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In this Issue

Table of Contents

Articles

  1. Ideal Friendship and the Paradoxes of Narration in Sarah Fielding's David Simple
  2. Bryan Mangano
  3. pp. 165-188
  4. restricted access
  1. De l'amour électif comme réel absolu: Mémoire et passion dans La Nouvelle Héloïse de J.-J. Rousseau
  2. Jean-François Perrin
  3. pp. 189-208
  4. restricted access
  1. The Recess Does Not Exist: Absorption, Literality, and Feminine Subjectivity in Sophia Lee's The Recess
  2. Matthew J. Rigilano
  3. pp. 209-232
  4. restricted access
  1. Anachronistic Aesthetics: Maria Edgeworth and the "Uses" of History
  2. Mary Mullen
  3. pp. 233-259
  4. restricted access
  1. Tending to the (National) Household: Walter Scott's The Antiquary and "that happy commerce" of the Enlightenment
  2. Natasha Tessone
  3. pp. 261-280
  4. restricted access
  1. Why the Show Must Not Go On: "Real Character" and the Absence of Theatrical Performances in Mansfield Park
  2. Kathleen E. Urda
  3. pp. 281-302
  4. restricted access

Book Reviews/Critiques de livres

  1. Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 by Kathleen Lubey (review)
  2. George E. Haggerty
  3. pp. 303-305
  4. restricted access
  1. The Progressive Poetics of Confusion in the French Enlightenment by John C. O'Neal (review)
  2. James A. Steintrager
  3. pp. 305-308
  4. restricted access
  1. Ridicule, Religion and the Politics of Wit in Augustan England by Roger D. Lund (review)
  2. Darryl P. Domingo
  3. pp. 309-311
  4. restricted access
  1. Imoinda's Shade: Marriage and the African Woman in Eighteenth Century British Literature, 1759-1808 by Lyndon J. Dominique (review)
  2. Roxann Wheeler
  3. pp. 311-313
  4. restricted access
  1. Becoming the Gentleman: British Literature and the Invention of Modern Masculinity, 1660-1815 by Jason Solinger (review)
  2. Shawn Lisa Maurer
  3. pp. 314-316
  4. restricted access
  1. Austen's Oughts: Judgment after Locke and Shaftesbury by Karen Valihora (review)
  2. Hina Nazar
  3. pp. 316-318
  4. restricted access
  1. Backstage in the Novel: Frances Burney and the Theatre Arts by Francesca Saggini (review)
  2. Stewart Cooke
  3. pp. 319-322
  4. restricted access
  1. Performing Authorship in Eighteenth-Century English Periodicals by Manushag N. Powell (review)
  2. Chantel Lavoie
  3. pp. 322-324
  4. restricted access
  1. Dupaty et l'Italie des voyageurs sensibles ed. by Jan Herman, Kris Peeters and Paul Pelckmans (review)
  2. Friedrich Wolfzettel
  3. pp. 325-328
  4. restricted access
  1. Le Voyage de Petersbourg à Moscou (1790) by Alexandre Radichtchev (review)
  2. Andreas Schönle
  3. pp. 328-330
  4. restricted access