1. Illustration
  2. restricted access
  1. Colour as Sensation in Visual Art and in Science
  2. Jonathan C. Fish
  3. pp. 89-98
  4. restricted access
  1. A Critical Account of Some of Josef Albers’ Concepts of Color
  2. Alan Lee
  3. pp. 99-105
  4. restricted access
  1. On My Drawings and Paintings: An Extension of the System of their Classification
  2. Paul Ré
  3. pp. 106-113
  4. restricted access
  1. Influence of Tuberculosis on the Work of Visual Artists: Several Prominent Examples
  2. Rhoda F. Lemlein
  3. pp. 114-117
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  1. Toward Improving the Objective Status of Aesthetics: On Style and Content of Figurative Pictorial Art
  2. Arpad Mezei
  3. pp. 118-121
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  1. Artistic Graphic Musical Scores Influenced by Tantric Art
  2. Robert Donnini
  3. pp. 122-124
  4. restricted access
  1. Commentary on the Book Paradoxes of Progress by Gunther S. Stent
  2. J. Lukasiewicz
  3. pp. 128-131
  4. restricted access
  1. Paintings Depicting my Ambiguous Reactions to an Urban Environment
  2. Tariffe Raslain
  3. pp. 132-133
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  1. ‘Light Modules’: Pictorial Artworks Produced by Daylight Projected onto a Translucent Screen
  2. Joost van Santen
  3. pp. 134-136
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  1. Artificial Intelligence and Visual Art
  2. Peter Kugel
  3. pp. 137-139
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  1. Extracts from the Published Views of the Painter Pavel Kuznetsov
  2. E. A. Nekrasova, Avril Pyman
  3. pp. 140-143
  4. restricted access
  1. On Creativity and Discovery in the Fine Arts and in the Natural Sciences
  2. Pierre Auger
  3. pp. 144-145
  4. restricted access
  1. The Idea of Order in the Natural Sciences and in the Visual Arts
  2. Giorgio Caeri
  3. p. 146
  4. restricted access
  1. Order and Tolerance
  2. E. H. Gombrich
  3. p. 147
  4. restricted access
  1. On A Priori Order and Order to be Discovered
  2. Jacques Mandelbrojt
  3. pp. 147-148
  4. restricted access
  1. The Concept of Order in Science and in Art
  2. H. Osborne
  3. pp. 148-149
  4. restricted access
  1. Terminology
  2. p. 150
  3. restricted access
  1. International Association of Art (IAA) News
  2. Dunbar Marshall-Malagola
  3. p. 152
  4. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 153-156
  4. restricted access
  1. Moulds of Understanding: A Pattern of Natural Philosophy by Joseph Needham (review)
  2. Peter Y. Windt
  3. p. 157
  4. restricted access
  1. Seeing: Illusion, Brain and Mind by John P. Frisby (review)
  2. E. Zajec
  3. pp. 157-158
  4. restricted access
  1. Mathematics Today: Twelve Informal Essays ed. by Lynn Arthur Steen (review)
  2. Magnus J. Wenninger
  3. p. 158
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  1. Gödel, Escher, Bach: An Eternal Golden Braid by Douglas R. Hofstadter (review)
  2. P. T. Landsberg
  3. p. 158
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  1. The Knowable Future: A Psychology of Forecasting and Prophecy by David Loye (review)
  2. Frank Davidson
  3. p. 159
  4. restricted access
  1. Cultural Action & Social Change: The Case of Jamaica; An Essay in Caribbean Cultural Identity by Rex M. Nettleford (review)
  2. Constance Wagar
  3. pp. 160-161
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  1. Myths and Magic on Fire, Gold and Art by Jorge Glusberg (review)
  2. Arpad Mezei
  3. p. 161
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  1. Structure, Sign and Function: Selected Essays ed. by Jan Mukarovsky, John Burbank and Peter Steiner (review)
  2. Donald Brook
  3. pp. 161-162
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  1. Permanent Red: Essays in Seeing by John Berger (review)
  2. John Adkins Richardson
  3. p. 162
  4. restricted access
  1. Landscape into Art by Kenneth Clark (review)
  2. S. I. Clerk
  3. p. 162
  4. restricted access
  1. Hungarian Folk Art by Tamas Hofer and Edit Fel (review)
  2. Lynn Kari Petrich
  3. p. 163
  4. restricted access
  1. Modern Art: 19th and 20th Centuries by Meyer Schapiro (review)
  2. John F. Moffit
  3. p. 163
  4. restricted access
  1. The Immortal Eight: American Painting from Eakins to the Armory Show, 1870–1913 by Bennard B. Perlman (review)
  2. David Carrier
  3. pp. 163-164
  4. restricted access
  1. Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art by Terry Fenton & Karen Wilkin (review)
  2. Judith Coxe
  3. p. 164
  4. restricted access
  1. Images of Romanticism: Verbal and Visual Affinities ed. by Karl Kroeber and William Walling (review)
  2. Helen Raynes Staley
  3. pp. 164-165
  4. restricted access
  1. A Tribute to Paul Klee (1879–1940) by David Burnett (review)
  2. S.I. Clerk
  3. p. 165
  4. restricted access
  1. Frederico Castellon: His Graphic Works 1936–1971 by August L. Freundlich (review)
  2. Sean O’Driscoll
  3. pp. 165-166
  4. restricted access
  1. Course in Pencil Sketching: Four Books in One by Ernest W. Watson, and: The Ted Kautzky Pencil Book (review)
  2. Jean C. Rush
  3. p. 166
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  1. International Modern Glass by Geoffrey Beard (review)
  2. Paul N. Perrot
  3. p. 167
  4. restricted access
  1. Laser Art and Optical Transforms by T. Kallard (review)
  2. Ruth Scheps-Detton
  3. p. 167
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  1. Safe Practices in the Arts & Crafts: A Studio Guide by Gail Coningsby Barazani (review)
  2. George A. Agoston
  3. p. 168
  4. restricted access
  1. Psychologie de l’espace by Abraham Moles and Elisabeth Rohmer (review)
  2. J.P. Charpy
  3. pp. 168-169
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  1. Physics and the Sound of Music by John S. Rigden (review)
  2. p. 169
  3. restricted access
  1. Arts Education and Back to Basics ed. by Stephen M. Dobbs (review)
  2. Jan Valtr
  3. p. 170
  4. restricted access
  1. American Drawing: A Guide to Information Sources ed. by Lamia Doumato (review)
  2. p. 170
  3. restricted access
  1. Contemporary British Artists ed. by Charlotte Parry-Crooke (review)
  2. p. 170
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  1. My Clay Sculpture Series ‘Unidentified Intergalactic Rovers (UIR)’
  2. Nina Holton
  3. pp. 125-127
  4. restricted access
  1. Books Received
  2. pp. 170-171
  3. restricted access