1. Illustration
  2. restricted access
  1. The Role of Materials in my Geometric and Abstract Sculpture: A Memoir
  2. Marie Zoe Greene-Mercier
  3. pp. 1-6
  4. restricted access
  1. Drawings and Paintings by an Afro-American Artist
  2. Raymond Lark
  3. pp. 7-12
  4. restricted access
  1. Modeled Portland Cement Sculpture
  2. Lynn Olson
  3. pp. 13-18
  4. restricted access
  1. On the Idea of Order in the Natural Sciences and in the Visual Arts
  2. Giorgio Careri
  3. pp. 19-22
  4. restricted access
  1. On My Meetings and Correspondence Between 1960 and 1971 with the Graphic Artist M. C. Escher
  2. A. L. Loeb
  3. pp. 23-27
  4. restricted access
  1. Perceptual Perspective and Cezanne’s Landscapes
  2. Boris V. Rauschenbach
  3. pp. 28-33
  4. restricted access
  1. Graphics and Animation by Personal Computer
  2. Hans-Joachim Andree
  3. pp. 34-36
  4. restricted access
  1. The Sculptures of a Physicist
  2. Pierre Auger
  3. pp. 37-39
  4. restricted access
  1. On My Sculptures of Carved Wood
  2. William Baumol
  3. pp. 40-42
  4. restricted access
  1. Video Relief Images Produced by Using a Regenerative Process
  2. Scott Daly
  3. pp. 43-44
  4. restricted access
  1. On the Signification of Mountains, Towers and Other High Places
  2. Michael Moore
  3. pp. 45-48
  4. restricted access
  1. Report on the Conference ‘Art in a Technological Society’, Los Angeles, Calif., U.S.A., January 1980
  2. Herbert Shore
  3. pp. 51-53
  4. restricted access
  1. A Transinstitutional Nonvoluntary Modelling Theory of Art
  2. Donald Brook
  3. pp. 54-58
  4. restricted access
  1. Discussions by Four Soviet Monumentalists of their Mosaics, Wall-Paintings and Bas-Reliefs
  2. Kirill Sokolov
  3. pp. 59-64
  4. restricted access
  1. Visual Art and Mathematics: Comments on the Meaning of Order
  2. Michele Emmer
  3. pp. 65-66
  4. restricted access
  1. Synergetics: Formation of Ordered Structures out of Chaos
  2. H. Haken
  3. pp. 66-67
  4. restricted access
  1. Terminology
  2. pp. 68-69
  3. restricted access
  1. From Atoms to Quarks by James S. Trefil (review)
  2. Nan Conklin
  3. p. 73
  4. restricted access
  1. The Right Brain: A New Understanding of the Unconscious Mind and Its Creative Powers by Thomas R. Blakeslee (review)
  2. James A. Goldman
  3. pp. 73-74
  4. restricted access
  1. Mind Control by Peter Schrag (review)
  2. Alan N. West
  3. p. 74
  4. restricted access
  1. Science and Future Choice. Vol. 2. TechnologicaI Challenges for Social Change ed. by Philip W. Hemily and M. N. Üzdas (review)
  2. Robert F. Erickson
  3. pp. 74-75
  4. restricted access
  1. Lying Truths: A Critical Scrutiny of Current Beliefs and Conventions by Ronald Duncan and Miranda Weston-Smith (review)
  2. Anne Uemura
  3. p. 75
  4. restricted access
  1. Freud and the Problem of God by Hans Küng (review)
  2. G. Conklin
  3. p. 75
  4. restricted access
  1. Why There Is No Life on Other Planets by M. William Trott (review)
  2. P. T. Landsberg
  3. pp. 75-76
  4. restricted access
  1. Sex, Violence and the Media by H. J. Eysenck and D. K. B. Nias (review)
  2. Julian Behrstock
  3. p. 76
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  1. Art and Psychoanalysis by Peter Fuller (review)
  2. John A. Walker
  3. p. 76
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  1. Art in the Seventies by Edward Lucie-Smith (review)
  2. LeGrace G. Benson
  3. p. 77
  4. restricted access
  1. Goya: The Origins of the Modern Temper in Art by Fred Licht (review)
  2. Nicholas Orsini
  3. p. 77
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  1. Francis Picabia: His Art, Life and Times by William A. Camfield (review)
  2. Louise Campbell
  3. p. 78
  4. restricted access
  1. Portrait of an Artist: Henry Moore by John Read (review)
  2. Richard Cowdy
  3. p. 78
  4. restricted access
  1. The Reasoning Vision: Jehangir Sabavala’s Painterly Universe by Dilip Chitre (review)
  2. S. I. Clerk
  3. pp. 78-79
  4. restricted access
  1. Claes Oldenburg: Large-Scale Projects, 1977–80 by Claes Oldenburg and Coosje van Oldenburg (review)
  2. Harry Rand
  3. p. 79
  4. restricted access
  1. Fernando Botero by Cynthia Jaffe McCabe (review)
  2. Norman Narotzky
  3. p. 79
  4. restricted access
  1. Christo: Wrapped Walk Ways. Loose Park, Kansas City, Missouri, 1977–78 by Ellen R. Goheen (review)
  2. Richard Cowdy
  3. p. 79
  4. restricted access
  1. Painting Indoors by Charles Sovek, and: The Student’s Guide to Painting by Jack Faragasso (review)
  2. James W. Davis
  3. pp. 79-80
  4. restricted access
  1. A Century of Ceramics in the United States: 1878–1978 by Garth Clark (review)
  2. Susan Montgomery
  3. p. 80
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  1. Left-Handed Calligraphy by Vance Studley (review)
  2. Sean O’Driscoll
  3. p. 80
  4. restricted access
  1. Theoretical Analysis of the Intermedia Art Form by René Berger, and: The Art of Performance by A. Cirici (review)
  2. Paul Heyer, Claire Gravel
  3. pp. 80-81
  4. restricted access
  1. Pottery Form by Daniel Rhodes (review)
  2. Jehangir Bhownagary
  3. p. 81
  4. restricted access
  1. Body Jewellery: International Perspectives by Donald J. Willcox (review)
  2. Jehangir Bhownagary
  3. pp. 81-82
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  1. Lights and Pigments: Colour Principles for Artists by Roy Osborne (review)
  2. Lawrence Wheeler
  3. p. 82
  4. restricted access
  1. An Artist’s Notebook: Techniques and Materials by Bernard Chaet (review)
  2. George A. Agoston
  3. p. 82
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  1. Light: Its Interaction with Art and Antiquities by Thomas B. Brill (review)
  2. George A. Agoston
  3. pp. 82-83
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  1. Spherical Models by Magnus J. Wenninger (review)
  2. David W. Brisson
  3. p. 83
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  1. Magnifications: Photography with the Scanning Electron Microscope by David Scharf (review)
  2. Gwyneth Thurgood
  3. p. 83
  4. restricted access
  1. Le Corbusier at Work: The Genesis of the Carpenter Center for the Visual Arts by Eduard F. Sekler and William Curtis (review)
  2. Jean Prouvé
  3. p. 83
  4. restricted access
  1. Report of the NAEA Commission on Art Education (review)
  2. Jan J. Valtr
  3. pp. 83-84
  4. restricted access
  1. Study Abroad—Études à l’Étranger—Estudios en el extranjero (review)
  2. p. 84
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  1. The Illustrated Dictionary of Electronics by Rufus P. Turner (review)
  2. p. 84
  3. restricted access
  1. American Art Directory (1980) ed. by Linda Burns, and: Who’s Who in American Art (1980) ed. by Karen Schuman (review)
  2. p. 84
  3. restricted access
  1. Letters
  2. Paul Ré, Stephen Wilson, Peter Kugel, Avril Pyman, G. W. Granger, Charles J. Cazeau, D. W. Hamlyn
  3. pp. 87-88
  4. restricted access
  1. Obituary: Frank J. Malina (1912–1981)
  2. Sandy Koffler
  3. pp. i-iii
  4. restricted access
  1. Forms of Intuition: An Historical Introduction to the Transcendental Aesthetic by Richard A. Smyth (review)
  2. D. N. Perkins
  3. pp. 76-77
  4. restricted access
  1. Books Received
  2. pp. 85-86
  3. restricted access