyros Horemis (review)
  2. John Scott Willson
  3. p. 166
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  3. p. 166
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  2. J. S. Ostoja-Kotkowski
  3. pp. 166-167
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  1. The Architecture of Frank Lloyd Wright: A Complete Catalog by William Allin Storrer (review)
  2. Eric G. Carlson
  3. p. 167
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  1. The Theatre of Josef Svoboda by Vladimir Berezkin (review)
  2. Miroslav Kouřil
  3. pp. 167-168
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  1. Scene Design and Stage Lighting ed. by W. Oren Parker, Harvey K. Smith (review)
  2. Miroslav Kouřil
  3. p. 168
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  1. Artists in the Classroom by Stephen R. Shapiro, Richard Place, and: Art and Environment: An Art Resource for Teachers by Arnel W. Pattemore, and: The Open Eye in Learning: The Role of Art in General Education ed. by Richard Bassett (review)
  2. David Friend
  3. pp. 168-169
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  1. Dictionary of Subjects and Symbols in Art by James Hall (review)
  3. p. 169
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  1. A Dictionary of Surrealism by José Pierre, and: A Dictionary of Expressionism by Joseph-Emile Muller (review)
  3. p. 169
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  1. Letters
  2. James Gips, George Stiny, Michael Thompson, John G. Harries, Robert Hansen, Laurence Cane, Roland Fischer, Peter F. Smith, Ralph Brocklebank, Gert Marcus, Harold Rosenberg, Henry P. Raleigh, Frank Covino
  3. pp. 172-176
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  1. On the ‘Temples of Our Times’ Cartoon Series
  2. Natalie d’Arbeloff
  3. p. 121
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  1. Pattern Recognition: Introduction and Foundations ed. by Jack Sklansky (review)
  2. Michael Thompson
  3. p. 157
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  1. History of Architecture and Design 1890–1939: Introduction by Tim Benton, Geoffrey Baker, and: History of Architecture and Design 1890–1939: Art Nouveau 1890–1902 by Tim Benton, Sandra Millikin (review)
  2. Peter Lloyd Jones
  3. p. 167
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  1. Books Received
  3. pp. 170-171
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