1. Congratulations!
  2. p. ix
  3. DOI: 10.1353/tj.2013.0133
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  1. Editorial Comment: “Modernism”
  2. Penny Farfan
  3. pp. x-xiii
  4. DOI: 10.1353/tj.2013.0105
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Special-Issue Essays

  1. Modernism, “Tradition,” and History in the Postcolony: Vijay Tendulkar’s Ghashiram kotwal (1972)
  2. Aparna Dharwadker
  3. pp. 467-487
  4. DOI: 10.1353/tj.2013.0111
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  1. A Modernist Audience: The Kawakami Troupe, Matsuki Bunkio, and Boston Japonisme
  2. Tara Rodman
  3. pp. 489-505
  4. DOI: 10.1353/tj.2013.0116
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  1. “An Advance to New”: Interstitial Modernism and Toronto’s Theatre of Action, 1936–40
  2. Alan Filewod
  3. pp. 507-522
  4. DOI: 10.1353/tj.2013.0121
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  1. Negotiating Theatrical Modernism in the Arab World
  2. Marvin Carlson
  3. pp. 523-535
  4. DOI: 10.1353/tj.2013.0126
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  1. Waiting for Godot in New Orleans: Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett
  2. Alys Moody
  3. pp. 537-557
  4. DOI: 10.1353/tj.2013.0131
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Performance Reviews

  1. Rutherford and Son by Githa Sowerby, and: The Stepmother by Githa Sowerby (review)
  2. J. Ellen Gainor
  3. pp. 559-561
  4. DOI: 10.1353/tj.2013.0103
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  1. American Realness curated by Thomas Benjamin Snapp Pryor (review)
  2. Clare Croft
  3. pp. 562-565
  4. DOI: 10.1353/tj.2013.0109
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  1. Mies Julie by August Strindberg, and: Easter by August Strindberg, and: The Dance of Death by August Strindberg (review)
  2. Sarah Balkin
  3. pp. 565-568
  4. DOI: 10.1353/tj.2013.0114
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  1. Golden Boy by Clifford Odets, and: Picnic by William Inge (review)
  2. Michael C. O’Neill
  3. pp. 568-571
  4. DOI: 10.1353/tj.2013.0119
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  1. The Master and Margarita adapted by Simon McBurney, Edward Kemp (review)
  2. Stuart Young
  3. pp. 572-574
  4. DOI: 10.1353/tj.2013.0124
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  1. red, black, & GREEN: a blues by Marc Bamuthi Joseph (review)
  2. Arden Elizabeth Thomas
  3. pp. 574-576
  4. DOI: 10.1353/tj.2013.0129
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  1. Ruff by Peggy Shaw and Lois Weaver (review)
  2. Benjamin Gillespie
  3. pp. 576-577
  4. DOI: 10.1353/tj.2013.0101
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  1. Ganesh Versus the Third Reich by Back to Back Theatre (review)
  2. Patrick McKelvey
  3. pp. 578-580
  4. DOI: 10.1353/tj.2013.0107
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  1. King Kong by Craig Lucas and Marius de Vries (review)
  2. Elizabeth Jochum
  3. pp. 580-582
  4. DOI: 10.1353/tj.2013.0112
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  1. January Joiner: A Weight Loss Horror Comedy by Laura Jacqmin (review)
  2. Jennifer-Scott Mobley
  3. pp. 582-584
  4. DOI: 10.1353/tj.2013.0117
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  1. The Glass Menagerie by Tennessee Williams (review)
  2. Kenneth Elliott
  3. pp. 584-585
  4. DOI: 10.1353/tj.2013.0122
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  1. 37th Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 586-589
  4. DOI: 10.1353/tj.2013.0127
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  1. A Cage of Fireflies by Daniel Akiyama (review)
  2. Stefani Overman-Tsai
  3. pp. 589-591
  4. DOI: 10.1353/tj.2013.0132
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Review Essay

  1. The Transformative Aesthetics of the Gesamtkunstwerk/Total Work of Art as the Specter Haunting Modernism
  2. Erika Fischer-Lichte
  3. pp. 593-603
  4. DOI: 10.1353/tj.2013.0104
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Book Reviews

  1. Shaw and Feminisms: On Stage and Off ed. by D. A. Hadfield and Jean Reynolds (review)
  2. Charles Joseph del Dotto
  3. pp. 607-608
  4. DOI: 10.1353/tj.2013.0115
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  1. Victory Over the Sun: The World’s First Futurist Opera ed. and trans. by Rosamund Bartlett and Sarah Dadswell (review)
  2. Catherine Schuler
  3. pp. 611-614
  4. DOI: 10.1353/tj.2013.0125
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  1. Avant-Garde Performance and Material Exchange: Vectors of the Radical ed. by Mike Sell (review)
  2. Roger Bechtel
  3. pp. 614-615
  4. DOI: 10.1353/tj.2013.0130
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  1. The Jewish Kulturbund Theatre Company in Nazi Berlin by Rebecca Rovit (review)
  2. Christine Korte
  3. pp. 615-617
  4. DOI: 10.1353/tj.2013.0102
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  1. Jews and the Making of Modern German Theatre ed. by Jeanette R. Malkin and Freddie Rokem (review)
  2. Erika Hughes
  3. pp. 617-618
  4. DOI: 10.1353/tj.2013.0108
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  1. Daring to Play: A Brecht Companion by Manfred Wekwerth (review)
  2. James M. Brandon
  3. pp. 618-619
  4. DOI: 10.1353/tj.2013.0113
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  1. Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)
  2. Christin Essin
  3. pp. 619-620
  4. DOI: 10.1353/tj.2013.0118
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  1. Reading Modern Drama ed. by Alan Ackerman (review)
  2. Stefka Mihaylova
  3. pp. 622-624
  4. DOI: 10.1353/tj.2013.0128
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  1. To Have or Have Not: Essays on Commerce and Capital in Modernist Theatre ed. by James Fisher (review)
  2. Michael Shane Boyle
  3. pp. 624-625
  4. DOI: 10.1353/tj.2013.0134
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Index to Volume 65

  1. Theatre Journal: Index to Volume 65
  2. pp. 631-637
  3. DOI: 10.1353/tj.2013.0106
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