1. Hedda’s Silences: Beauty and Despair in Hedda Gabler
  2. Toril Moi
  3. pp. 434-456
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  1. Stages of Thought: Emerson, Maeterlinck, Glaspell
  2. Katherine Biers
  3. pp. 457-477
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  1. Harold Pinter’s The Homecoming and Postmodern Jewish Philosophy
  2. David Krasner
  3. pp. 478-497
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  1. Philosophy as Drama: Deleuze and Dramatization in the Context of Performance Philosophy
  2. Laura Cull
  3. pp. 498-520
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  1. The Logic of/in Tragedy: Hanoch Levin’s Drama The Torments of Job
  2. Freddie Rokem
  3. pp. 521-539
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  1. Afterword: Please Mind the Gap between Theatre and Philosophy
  2. Martin Puchner
  3. pp. 540-553
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  1. The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)
  2. Stephanie L. Batiste
  3. pp. 554-556
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  1. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)
  2. Christopher Baugh
  3. pp. 556-559
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  1. Metatheatre and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)
  2. Patricia Gaborik
  3. pp. 559-561
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  1. Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty by Jenny Hughes (review)
  2. Wendy S. Hesford
  3. pp. 562-564
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  1. Disability Culture and Community Performance: Find a Strange and Twisted Shape by Petra Kuppers (review)
  2. Patrick McKelvey
  3. pp. 564-566
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  1. Stewart Parker: A Life by Marilynn Richtarik (review)
  2. Charlotte J. Headrick
  3. pp. 566-569
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  1. Queer Theatre and the Legacy of Cal Yeomans by Robert A. Schanke (review)
  2. Darren Patrick Blaney
  3. pp. 569-571
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  1. Dario Fo: Framing, Festival, and the Folkloric Imagination by Antonio Scuderi (review)
  2. Francesca Spedalieri
  3. pp. 571-574
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  1. Index to Volume 56, 2013
  2. pp. 575-577
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  1. Introduction: Drama and Philosophy 2.0
  2. David Kornhaber
  3. pp. 419-433
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