1. Sedley’s Bellamira: Terence and Whig Comedy
  2. James M. McGinnis
  3. pp. 21-35
  4. DOI: 10.1353/rst.2013.0018
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  1. Envious Productions: Actresses, Audiences, and Affect in the Restoration Playhouse
  2. Erin M. Keating
  3. pp. 37-53
  4. DOI: 10.1353/rst.2013.0020
  5. restricted access View | Download |
  1. Thomas Sprat’s “Mixt Assembly”: Association and Authority in The History of the Royal Society
  2. J. Ereck Jarvis
  3. pp. 55-77
  4. DOI: 10.1353/rst.2013.0012
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  1. New Testaments: Cognition, Closure, and the Figural Logic of the Sequel, 1660–1740 by Michael Austin (review)
  2. Kevin Seidel
  3. pp. 79-81
  4. DOI: 10.1353/rst.2013.0013
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  1. Buccaneers and Privateers: The Story of the English Sea Rover, 1675-1725 by Richard Frohock (review)
  2. James Rosenheim
  3. pp. 82-83
  4. DOI: 10.1353/rst.2013.0014
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  1. Ridicule, Religion and the Politics of Wit in Augustan England by Roger D. Lund (review)
  2. Marc Mierowsky
  3. pp. 84-86
  4. DOI: 10.1353/rst.2013.0015
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  1. A Race of Female Patriots: Women and Public Spirit on the British Stage, 1688-1745 by Brett D. Wilson (review)
  2. Misty Krueger
  3. pp. 86-89
  4. DOI: 10.1353/rst.2013.0017
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  1. Some Current Publications
  2. Magi Smith
  3. pp. 91-100
  4. DOI: 10.1353/rst.2013.0019
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