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In this Issue

Table of Contents

  1. Illustration
  2. Nicole Lemaire D'Agaggio, Robert E. Dewar, Jacques Lemaire, Margaret Benyon, Beck and Jung
  3. restricted access
  1. On the Second Decade of Holography as Art and My Recent Holograms
  2. Margaret Benyon
  3. pp. 89-95
  4. restricted access
  1. Computer Art: Sculptures of Polyhedral Networks Based on an Analogy to Crystal Structures Involving Hypothetical Carbon Atoms
  2. Robert E. Dewar
  3. pp. 96-103
  4. restricted access
  1. The Development of a Symmetrical Welded-Sculpture Style, Leading to the Design and Construction of a Kaleidoscopic Projector
  2. Paul F. Miller Jr.
  3. pp. 104-108
  4. restricted access
  1. On the Progression of My Figurative Drawings Toward Higher Abstraction and Outward Simplicity
  2. Paul Ré
  3. pp. 109-114
  4. restricted access
  1. The Artistic and Aesthetic Status of Forgeries
  2. Tomáš Kulka
  3. pp. 115-117
  4. restricted access
  1. Computer Art: Colored Pictures Based on a ‘Chromocube’
  2. Beck (Holger Bäckström), Jung (Bo Ljungberg), Wolfgang Huebner
  3. pp. 118-119
  4. restricted access
  1. Towards ‘Hyperabstraction’: On My Nonfigurative Paintings Involving Scientific Concepts of the Origin of the Universe and of Living Cells
  2. Nicole Lemaire D’Agaggio
  3. pp. 120-122
  4. restricted access
  1. On the Display of Pictures: Non-Glare Glass and Kinds of Illumination
  2. R. D. Edge
  3. pp. 123-125
  4. restricted access
  1. The Development of Symbolism in My Paintings and Other Artworks
  2. Jacques Lemaire
  3. pp. 126-128
  4. restricted access
  1. Report on the Satellite Telecast Performance ‘Double Entendre’ prod. by Douglas Davis
  2. Robert C. Morgan
  3. pp. 129-130
  4. restricted access
  1. A Topological Transformation as the Basis for a Picture Symbolizing Aspects of Human Life
  2. Bob Schimel
  3. pp. 131-132
  4. restricted access
  1. Kinetic Art: Producing Unusual Moiré Effects by Means of Specially Prepared Drawings
  2. James F. Watkins
  3. pp. 133-136
  4. restricted access
  1. Human Place: The Dialectic of the Global and the Local
  2. John A. Clauser
  3. pp. 137-139
  4. restricted access
  1. Recommendation Concerning the Status of the Artist Adopted by the General Conference of Unesco at Belgrade on 27 October 1980
  3. pp. 140-149
  4. restricted access
  1. Terminology
  3. pp. 150-151
  4. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 153-157
  4. restricted access
  1. Knowledge and Wonder: The Natural World as Man Knows It by Victor F. Weisskopf (review)
  2. Waldo E. Haisley
  3. p. 158
  4. restricted access
  1. Wholeness and the Implicate Order by David Bohm (review)
  2. Giorgio Careri
  3. pp. 158-159
  4. restricted access
  1. The Ambidextrous Universe: Mirror Asymmetry and Time-Reversed Worlds ed. by Martin Gardner (review)
  2. Charles G. Gross
  3. p. 159
  4. restricted access
  1. Cartes et Figures de la Terre by Jean-Claude Groshens et al. (review)
  2. Nancy Hubbe
  3. pp. 159-160
  4. restricted access
  1. Sensation and Perception by E. Bruce Goldstein (review)
  2. Carole McKenzie James, Kim James
  3. p. 160
  4. restricted access
  1. Claude Levi-Strauss: Social Psychotherapy and the Collective Unconscious by Thomas Shalvey (review)
  2. Paul Heyer
  3. p. 160
  4. restricted access
  1. Art Psychotherapy by Harriet Wadeson, and: Imagery: Its Many Dimensions and Applications ed. by Joseph E. Storr (review)
  2. G. W. Granger
  3. pp. 160-161
  4. restricted access
  1. Main Trends in Aesthetics and the Sciences of Art ed. by Mikel Dufrenne (review)
  2. Doug Sandle
  3. p. 161
  4. restricted access
  1. Scientific Culture in the Contemporary World ed. by V. Mathieu and P. Rossi (review)
  2. Pierre Auger
  3. pp. 161-162
  4. restricted access
  1. Esthetique Mathematique: Théorie de la Peinture by Joseph Chacron (review)
  2. Denis Bresson
  3. p. 162
  4. restricted access
  1. Perceiving Artworks ed. by John Fisher (review)
  2. Gerhard Charles Rump
  3. pp. 162-163
  4. restricted access
  1. The Role of Criticism by Alexander Cirici et al. (review)
  2. Michael Rosenthal
  3. p. 163
  4. restricted access
  1. Symbolism by Robert Goldwater (review)
  2. Malcolm Miles
  3. pp. 163-164
  4. restricted access
  1. Creative Man: Five Essays by Erich Newmann (review)
  2. Michael Knaus
  3. p. 164
  4. restricted access
  1. Women Artists of the Arts and Crafts Movement 1870–1914 by Anthea Callen (review)
  2. Naomi Boretz
  3. p. 164
  4. restricted access
  1. The Painted Message by Otto Billig and B. G. Burton (review)
  2. Bogumil Wtorkiewicz
  3. pp. 164-165
  4. restricted access
  1. Iconographie et histoire des mentalites by Michel Vovelle et al. (review)
  2. R. G. Saisselin
  3. p. 165
  4. restricted access
  1. A Fable of Modem Art by Dore Ashton (review)
  2. Joel Marks
  3. p. 165
  4. restricted access
  1. American Prints at the British Museum, 1879–1979 (review)
  2. R. S. Biran
  3. p. 165
  4. restricted access
  1. English Post-Impressionism by Simon Watney (review)
  2. Madhoor Kapur
  3. pp. 165-166
  4. restricted access
  1. The Fifties: Aspects of Painting in New York by Phyllis Rosenzweig (review)
  2. Dorothy Grotz
  3. p. 166
  4. restricted access
  1. Inside New York’s Art World by Barbaralee Diamondstein (review)
  2. Henry P. Raleigh
  3. p. 166
  4. restricted access
  1. Art Inc: American Paintings from Corporate Collections (review)
  2. Elena Canavier
  3. p. 167
  4. restricted access
  1. The Drawings of Poussin by Anthony Blunt (review)
  2. Lionel Lambourne
  3. p. 167
  4. restricted access
  1. George Eliot and the Visual Arts by Hugh Witemeyer (review)
  2. Richard Brown
  3. pp. 167-168
  4. restricted access
  1. In Rodin’s Studio: A Photographic Record of Sculpture in the Making by Albert E. Elsen and Walter A. Haas (review)
  2. Christopher Crouch
  3. p. 168
  4. restricted access
  1. Fernand Khnopff by Robert L. Delevoy (review)
  2. Emiel Bergen
  3. p. 168
  4. restricted access
  1. Kazimir Malevich 1878–1935–1978 by Sherwin W. Simmons et al. (review)
  2. Sasha Grishin
  3. pp. 168-169
  4. restricted access
  1. Rodchenko and the Arts of Revolutionary Russia ed. by David Elliott (review)
  2. John E. Bowlt
  3. p. 169
  4. restricted access
  1. Applications of Holography and Optical Data Processing ed. by E. Marom, A. A. Friesem, and E. Wiener-Avnear (review)
  2. Pal Greguss
  3. pp. 169-170
  4. restricted access
  1. Townframe: Environments for Adaptive Housing by Guntis Plésums (review)
  2. Peter F. Smith
  3. p. 170
  4. restricted access
  1. The Scientific Basis of the Art of Teaching by N. L. Gage (review)
  2. Bernard L. Myers
  3. p. 170
  4. restricted access
  1. The Arts and Personal Growth: Curriculum Issues in Art Education Vol. 1 ed. by Malcolm Ross (review)
  2. Leonard J. Waks
  3. p. 171
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  1. Letters
  2. Josef Albers, Rudolf Arnheim, Alan Lee, David Topper, Pierre Auger, Paul Ré, Eric Loran
  3. pp. 174-176
  4. restricted access
  1. Books Received
  3. pp. 171-173
  4. restricted access