1. Illustration
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  1. My Sculpture Combining Oak and Stainless Steel
  2. Katherine Gould
  3. pp. 1-4
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  1. On My Work as a Painter: A Memoir
  2. Takhir T. Salakhov, Yu. Osmolovsky
  3. pp. 13-16
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  1. From Realistic Nature Studies to Geometric Nonfigurative Paintings in Which Identical Shapes Appear in Different Colors
  2. Adam Wsiolkowski
  3. pp. 17-21
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  1. Visual Art: The Role of Capillarity and Rheological Properties in Painting
  2. Karol J. Mysels
  3. pp. 22-27
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  1. A Commentary on the Book Visual Art, Mathematics and Computers: Selections from the Journal Leonardo
  2. Marc H. Bornstein
  3. pp. 28-30
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  1. On the Application of the Golden Ratio in the Visual Arts
  2. Roger Fischler
  3. pp. 31-32
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  1. The International Colour Association (A.I.C.) Study Group on Colour Education
  2. Albert Garrett
  3. pp. 33-34
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  1. Performance Art: What Is It?
  2. Klaus Groh
  3. p. 37
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  1. ‘Light Symphony, No. 1’: A Kinetic Pictorial Artwork with Light
  2. P. K. Hoenich
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  1. Definitions and Values of Archaism and the Archaic Style
  2. Seymour Howard
  3. pp. 41-44
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  1. Scalebound or Scaling shapes: A Useful Distinction in the Visual Arts and in the Natural Sciences
  2. Benoit B. Mandelbrot
  3. pp. 45-47
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  1. Commentary on the Book The Concept of Style
  2. Gerhard Charles Rump
  3. pp. 48-50
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  1. Art in the Law
  2. Peter H. Karlen
  3. pp. 51-56
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  1. Academics and their Writing
  2. David Lowenthal, Peter C. Wason
  3. p. 57
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  1. Painting Influences (Malerische Einflüsse)
  2. Arnold Schoenberg, Gertrud Zeisl
  3. p. 58
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  1. Terminology
  2. pp. 59-60
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  1. The Dancing Wu Li Masters: an Overview of the New Physics by Gary Zukav (review)
  2. Robert Draper
  3. pp. 64-65
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  1. Technology at the Turning Point ed. by William B. Pickett (review)
  2. R. S. Hartenberg
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  1. Toward a Post-Industrial Psychology: Emerging Perspectives on Technology, Work, Education and Leisure by Don Mankin (review)
  2. J. Lukasiewicz
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  1. Every Object Is a System: A Cognitive Basis for System Description by Patric Doyle (review)
  2. Vladimir Bonačic
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  1. Principles of Visual Perception by Carolyn M. Bloomer (review)
  2. Marc H. Bornstein
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  1. The Interpretation of Visual Motion by Shimon Ullman (review)
  2. Jonathan C. Fish
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  1. Biology and Ethics: Reflections Inspired by a Unesco Symposium by Bruno Ribes (review)
  2. Patrick Shaw
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  1. Renaissance Man and Creative Thinking: A History of Concepts of Harmony 1400–1700 by Dorothy Koenigsberger (review)
  2. S. R. Holtzman
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  1. Human Emotions by Carroll E. Izard (review)
  2. Otto Klineberg
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  1. Lying, Despair, Jealousy, Sex, Suicide, Drugs and the Good Life by Leslie H. Farber (review)
  2. Henry Abramovitch
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  1. Symbol, Myth and Culture: Essays and Lectures by Ernst Cassirer, 1935–1945 ed. by Donald P. Varene (review)
  2. Janet Daley
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  1. The Quest for Gaia: A Book of Changes by Kit Pedler (review)
  2. T. Healey
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  1. The Aesthetic Dimension: Towards a Critique of Marxist Aesthetics by Herbert Marcuse (review)
  2. Berel Lang
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  1. Esthetics Contemporary ed. by Richard Kostelanetz (review)
  2. Haig Katchadourian
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  1. German Romantics in Context by Roger Cardinal (review)
  2. John Milner
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  1. Romantic Roots in Modern Art; Romanticism and Expressionism: A Study in Comparative Aesthetics by August K. Wiedmann (review)
  2. Joan Altabe
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  1. Images of Horror and Fantasy by Gert Schiff (review)
  2. Peter Fingesten
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  1. Musical Instruments and Their Symbolism in Western Art: Studies in Musical Iconology by Emanuel Winternitz (review)
  2. James W. Davis
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  1. The Arts Betrayed by John Smith (review)
  2. Gerhard Charles Rump
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  2. Andrew G. Haley
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  2. David H. Solkin
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  1. Drawings by Wharton Esherick ed. Gene Rochberg (review)
  2. Jeffrey S. Erickson
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  1. The Legacy of Mark Rothko: An Exposé of the Greatest Scandal of Our Century by Lee Seldes (review)
  2. Henry P. Raleigh
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  1. Bernard Berenson. The Making of a Connoisseur by Ernest Samuels (review)
  2. Gerhard Charles Rump
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  1. Meet Moses: Fifty-Four Drawings by Mortimer Borne (review)
  2. R. S. Biran
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  1. Five Hundred Years of Art in Illustration by Howard Simon, and: Printmaking in Britain by Richard T. Godfrey (review)
  2. Sean O’Driscoll
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  1. Making Artist’s Tools by Vance Studley (review)
  2. George A. Agoston
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  1. Polyhedra Primer by Peter Pearce and Susan Price (review)
  2. p. 78
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  1. Digital Interfacing with an Analog World by Joseph J. Carr (review)
  2. Dale C. Sparks
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  1. The Master Handbook of Electrical Wiring by Art Margolis (review)
  2. A. T. Lawton
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  1. American Furniture and Its Makers: Winterthur Portfolio 13 ed. by Ian M. G. Quimby (review)
  2. Mike Nevelson
  3. p. 79
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  1. The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts by Philip Steadman (review)
  2. N. O. A. Bullock
  3. p. 80
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  1. A Pattern Language: Towns, Buildings, Construction by Christopher Alexander (review)
  2. Jack Quinan
  3. pp. 80-81
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  1. Educreation and Feedback: Education for Creation, Growth and Change by Paul Ritter (review)
  2. Robert F. Erickson
  3. p. 81
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  1. Letters
  2. Alan Wells, Kim James, Ralph A. Smith, Michael Krausz, Michael S. Gregory, Nelson Goodman, John L. Ward, David Carrier, John L. Ward, Lawrence E. Jerome, R. S. Biran, Carol Ann Morizot, E. H. Gombrich
  3. pp. 83-88
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  1. ‘Timepieces’: A Series of Static and Kinetic Sculptural Constructions
  2. Bryan Rogers
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  1. Changes in Relief and Color Over a Series of Pictorial Works
  2. Joseph Germana
  3. pp. 35-36
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  1. Color Vision: An Historical Introduction by Gerald S. Wasserman (review)
  2. George A. Agoston
  3. p. 67
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  1. Books Received
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