1. The Thousand and One Nights in Argentina: Translation, Narrative, and Politics in Borges, Puig, and Piglia
  2. Sergio Gabriel Waisman
  3. pp. 351-371
  4. DOI: 10.1353/cls.2003.0038
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  1. Masculinity, Femininity, Solidarity: Emilia Pardo Bazan's Construction of Madame de Stael and George Sand
  2. Denise DuPont
  3. pp. 372-393
  4. DOI: 10.1353/cls.2003.0029
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  1. Representing the Other: Ercilla's La Araucana, Virgil's Aeneid, and the New World Encounter
  2. Craig Kallendorf
  3. pp. 394-414
  4. DOI: 10.1353/cls.2003.0031
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  1. Spenser and Du Bellay: Translation, Imitation, Ruin
  2. Hassan Melehy
  3. pp. 415-438
  4. DOI: 10.1353/cls.2003.0033
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  1. Marginal Voices, Marginal Forms: Diaries in European Literature and History (review)
  2. Virgil Nemoianu
  3. pp. 439-441
  4. DOI: 10.1353/cls.2003.0034
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  1. After the Heavenly Tune: English Poetry and the Aspiration to Song (review)
  2. Paul Friedrich
  3. pp. 441-444
  4. DOI: 10.1353/cls.2003.0030
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  1. Modernist Writing & Reactionary Politics (review)
  2. Karen Leick
  3. pp. 445-449
  4. DOI: 10.1353/cls.2003.0032
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  1. Literature, Technology and Magical Thinking, 1880-1920 (review)
  2. Bernice Glatzer Rosenthal
  3. pp. 450-452
  4. DOI: 10.1353/cls.2003.0035
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  1. Bernard Shaw and the French (review)
  2. Julie A. Sparks
  3. pp. 452-456
  4. DOI: 10.1353/cls.2003.0036
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  1. The Delirium of Praise: Bataille, Blanchot, Deleuze, Foucault, Klossowski (review)
  2. Allan Stoekl
  3. pp. 456-460
  4. DOI: 10.1353/cls.2003.0037
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