1. Memorium
  3. p. 326
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  1. The Loves of Hector Berlioz, in His Life and in Les Troyens
  2. Beth Hart
  3. pp. 331-356
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  1. Hector Berlioz and Giacomo Meyerbeer: A Complex Friendship Revisited
  2. Le Tellier, Robert Ignatius
  3. pp. 357-392
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  1. Hector Berlioz: Opera Opinions
  2. Hector Berlioz, E. Thomas Glasow
  3. pp. 393-400
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  1. Literary and Musical Aspects of the Hero's Romance in Berlioz's Benvenuto Cellini
  2. Ora Frishberg Saloman
  3. pp. 401-416
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  1. Benvenuto Cellini in Zurich: A Rehearsal Diary
  2. Gregory Kunde, Linda Wojciechowski Kunde
  3. pp. 417-426
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  1. The Berlioz Operas on CD, Surveyed by Our Contributing Editors and Reviewers
  2. E. Thomas Glasow
  3. p. 427
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  1. Benvenuto Cellini (1838) (review)
  2. Roger Pines
  3. pp. 427-431
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  1. La damnation de Faust (1846) (review)
  2. Roland Graeme
  3. pp. 431-446
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  1. Les Troyens (composed 1856-58) (review)
  2. David McKee
  3. pp. 446-485
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  1. Beatrice et Benedict (1862) (review)
  2. Robert Baxter
  3. pp. 485-489
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  1. A Berlioz Bibliography
  2. Joe Keith Law
  3. pp. 490-494
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  1. A Review of the Met's New Troyens
  2. Roy C. Dicks
  3. pp. 495-500
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  1. OperaKrostik
  2. Alan W. Agol
  3. pp. 501-503
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  1. Berlioz's Semi-Operas: "Romeo et Juliette" and "La damnation de Faust" (review)
  2. D. Kern Holoman
  3. pp. 504-507
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  1. Berlioz: Past, Present, Future--Bicentenary Essays (review)
  2. E. Thomas Glasow
  3. pp. 507-509
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  1. The Cambridge Companion to Berlioz (review)
  2. Joe Keith Law
  3. pp. 509-511
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  1. The Keys to French Opera in the Nineteenth Century (review)
  2. Lesley Alison Wright
  3. pp. 511-514
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  1. The Diaries of Giacomo Meyerbeer (review)
  2. Thomas G. Kaufman
  3. pp. 514-520
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  1. Les Troyens (review)
  2. Niel Rishoi
  3. pp. 521-525
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  1. Les Troyens (review)
  2. E. Thomas Glasow
  3. pp. 525-527
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  1. Four Glories of Interwar French Vocalism
  2. Roger Pines
  3. pp. 529-541
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  1. Theatre Royal de la Monnaie: 300 Years of Opera in Brussels (review)
  2. London Green
  3. pp. 541-555
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  1. Orphee et Eurydice (review)
  2. Roland Graeme
  3. pp. 555-560
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  1. Robert le diable (review)
  2. Karen Henson
  3. pp. 560-563
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  1. Roberto il diavolo (review)
  2. Roger Parker
  3. pp. 563-565
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  1. La Juive (review)
  2. William Albright
  3. pp. 565-575
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  1. Four Vintage Fausts
  2. William Ashbrook
  3. pp. 576-580
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  1. La reine de Saba (review)
  2. William Fregosi
  3. pp. 580-583
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  1. Ivan IV (review)
  2. Robert Baxter
  3. pp. 583-586
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  1. Three Hamlet s
  2. Joe Keith Law
  3. pp. 587-591
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  1. Two Vintage Carmen s
  2. London Green
  3. pp. 591-594
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  1. Les contes d'Hoffmann (review)
  2. William Fregosi
  3. pp. 595-606
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  1. Les Tresors Caches de l'Opera Francais (review)
  2. Karen Henson
  3. pp. 606-608
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  1. Great French Heroic Tenors (review)
  2. Roger Pines
  3. pp. 608-612
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  1. Les nuits d'ete (review)
  2. E. Thomas Glasow
  3. pp. 612-615
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  1. Submission of Articles and Instructions to Authors
  3. pp. 622-623
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  1. Answers to OperaKrostik
  3. p. 624
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  1. Erratum
  3. p. 624
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  1. Quarter Notes
  2. E. Thomas Glasow
  3. pp. 327-330
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  1. Books Received
  3. p. 520
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  1. DVDs Received
  3. pp. 527-528
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  1. Recordings Received
  3. pp. 616-620
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  1. Contributors to This Issue
  3. p. 621
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