1. Memorials, Vanitas and Death Themes in my Recent Mixed-Media Paintings
  2. Nicholas Orsini
  3. pp. 177-181
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  1. A Report on my Cultural Mission as Sculptor and Architect to the Orient for the French Government
  2. Pierre Székely
  3. pp. 182-186
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  1. On Producing Colours Using Birefringence Property of Transparent, Colourless Stretched Cellophane
  2. S. J. Edwards, A. J. Langley
  3. pp. 187-190
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  1. The Ecology of J. J. Gibson’s Perception
  2. E. Bruce Goldstein
  3. pp. 191-195
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  1. A Visual Art Project for Public Participation: A Means of Communicating About Art
  2. Dierk Engelken
  3. pp. 196-197
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  1. My Anamorphoses: Types That Produce Three Kinds of Images in Circular Cylindrical Mirrors
  2. Hans Hamngren
  3. pp. 198-201
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  1. On the Signification of Doors and Gates in the Visual Arts
  2. Michael Moore
  3. pp. 202-205
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  1. Report on the Ars Electronica 80 Symposium Held at Linz, Austria, in September 1980
  2. Susanne Päch
  3. pp. 206-207
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  1. Kinetic Light Art: Continuous 3-Dimensional Luminous Images Produced on Rapidly Rotating Strings
  2. Andy Pepper
  3. pp. 208-209
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  1. A Commentary on Harold Osborne’s Book Abstraction and Artifice in Twentieth-Century Art
  2. Ralph A. Smith
  3. pp. 210-212
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  1. Kinetic Sculpture: My Mobiles of Wire and Thread Forming Geometrical Surfaces
  2. Jean-Louis Viora
  3. pp. 213-215
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  1. ‘Water Portraits’: Colour Photographs of Reflections on Water Surfaces and an Audio-Visual Programme Based on Them
  2. Kazimierz Wejchert
  3. pp. 216-217
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  1. Some Comments on the Pictorial Art by Schizophrenics
  2. Bogumil Wtorkiewicz
  3. pp. 218-219
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  1. An Exchange of Views on Gestalt Psychology and Aesthetic Explanation
  2. Monroe C. Beardsley, Rudolf Arnheim
  3. pp. 220-223
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  1. Discussions by Two Artists of the Background to their Drawings
  2. Illation Golitsyn, Kirill Sokolov, Avril Pyman
  3. pp. 224-229
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  1. Visual Art and Mathematics: Common Characteristics of Order
  2. Bruno D’Amore
  3. pp. 230-231
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  1. On Order in Art and in Science
  2. Donald Brook
  3. pp. 231-232
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  1. The Golden Section and Human Evolution
  2. David S. Fensom
  3. pp. 232-233
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  1. Comments on Aesthetically Satisfying Order in the Arts
  2. Herbert W. Franke
  3. pp. 233-234
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  1. On the Search for Order in the Physical Universe
  2. Gerald Holton
  3. pp. 234-235
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  1. On Symmetry in Nature and in the Visual Arts
  2. Susanne Päch
  3. pp. 235-236
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  1. The Nature of Blackness in Art and Visual Perception
  2. W. D. Wright
  3. pp. 236-237
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  1. Art and Science
  2. Victor F. Weisskopf
  3. pp. 238-242
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  1. Terminology
  2. p. 243
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  1. The Human Mystery: The Gifford Lectures, University of Edinburgh 1977–1978 by John C. Eccles (review)
  2. Anne K. Uemura
  3. p. 247
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  1. Ways of Worldmaking by Nelson Goodman (review)
  2. Jon W. Sharer
  3. pp. 247-248
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  1. The Myth of Metaphor by Colin M. Turbayne (review)
  2. Carl R. Hausmann
  3. p. 248
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  1. Civilization: Readings from Scientific American by Brian M. Fagan and W. H. Freeman (review)
  2. James A. Goldman
  3. p. 249
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  1. Culture as Polyphony. An Essay of the Nature of Paradigms by James M. Curtis (review)
  2. Nicholas Mann
  3. p. 250
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  1. Man and Technology: Toward the Measurement of a Culture by Edward Goodwin Ballard (review)
  2. Madhoor Kapur
  3. pp. 250-251
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  1. Ideals and Idols: Essays on Values in History and in Art by E. H. Gombrich (review)
  2. David Carrier
  3. p. 252
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  1. Styles In Art by Heribert Hutter (review)
  2. S. I. Clerk
  3. p. 252
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  1. What Is a Masterpiece? by Kenneth Clark (review)
  2. Michael Krausz
  3. pp. 252-253
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  1. The Spirit of Surrealism by Edward B. Henning (review)
  2. Peter Fingesten
  3. p. 253
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  1. Chardin and the Still-Life Tradition in France by Gabriel P. Weisberg with S. Talbot (review)
  2. Peter Cannon-Brookes
  3. p. 253
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  1. 100 Artists 100 Years (review)
  2. LeGrace G. Benson
  3. pp. 253-254
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  1. The Apocalyptic Vision: The Art of Franz Marc as German Expressionism by Frederick S. Levine (review)
  2. John F. Moffitt
  3. p. 254
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  1. Daphnis and Chloe by Longus (review)
  2. Susan Montgomery
  3. pp. 254-255
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  1. Arshile Gorky by Phyllis Rosenzweig (review)
  2. Sherly Farness
  3. p. 255
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  1. Stanley Spencer at War by Richard Carline (review)
  2. Vic Gray
  3. p. 255
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  1. Popular Media in China: Shaping New Cultural Patterns ed. by Godwin C. Chu (review)
  2. Michael Gotz
  3. pp. 255-256
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  1. Watercolor Workbook by Bud Biggs and Lois Marshall (review)
  2. Nancy Hubbe
  3. p. 256
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  1. Let There Be Neon by Rudy Stern (review)
  2. Cork Marcheschi
  3. p. 256
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  1. Digital Image Processing by Rafael C. Gonzalez and Paul Wintz (review)
  2. Michael Thompson
  3. pp. 256-257
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  1. Textile Sculptures by Irene Waller (review)
  2. Marianne Straub
  3. p. 257
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  1. Performance: Live Art 1909 to the Present by Roselee Goldberg (review)
  2. Malcolm F. R. Miles
  3. p. 257
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  1. Art-Based Games by Don Pavey (review)
  2. Helen Kerr-Croft
  3. pp. 257-258
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  1. Moments of Vision: The Stroboscopic Revolution in Photography by Harold E. Edgerton and James R. Killian, Jr. (review)
  2. Donna Stein
  3. p. 258
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  1. Architectural Stained Glass ed. by Brian Clarke (review)
  2. Gwyneth Thurgood
  3. p. 258
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  1. Visionary Drawings of Architecture and Planning: 20th Century through the 1960s by George R. Collins (review)
  2. Zvi Hecker
  3. pp. 258-259
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  1. Promoting and Selling Your Art by Carole Katchen, and: This Business of Art by Diane Cochrane (review)
  2. p. 259
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  1. The New Penguin Dictionary of Electronics by Carol Young (review)
  2. p. 259
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  1. Computerist’s Handy Databook/Dictionary by Clayton L. Hallmark (review)
  2. p. 259
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  1. Dictionary of American Art by Matthew Baigell (review)
  2. p. 260
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  1. Letters
  2. Paul Ré, David Carrier, Peter Kahn, Roger Fischler, Kit Pedler, Marie Naevestad, G. W. Granger
  3. pp. 262-264
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  1. Illustrations
  2. Dmitry Mitrokhin, Nicholas Orsini, S. J. Edwards, A. J. Langley, K. Wejchert, Jean-Louis Viora
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  1. Books Received
  2. pp. 260-261
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