1. Illustration
  2. Jan Zach, Susan Glyn, David W. Brisson, Paul Klee
  3. restricted access
  1. The Development of My Sculpture and Stained Glass
  2. Susan Glyn
  3. pp. 265-271
  4. restricted access
  1. The Cube and the Dodecahedron in my Polyhedric Architecture
  2. Zvi Hecker
  3. pp. 272-275
  4. restricted access
  1. On the Depiction of Smooth Forms in a Group of Paintings by Paul Klee
  2. John Willats
  3. pp. 276-282
  4. restricted access
  1. Perspective as a Convention: On the Views of Nelson Goodman and Ernst Gombrich
  2. David Carrier
  3. pp. 283-287
  4. restricted access
  1. Principal Shadows of the 12 Pentagonal Regular 4-Dimensional Objects (Polytopes)
  2. B. L. Chilton
  3. pp. 288-294
  4. restricted access
  1. The Science-Humanities Program (NEXA) at San Francisco State University: The ‘Two Cultures’ Reconsidered
  2. Michael S. Gregory
  3. pp. 295-302
  4. restricted access
  1. Report on Two Constructivism Exhibitions and Two Symposia on Constructivist Art and Design, Dallas, Texas, U.S.A.
  2. John E. Bowlt
  3. pp. 303-306
  4. restricted access
  1. Wavefronts Theatre of Performing Lights: On Light Shows with Music and Dance
  2. Louis M. Brill
  3. pp. 307-309
  4. restricted access
  1. Visually Scanning 4-Dimensional Objects with the Aid of Hyperstereograms in Color
  2. David W. Brisson
  3. pp. 310-312
  4. restricted access
  1. Composite Graphic-Photo Pictures
  2. Ekkehart Rautenstrauch
  3. pp. 313-314
  4. restricted access
  1. My Sculpture, ‘Galaxy’
  2. Jan Zach
  3. pp. 315-316
  4. restricted access
  1. World Peace in Truth
  2. Mortimer J. Adler
  3. pp. 317-322
  4. restricted access
  1. Creativity and Self-Development: A Reply to Michael Krausz
  2. Larry Briskman
  3. pp. 323-325
  4. restricted access
  1. Terminology
  2. p. 326
  3. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 328-331
  4. restricted access
  1. The Biology of People by Sam Singer and Henry R. Hilgard (review)
  2. F. H. C. Marriott
  3. p. 332
  4. restricted access
  1. Physics for Poets by Robert H. March (review)
  2. Blake Morrison
  3. pp. 332-333
  4. restricted access
  1. Dots and Lines by Richard J. Trudeau (review)
  2. Arthur L. Loeb
  3. p. 333
  4. restricted access
  1. Technics and Praxis by Don Ihde, and: The Question Concerning Technology and Other Essays by Martin Heidegger (review)
  2. Michael J. Moravcsik
  3. p. 333
  4. restricted access
  1. Color Theory and Its Application in Art and Design by George A. Agoston (review)
  2. Jonathan C. Fish
  3. pp. 333-334
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  1. Dreams and Illusions of Astrology by Michel Gauquelin (review)
  2. Lawrence E. Jerome
  3. p. 335
  4. restricted access
  1. Just This Side of Madness: Creativity and the Drive to Create by Carol Ann Morizot (review)
  2. D. N. Perkins
  3. pp. 335-336
  4. restricted access
  1. The Arts, Cognition and Basic Skills ed. by Stanley S. Madeja (review)
  2. Cyril Barrett
  3. p. 336
  4. restricted access
  1. The Sense of Order: A Study in the Psychology of Decorative Art by E. H. Gombrich (review)
  2. David R. Topper
  3. pp. 336-337
  4. restricted access
  1. Philosophy Looks at the Arts: Contemporary Readings in Aesthetics ed. by Joseph Margolis (review)
  2. Elmer H. Duncan
  3. p. 337
  4. restricted access
  1. The Foundation of Aesthetics by Stanislaw Ossowski (review)
  2. I. E. Gordon
  3. pp. 337-338
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  1. The Philosophy of Art of Karl Marx by Mikhail Lifshitz (review)
  2. Berel Lang
  3. pp. 338-339
  4. restricted access
  1. On Aesthetics in Science ed. by Judith Wechsler (review)
  2. Gerhard Charles Rump
  3. p. 339
  4. restricted access
  1. Edward Sheriff Curtis: Visions of a Vanishing Race by Florence Curtis Graybill and Victor Boesen (review)
  2. David E. Dear
  3. pp. 339-340
  4. restricted access
  1. Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment by Ernst Kris and Otto Kurz (review)
  2. G. W. Granger
  3. p. 340
  4. restricted access
  1. Art and Architecture in the Service of Politics ed. by Henry A. Millon and Linda Nochlin (review)
  2. Lincoln Rothschild
  3. pp. 340-341
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  1. Art History and Class Struggle by Nicos Hadjinicolaou (review)
  2. Gerhard Charles Rump
  3. p. 341
  4. restricted access
  1. The Sensual Immortals: A Selection of Sculptures from the Pan-Asian Collection by Prátapaditya Pal (review)
  2. K. G. Subramanyan
  3. pp. 341-342
  4. restricted access
  1. The Graphic Work of Max Klinger by J. Kirk Varndoe with Elizabeth Streicher (review)
  2. Stephen Calloway
  3. p. 342
  4. restricted access
  1. The Magic Pen of Joseph Clement Coll by Walt Reed (review)
  2. Ferris Olin
  3. p. 342
  4. restricted access
  1. Walter J. Phillips: A Selection of His Works and Thoughts by Michael J. Gribbon (review)
  2. Judith Coxe
  3. pp. 342-343
  4. restricted access
  1. André Masson by William Rubin and Carolyn Lanchner (review)
  2. Susan Myette
  3. p. 343
  4. restricted access
  1. The Golden Age of American Illustration: F. R. Gruger and His Circle by Bernnard Perlman (review)
  2. John Adkins Richardson
  3. pp. 343-344
  4. restricted access
  1. Format in Painting by Avigdor Posèq (review)
  2. Albert Garrett
  3. p. 344
  4. restricted access
  1. Sculpture in Plastics 2nd Ed. by Nicholas Roukes (review)
  2. George A. Agoston
  3. pp. 344-345
  4. restricted access
  1. Homegrown Holography by George Dowbenko, and: Holographic Recording Materials ed. by H. M. Smith (review)
  2. Ruth Scheps-Detton
  3. p. 345
  4. restricted access
  1. Sounds of Music by Charles Taylor (review)
  2. Alan Wells
  3. pp. 345-346
  4. restricted access
  1. Architectural Symbolism of Imperial Rome and the Middle Ages by E. Baldwin Smith (review)
  2. Peter Fingesten
  3. p. 346
  4. restricted access
  1. Books Received
  2. pp. 346-347
  3. restricted access