1. Illustration
  2. W. Christian Sidenius, Sheila Pinkel, Yves Charnay, Peter Sedgley, Isia Léviant, Avgust Černigoj
  3. restricted access
  1. Recursive Patterns or the Garden of Forking Paths
  2. A. H. J. Christensen
  3. pp. 177-182
  4. restricted access
  1. My Kinetic Artworks and Paintings (1971–1982)
  2. Peter Sedgley, Heinz Ohff
  3. pp. 183-187
  4. restricted access
  1. Lumia Kinetic Art with Music: My Theatre of Light
  2. W. Christian Sidenius, Raymond M. Farrell Jr.
  3. pp. 188-192
  4. restricted access
  1. Endymion’s Moonbath: Art and Science in Girodet’s Early Masterpiece
  2. Barbara Stafford
  3. pp. 193-198
  4. restricted access
  1. Collage as Jokework: Freud’s Theories of Wit as the Foundation for the Collages of Max Ernst
  2. Charlotte Stokes
  3. pp. 199-204
  4. restricted access
  1. Size Constancy, Terry Pope’s Glasses, and the Moon Illusion
  2. David W. Brisson
  3. pp. 205-207
  4. restricted access
  1. Order in Art and Science
  2. Donald Brook
  3. pp. 208-209
  4. restricted access
  1. Space Art: The Impact of Space-Age Technology on Representational Art
  2. Michael W. Carroll
  3. pp. 210-212
  4. restricted access
  1. An Art-Science Workshop in Edinburgh
  2. Christopher Cornford
  3. pp. 213-214
  4. restricted access
  1. Avgust Černigoj and his Constructivism: A Memoir
  2. Peter Krečič, Edward Zajec
  3. pp. 215-218
  4. restricted access
  1. A New Medium for Expression: Painting with Liquid Crystals
  2. Yves Charnay
  3. pp. 219-221
  4. restricted access
  1. Illusory Motion within Still Pictures: The L-Effect
  2. Isia Léviant
  3. pp. 222-223
  4. restricted access
  1. The Development of a Concrete Statue
  2. Paul F. Miller Jr.
  3. pp. 224-226
  4. restricted access
  1. Manifestations of a Cube
  2. Sheila Pinker
  3. pp. 227-228
  4. restricted access
  1. Computer-Assisted Etching
  2. Edith Smith
  3. pp. 229-230
  4. restricted access
  1. Terminology
  2. pp. 231-232
  3. restricted access
  1. Historical Perspectives on the Visual Arts, Science, and Technology
  2. David R. Topper
  3. pp. 234-237
  4. restricted access
  1. The Airbrush Book: Art, History and Technique by Seng-gye Tombs Curtis and Christopher Hunt (review)
  2. Daniel Dallman
  3. p. 238
  4. restricted access
  1. Arts and the Schools ed. by Jerome J. Hausman (review)
  2. Mary Spivey
  3. p. 238
  4. restricted access
  1. How to Paint the Chinese Way by Jean Long (review)
  2. Jeffrey S. Erickson
  3. p. 239
  4. restricted access
  1. Portrait of an Atom: Artist-Sculptor Kenneth Snelson’s Vizualization of the Atom’s Electronic Structure (review)
  2. Dietrich Schroeer, Lawrence Slifkin
  3. pp. 239-240
  4. restricted access
  1. Brains, Machines and Persons by Donald M. MacKay (review)
  2. Peter Kugel
  3. p. 240
  4. restricted access
  1. American Light: The Luminisi Movement, 1850–1875. Paintings, Drawings, Photographs (review)
  2. Frederick S. Levine
  3. pp. 240-241
  4. restricted access
  1. Picasso Lithographs by Pablo Picasso (review)
  2. Madhoor Kapur
  3. p. 241
  4. restricted access
  1. Art and Philosophy: Conceptual Issues in Aesthetics by Joseph Margolis (review)
  2. David Carrier
  3. p. 242
  4. restricted access
  1. Machines Who Think: A Personal Inquiry into the History and Prospects of Artificial Intelligence by Pamela McCorduck (review)
  2. Michael J. Apter
  3. p. 242
  4. restricted access
  1. The New Japanese House: Ritual and Anti-Ritual Patterns of Dwelling by Chris Fawcett (review)
  2. N. N. Patricious
  3. p. 243
  4. restricted access
  1. The Story of Modem Art by Norbert Lynton (review)
  2. John Adkins Richardson
  3. p. 243
  4. restricted access
  1. The History and Philosophy of Technology ed. by G. Bugliarello and D. B. Doner (review)
  2. James A. Goldman
  3. pp. 243-244
  4. restricted access
  1. The Paintings of James McNeill Whistler by Andrew McLaren Young, et al. (review)
  2. Edward R. Pope
  3. p. 244
  4. restricted access
  1. Dada Spectrum: The Dialectics of Revolt ed. by Stephen Foster and Rudolph Kuenzli (review)
  2. Joseph Germana
  3. p. 244
  4. restricted access
  1. Disturbing the Universe by Freeman Dyson (review)
  2. Barry Barnes
  3. p. 246
  4. restricted access
  1. Roger Fry: Art and Life by Frances Spalding (review)
  2. Donald Brook
  3. p. 246
  4. restricted access
  1. Leonardo’s Rules of Painting: An Unconventional Approach to Modern Art by James Beck (review)
  2. Nicholas Orsini
  3. pp. 246-247
  4. restricted access
  1. Jackson Pollock: Questions ed. by François-Marc Gagnon et al. (review)
  2. Dorothy Grotz
  3. pp. 247-248
  4. restricted access
  1. Goncharova: Stage Designs and Paintings by Mary Chamot (review)
  2. Anthony Parton
  3. p. 248
  4. restricted access
  1. Ideas of Space: Euclidean, Non-Euclidean, and Relativistic by Jeremy Gray (review)
  2. David W. Brisson
  3. p. 248
  4. restricted access
  1. Health Hazards in the Arts and Crafts ed. by Michael McCann and Gail Barazani (review)
  2. George A. Agoston
  3. pp. 248-249
  4. restricted access
  1. The Berlin Secession: Modernism and Its Enemies in Imperial Germany by Peter Paret (review)
  2. Gerhard Charles Rump
  3. p. 249
  4. restricted access
  1. A Giacometti Portrait by James Lord (review)
  2. Kenneth R. Adams
  3. p. 250
  4. restricted access
  1. Color Manual for Artists ed. by Arthur L. Guptill and Catherine Sullivan (review)
  2. George A. Agoston
  3. p. 250
  4. restricted access
  1. The Perception of Pictures ed. by Margaret A. Hagen (review)
  2. David Carrier
  3. pp. 250-251
  4. restricted access
  1. Silk Screen Techniques by J. I. Biegeleisen and Max Cohn (review)
  2. Romas Viesulas
  3. p. 251
  4. restricted access
  1. The Great Statuary of China by Victor Segalen (review)
  2. Richard Perry
  3. pp. 251-252
  4. restricted access
  1. The Artist by Himself: Self-portrait Drawings from Youth to Old Age ed. by Joan Kinneir (review)
  2. Inge Hoffman
  3. p. 252
  4. restricted access
  1. Illustrated Notebooks: 1917–55 by Georges Braque (review)
  2. Inge Hoffman
  3. pp. 252-253
  4. restricted access
  1. Picasso: Art As Autobiography by Mary Gedo (review)
  2. Constance Costigan
  3. p. 253
  4. restricted access
  1. Letters
  2. Henri Gabriel, Joseph Germana, Rudolf Arnheim, John Willats, Lucien Jambrun, Pierre Auger, Robert Dixon, Kirill Sokolov, E. Wiese
  3. p. 256
  4. restricted access
  1. Announcements
  2. p. i
  3. restricted access
  1. Books Received
  2. pp. 253-255
  3. restricted access