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In this Issue

Table of Contents

  1. Illustration
  3. restricted access
  1. The Role of Materials in my Geometric and Abstract Sculpture: A Memoir
  2. Marie Zoe Greene-Mercier
  3. pp. 1-6
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  1. Drawings and Paintings by an Afro-American Artist
  2. Raymond Lark
  3. pp. 7-12
  4. restricted access
  1. Modeled Portland Cement Sculpture
  2. Lynn Olson
  3. pp. 13-18
  4. restricted access
  1. On the Idea of Order in the Natural Sciences and in the Visual Arts
  2. Giorgio Careri
  3. pp. 19-22
  4. restricted access
  1. On My Meetings and Correspondence Between 1960 and 1971 with the Graphic Artist M. C. Escher
  2. A. L. Loeb
  3. pp. 23-27
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  1. Perceptual Perspective and Cezanne’s Landscapes
  2. Boris V. Rauschenbach
  3. pp. 28-33
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  1. Graphics and Animation by Personal Computer
  2. Hans-Joachim Andree
  3. pp. 34-36
  4. restricted access
  1. The Sculptures of a Physicist
  2. Pierre Auger
  3. pp. 37-39
  4. restricted access
  1. On My Sculptures of Carved Wood
  2. William Baumol
  3. pp. 40-42
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  1. Video Relief Images Produced by Using a Regenerative Process
  2. Scott Daly
  3. pp. 43-44
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  1. On the Signification of Mountains, Towers and Other High Places
  2. Michael Moore
  3. pp. 45-48
  4. restricted access
  1. Report on the International Workshop-Seminar on the Interaction of Arts and Technology, University of Southern California, Los Angeles, Calif., U.S.A, January 1980
  2. Herbert Shore
  3. pp. 49-50
  4. restricted access
  1. Report on the Conference ‘Art in a Technological Society’, Los Angeles, Calif., U.S.A., January 1980
  2. Herbert Shore
  3. pp. 51-53
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  1. A Transinstitutional Nonvoluntary Modelling Theory of Art
  2. Donald Brook
  3. pp. 54-58
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  1. Discussions by Four Soviet Monumentalists of their Mosaics, Wall-Paintings and Bas-Reliefs
  2. Kirill Sokolov
  3. pp. 59-64
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  1. Visual Art and Mathematics: Comments on the Meaning of Order
  2. Michele Emmer
  3. pp. 65-66
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  1. Synergetics: Formation of Ordered Structures out of Chaos
  2. H. Haken
  3. pp. 66-67
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  1. Terminology
  3. pp. 68-69
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  1. From Atoms to Quarks by James S. Trefil (review)
  2. Nan Conklin
  3. p. 73
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  1. The Right Brain: A New Understanding of the Unconscious Mind and Its Creative Powers by Thomas R. Blakeslee (review)
  2. James A. Goldman
  3. pp. 73-74
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  1. Mind Control by Peter Schrag (review)
  2. Alan N. West
  3. p. 74
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  1. Science and Future Choice. Vol. 2. TechnologicaI Challenges for Social Change ed. by Philip W. Hemily and M. N. Üzdas (review)
  2. Robert F. Erickson
  3. pp. 74-75
  4. restricted access
  1. Lying Truths: A Critical Scrutiny of Current Beliefs and Conventions by Ronald Duncan and Miranda Weston-Smith (review)
  2. Anne Uemura
  3. p. 75
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  1. Freud and the Problem of God by Hans Küng (review)
  2. G. Conklin
  3. p. 75
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  1. Why There Is No Life on Other Planets by M. William Trott (review)
  2. P. T. Landsberg
  3. pp. 75-76
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  1. Sex, Violence and the Media by H. J. Eysenck and D. K. B. Nias (review)
  2. Julian Behrstock
  3. p. 76
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  1. Art and Psychoanalysis by Peter Fuller (review)
  2. John A. Walker
  3. p. 76
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  1. Art in the Seventies by Edward Lucie-Smith (review)
  2. LeGrace G. Benson
  3. p. 77
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  1. Goya: The Origins of the Modern Temper in Art by Fred Licht (review)
  2. Nicholas Orsini
  3. p. 77
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  1. Francis Picabia: His Art, Life and Times by William A. Camfield (review)
  2. Louise Campbell
  3. p. 78
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  1. Portrait of an Artist: Henry Moore by John Read (review)
  2. Richard Cowdy
  3. p. 78
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  1. The Reasoning Vision: Jehangir Sabavala’s Painterly Universe by Dilip Chitre (review)
  2. S. I. Clerk
  3. pp. 78-79
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  1. Claes Oldenburg: Large-Scale Projects, 1977–80 by Claes Oldenburg and Coosje van Oldenburg (review)
  2. Harry Rand
  3. p. 79
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  1. Fernando Botero by Cynthia Jaffe McCabe (review)
  2. Norman Narotzky
  3. p. 79
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  1. Christo: Wrapped Walk Ways. Loose Park, Kansas City, Missouri, 1977–78 by Ellen R. Goheen (review)
  2. Richard Cowdy
  3. p. 79
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  1. Painting Indoors by Charles Sovek, and: The Student’s Guide to Painting by Jack Faragasso (review)
  2. James W. Davis
  3. pp. 79-80
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  1. A Century of Ceramics in the United States: 1878–1978 by Garth Clark (review)
  2. Susan Montgomery
  3. p. 80
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  1. Left-Handed Calligraphy by Vance Studley (review)
  2. Sean O’Driscoll
  3. p. 80
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  1. Theoretical Analysis of the Intermedia Art Form by René Berger, and: The Art of Performance by A. Cirici (review)
  2. Paul Heyer, Claire Gravel
  3. pp. 80-81
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  1. Pottery Form by Daniel Rhodes (review)
  2. Jehangir Bhownagary
  3. p. 81
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  1. Body Jewellery: International Perspectives by Donald J. Willcox (review)
  2. Jehangir Bhownagary
  3. pp. 81-82
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  1. Lights and Pigments: Colour Principles for Artists by Roy Osborne (review)
  2. Lawrence Wheeler
  3. p. 82
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  1. An Artist’s Notebook: Techniques and Materials by Bernard Chaet (review)
  2. George A. Agoston
  3. p. 82
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  1. Light: Its Interaction with Art and Antiquities by Thomas B. Brill (review)
  2. George A. Agoston
  3. pp. 82-83
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  1. Spherical Models by Magnus J. Wenninger (review)
  2. David W. Brisson
  3. p. 83
  4. restricted access
  1. Magnifications: Photography with the Scanning Electron Microscope by David Scharf (review)
  2. Gwyneth Thurgood
  3. p. 83
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  1. Le Corbusier at Work: The Genesis of the Carpenter Center for the Visual Arts by Eduard F. Sekler and William Curtis (review)
  2. Jean Prouvé
  3. p. 83
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  1. Report of the NAEA Commission on Art Education (review)
  2. Jan J. Valtr
  3. pp. 83-84
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  1. Study Abroad—Études à l’Étranger—Estudios en el extranjero (review)
  3. p. 84
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  1. The Illustrated Dictionary of Electronics by Rufus P. Turner (review)
  3. p. 84
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  1. American Art Directory (1980) ed. by Linda Burns, and: Who’s Who in American Art (1980) ed. by Karen Schuman (review)
  3. p. 84
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  1. Catalogue of Museum Publications and Media: A Directory and Index of Publications and Audiovisuals Available from United States and Canadian Institutions ed. by Paul Wasserman (review)
  3. pp. 84-85
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  1. Letters
  2. Paul Ré, Stephen Wilson, Peter Kugel, Avril Pyman, G. W. Granger, Charles J. Cazeau, D. W. Hamlyn
  3. pp. 87-88
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  1. Obituary: Frank J. Malina (1912–1981)
  2. Sandy Koffler
  3. pp. i-iii
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  1. Forms of Intuition: An Historical Introduction to the Transcendental Aesthetic by Richard A. Smyth (review)
  2. D. N. Perkins
  3. pp. 76-77
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  1. Books Received
  3. pp. 85-86
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