1. Illustration
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  1. Kinetic Art: Special Bas-Reliefs with Solar Illumination
  2. Roland A. Baladi
  3. pp. 1-4
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  1. Stone Sculptures Made by a Two-Member Team
  2. Wolfgang Kubach, Anna-Maria Kubach-Wilmsen, Juergen Morschel, Gloria Coates, Alex Winter
  3. pp. 5-9
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  1. Application of the Ostwald Color System in my Painting
  2. Helen Thomas
  3. pp. 11-16
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  1. Visual Art: Homospatial Thinking in the Creative Process
  2. Albert Rothenberg
  3. pp. 17-27
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  1. Interrelationships between the Visual Arts, Science and Technology: A Bibliography
  2. David R. Topper, John H. Holloway
  3. pp. 29-33
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  1. Examples of my Non Figurative Graphic Work Involving ‘The Implied’
  2. Salahuddin Choudhury
  3. pp. 34-35
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  1. Kinetic Artworks and Transformables: Mobilo-Sculptures and Polysculptures
  2. Henri Gabriel
  3. pp. 36-37
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  1. A Photomontage of a Painting as Seen During Visual Fixation
  2. William J. Kelly
  3. pp. 38-39
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  1. My Artwork Entitled ‘On Holography’
  2. Richard Kostelanetz
  3. pp. 40-41
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  1. Some Irritating Observations about Museums in the U.S.A. and Italy
  2. F. David Martin
  3. p. 42
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  1. An Electronic Dimmer for the Viewing of Sculptures and other Artworks
  2. Paul F. Miller Jr.
  3. pp. 43-44
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  1. Comments on the Jackson Pollock Catalogue Raisonné
  2. Harry Rand
  3. pp. 45-46
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  1. Intimate Objects
  2. Sebastian (Enrique Carbajal G.)
  3. pp. 47-48
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  1. Drawings Based on Lines Projected from the Surface of the Circular Cylinder
  2. Alan Turner
  3. pp. 49-50
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  1. Towards a Field Theory for Post-Modernist Art
  2. Roy Ascott
  3. pp. 51-52
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  1. A Painter Reminisces: Color Experiences in Childhood and Adolescence
  2. Philip M. Brody
  3. pp. 53-56
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  1. Alchemy, Androgyny and Visual Artists
  2. Arturo Schwarz
  3. pp. 57-62
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  1. Terminology
  2. pp. 63-64
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  1. The Nature of Physical Reality: A Philosophy of Modern Physics by Henry Margenau (review)
  2. Grace Marmor Spruch
  3. p. 70
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  1. Magic, Science, and Civilization by Jacob Bronowski (review)
  2. R. F. Erickson
  3. p. 70
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  1. The Scientific Imagination: Case Studies by Gerald Holton (review)
  2. Pierre Auger
  3. pp. 70-71
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  1. Concept Formation by Neil Bolton (review)
  2. Joseph Germana
  3. p. 71
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  1. Symmetry Discovered: Concepts and Applications in Nature and Science by Joe Rosen (review)
  2. N. Joël
  3. pp. 71-72
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  1. New Worlds in Chemistry by Martin Sherwood (review)
  2. Mahmoud Sabri
  3. p. 72
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  1. The Inner Limits of Mankind. Heretical Reflections on Today’s Values, Culture and Politics by Ervin Laszlo (review)
  2. Tim Healey
  3. p. 72
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  1. The Fire and the Sun: Why Plato Banished the Artists by Iris Murdoch (review)
  2. Allan Shields
  3. pp. 72-73
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  1. Aspects of Canadian Cultural Policy by D. Paul Schafer (review)
  2. Paul Heyer, William Vazan
  3. p. 73
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  1. The Subsidized Muse: Public Support for the Arts in the United States by Dick Netzer (review)
  2. Gifford Phillips
  3. pp. 73-74
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  1. Artists & People by Su Braden (review)
  2. Dolores Mitchell
  3. p. 74
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  1. Anamorphic Art by Jurgis Baltrusaitis (review)
  2. Sheldon Richmond
  3. pp. 74-75
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  1. William Morris and His World by Ian Bradley (review)
  2. Donald J. Bush
  3. pp. 75-76
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  1. Art: African-American by Samell Lewis (review)
  2. Margaret Burroughs
  3. p. 76
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  1. The New York School: The Painters and Sculptors of the Fifties by Irving Sandler (review)
  2. Harry Rand
  3. pp. 76-77
  4. restricted access
  1. The Etched Work of Whistler by Edward G. Kennedy, and: Georges Rouault: The Graphic Work by Alan Wofsy (review)
  2. Séan O’Driscoll
  3. pp. 77-78
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  1. Les Horribles mouvements de l’immobilité: Recueil de textes ecrits depuis 1959 by Pol Bury (review)
  2. Henri Gabriel
  3. p. 78
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  1. Jewelry of the Prehistoric Southwest by E. Wesley Jernigan (review)
  2. David Dear
  3. p. 78
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  1. How to Design and Build Electronic Instrumentation by Joseph J. Carr (review)
  2. David Smith
  3. p. 78
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  1. The Dynamics of Architectural Form by Rudolf Arnheim (review)
  2. Peter F. Smith
  3. pp. 78-79
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  1. The Conservation of Cities (review)
  2. Peter F. Smith
  3. pp. 79-80
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  1. Color Mixing by Numbers by Alfred Hickethier (review)
  2. George A. Agoston
  3. p. 80
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  1. Paint/Coatings Dictionary by Stanley Le Sota (review)
  2. George A. Agoston
  3. p. 80
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  1. Curriculum Handbook: The Disciplines, Current Movements and Instructional Methodology ed. by Louis Rubin (review)
  2. Constance E. Wagar
  3. p. 81
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  1. Guide to Basic Information Sources in the Visual Arts by Gerd Muehsam (review)
  2. p. 81
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  1. Art Education: A Guide to Information Sources by Clarence Bunch (review)
  2. p. 81
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  1. Arts & Humanities Citation Index (A&HCI) (review)
  2. pp. 81-82
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  1. Supplement to Mallet’s Index of Artists by Daniel Trowbridge Mallet (review)
  2. p. 82
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  1. Dictionary of Inventions and Discoveries ed. by E. F. Carter (review)
  2. p. 82
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  1. Handbook for Acoustic Ecology ed. by Barry Truax (review)
  2. p. 83
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  1. Letters
  2. Donald Brook, Paul Heyer, R. H. Sabersky, John E. Bowlt, James W. Davis, Kirill Sokolov, Bernard Smith, Roger Reynolds, L. R. B. Elton, Donald Brook, Lord Clark, Albert Garrett
  3. pp. 85-88
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  1. Books Received
  2. pp. 83-84
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