1. Essentialism and my Pictorial Art
  2. Pic Adrian
  3. pp. 1-4
  4. restricted access
  1. On the Fusion of Verbal and Visual Media
  2. John Milner
  3. pp. 5-9
  4. restricted access
  1. An Analysis of my Work as a Painter of Pictures: Thoughts on Artistic Interpretations of What is Perceived
  2. Kirill Sokolov
  3. pp. 11-18
  4. restricted access
  1. On Seeing a Picture for the First Time
  2. J. B. Deręgowski
  3. pp. 19-23
  4. restricted access
  1. A Psychological Model for Aesthetic Experience
  2. Peter F. Smith
  3. pp. 25-31
  4. restricted access
  1. Environmental Sculpture in the U.S.A.: High Art or Cultural Shrubbery?
  2. Howard Conant
  3. pp. 33-35
  4. restricted access
  1. Drawings Made During a Visit in 1974 to the People’s Republic of China
  2. Thomas George
  3. pp. 36-37
  4. restricted access
  1. F. D. Martin and the Problem of Censorship in Religious Art
  2. Susan Glyn
  3. pp. 38-40
  4. restricted access
  1. Eric Adams on the Work of Francis Danby
  2. Glenn B. Hamm
  3. pp. 41-42
  4. restricted access
  1. Report on the 2nd International Conference on Computers and the Humanities, Los Angeles, Calif., U.S.A.
  2. Grace C. Hertlein
  3. pp. 43-45
  4. restricted access
  1. On My Primitive Paintings
  2. Perle Hessing
  3. pp. 46-47
  4. restricted access
  1. A Color System for Artists
  2. Gert Marcus
  3. pp. 48-51
  4. restricted access
  1. Instruction on Light and Color in Art at the Iowa State University
  2. Mary L. Meixner
  3. pp. 52-55
  4. restricted access
  1. Gibson and the Success of Experimental Aesthetics
  2. R. W. Pickford
  3. pp. 56-57
  4. restricted access
  1. Report on the 1975 Public-Celebration Workshop at the Center for Advanced Visual Studies, M.I.T.
  2. Robert Steele
  3. pp. 58-60
  4. restricted access
  1. My Motivations as a Painter
  2. Léon Zack
  3. pp. 61-62
  4. restricted access
  1. Putting the Art Back into Art History
  2. Michael Levey
  3. pp. 63-65
  4. restricted access
  1. Communicating Mathematics: Is It Possible?
  2. Gina Bari Kolata
  3. p. 66
  4. restricted access
  1. Terminology
  2. pp. 67-68
  3. restricted access
  1. Science and Sentiment in America: Philosophical Thought from Jonathan Edwards to John Dewey by Morton White (review)
  2. James A. Goldman
  3. p. 72
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  1. The Roots of Civilization by Alexander Marshack (review)
  2. Grahame Leman
  3. pp. 72-73
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  1. II. Cultural Policy in Yugoslavia by Stevan Majstorović (review)
  2. Vladimir Bonačić
  3. pp. 73-74
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  1. The Psychology of Visual Perception by Ralph Norman Haber and Maurice Hershenson (review)
  2. Michael Thompson
  3. p. 74
  4. restricted access
  1. A Bibliography of Bibliographies in Aesthetics by Allan Shields (review)
  2. Elmer H. Duncan
  3. p. 75
  4. restricted access
  1. The Aesthetics of Modernism by Joseph Chiari (review)
  2. Arnold Berleant
  3. pp. 75-76
  4. restricted access
  1. Art and Anarchy by Edgar Wind (review)
  2. David Mandel
  3. p. 76
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  1. The Story of Art by E. H. Gombrich (review)
  2. Barron M. Hirsch
  3. p. 76
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  1. Mutual Aid in the Arts: From the Second Empire to Fin de Siècle by Teddy Brunius (review)
  2. Daphne Chart
  3. p. 76
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  1. Still Life Painting in America by Wolfgang Born (review)
  2. Rémy G. Saisselin
  3. pp. 77-78
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  1. The Documents of 20th-century Art: The Tradition of Constructivism ed. by Stephen Bann (review)
  2. Donald K. McNamee
  3. p. 78
  4. restricted access
  1. Discovering the Present: Three Decades in Art, Culture and Politics by Harold Rosenberg (review)
  2. Henry P. Raleigh
  3. pp. 78-79
  4. restricted access
  1. The Age of the Avant-Garde: An Art Chronicle of 1956–1972 by Hilton Kramer (review)
  2. Alan C. Birnholz
  3. p. 79
  4. restricted access
  1. Color in Art: A Tribute to Arthur Pope by James M. Carpenter (review)
  2. Ralph Brocklebank
  3. pp. 79-80
  4. restricted access
  1. Gray is the Color (review)
  2. Frank Covino
  3. p. 80
  4. restricted access
  1. Color: Its Principles and Their Applications by Frederick W. Clulow (review)
  2. Dick Land
  3. pp. 80-81
  4. restricted access
  1. Discover Acrylics with Frank Covino: An Academic Approach by Frank Covino (review)
  2. Ralph Mayer
  3. p. 81
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  1. The Sculptural Idea James J. Kelly (review)
  2. Jan Zach
  3. pp. 81-82
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  1. Zero by Otto Piene and Heinz Mack (review)
  2. Charles Pulsford
  3. p. 82
  4. restricted access
  1. Principles and Practice of Ornamental or Complex Turning by John Jacob Holtzapffel (review)
  2. Mike Nevelson
  3. pp. 82-83
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  1. Regular Polytopes by H. S. M. Coxeter (review)
  2. Magnus J. Wenninger
  3. p. 83
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  1. Basic Typography by Ruedi Rüegg and Godi Fröhlich (review)
  2. Keith Murgatroyd
  3. pp. 83-84
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  1. Plastics Technology by Robert V. Milby, Creative Plastics by David Rees (review)
  2. George A. Agoston
  3. p. 84
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  1. Art Psychotherapy: An International Journal (review)
  2. Barron M. Hirsch
  3. p. 84
  4. restricted access
  1. Letters
  2. Leonello Boni, Faber Birren, Robin Maconie, James J. Gibson, Vasco Ronchi, Klaus Peter Dencker, John Sladek, Dorothy Michelson Livingston
  3. pp. 86-88
  4. restricted access
  1. Introduction to Engineering Design and Graphics by George C. Beakley and Ernest G. Chilton (review)
  2. Dick Land
  3. p. 83
  4. restricted access
  1. Books Received
  2. p. 85
  3. restricted access