In this Issue

Table of Contents

Introduction: Drama and Philosophy 2.0

David Kornhaber
pp. 419-433
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Hedda’s Silences: Beauty and Despair in Hedda Gabler

Toril Moi
pp. 434-456
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Stages of Thought: Emerson, Maeterlinck, Glaspell

Katherine Biers
pp. 457-477
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Harold Pinter’s The Homecoming and Postmodern Jewish Philosophy

David Krasner
pp. 478-497
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Philosophy as Drama: Deleuze and Dramatization in the Context of Performance Philosophy

Laura Cull
pp. 498-520
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The Logic of/in Tragedy: Hanoch Levin’s Drama The Torments of Job

Freddie Rokem
pp. 521-539
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Afterword: Please Mind the Gap between Theatre and Philosophy

Martin Puchner
pp. 540-553
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Reviews

The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

Stephanie L. Batiste
pp. 554-556
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Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

Christopher Baugh
pp. 556-559
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Metatheatre and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

Patricia Gaborik
pp. 559-561
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Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty by Jenny Hughes (review)

Wendy S. Hesford
pp. 562-564
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Disability Culture and Community Performance: Find a Strange and Twisted Shape by Petra Kuppers (review)

Patrick McKelvey
pp. 564-566
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Stewart Parker: A Life by Marilynn Richtarik (review)

Charlotte J. Headrick
pp. 566-569
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Queer Theatre and the Legacy of Cal Yeomans by Robert A. Schanke (review)

Darren Patrick Blaney
pp. 569-571
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Dario Fo: Framing, Festival, and the Folkloric Imagination by Antonio Scuderi (review)

Francesca Spedalieri
pp. 571-574
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Index to Volume 56, 2013

pp. 575-577
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