In this Issue

Table of Contents

The Revolution Will Be Archived: Cuba’s Noticiero ICAIC Latinoamericano

Mariana Johnson
pp. 1-21
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Wolper’s New Frontier: Studio Documentary in the Kennedy Era

Josh Glick
pp. 22-55
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“I Have Seen the Future”: Home Movies of the 1939 New York World’s Fair

Caitlin McGrath
pp. 56-80
DOI: https://doi.org/10.5749/movingimage.13.2.0056
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What to do with a Coffin Full of Sugar: Gloria Swanson, Kenneth Anger, and Self-Authorship in the Star Collection

Anne Helen Petersen
pp. 81-98
DOI: https://doi.org/10.5749/movingimage.13.2.0081
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“The Entire Motion Picture Industry Presents”: The World Is Ours (1938)

Catherine Jurca
pp. 99-108
DOI: https://doi.org/10.5749/movingimage.13.2.0099
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A Companion to Early Cinema ed. by André Gaudreault, Nicolas Dulac, and Santiago Hidalgo (review)

Stephen Bottomore
pp. 109-112
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Moving Color: Early Film, Mass Culture, Modernism by Joshua Yumibe (review)

Luke McKernan
pp. 112-114
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Cinema’s Alchemist: The Films of Péter Forgács ed. by Bill Nichols and Michael Renov (review)

William C. Wees
pp. 115-118
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Die Nibelungen (1924) (review)

Robert Byrne
pp. 118-121
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Tokyo Drifter (1966), and: Branded to Kill (1967) (review)

Hiroshi Kitamura
pp. 122-124
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The War Room (1993) (review)

Jill Kozeluh
pp. 124-127
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Wunderkino 2.0: On the Varieties of the Cinematic Experience: Northeast Historic Film Summer Symposium July 26–28, 2012, Bucksport, Maine

Leo Goldsmith
pp. 127-129
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Call for Proposals: The Moving Image 15, no. 1—Special Issue: Restoring Color

p. 130
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Editors’ Foreword

Donald Crafton, Susan Ohmer
pp. vii-ix
DOI: https://doi.org/10.5749/movingimage.13.2.0vii
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