1. Feeling, Affect, Exposure: Ethical (In)capacity, the Sympathetic Imagination, and J.M. Coetzee’s Disgrace
  2. Philip Dickinson
  3. pp. 1-19
  4. DOI: 10.1353/mos.2013.0040
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  1. Social Commentary in Coline Serreau’s Saint-Jacques… La Mecque
  2. Lisa F. Signori
  3. pp. 21-36
  4. DOI: 10.1353/mos.2013.0042
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  1. Rhetoric of the Network: Toward a New Metaphor
  2. Christopher D. Kilgore
  3. pp. 37-58
  4. DOI: 10.1353/mos.2013.0044
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  1. Wallace Thurman’s The Blacker the Berry and the Question of the Emancipatory City
  2. Catherine Rottenberg
  3. pp. 59-74
  4. DOI: 10.1353/mos.2013.0046
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  1. The Anti-Hero in Modernist Fiction: From Irony to Cultural Renewal
  2. Shadi Neimneh
  3. pp. 75-90
  4. DOI: 10.1353/mos.2013.0036
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  1. Stalking the Gaps: The Biopoetics of Haiku
  2. Ian Marshall
  3. pp. 91-107
  4. DOI: 10.1353/mos.2013.0037
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  1. The Limits of the Story: Reading the Castaway Narrative in A Strange Manuscript Found in a Copper Cylinder and Life of Pi
  2. Daniela Janes
  3. pp. 109-125
  4. DOI: 10.1353/mos.2013.0039
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  1. Embodying the In-Between: Theresa Hak Kyung Cha's Dictee
  2. Hyo K. Kim
  3. pp. 127-143
  4. DOI: 10.1353/mos.2013.0041
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  1. The Chinese Stereotypical Signification in Ah Sin
  2. Hsin-Yun Ou
  3. pp. 145-161
  4. DOI: 10.1353/mos.2013.0043
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  1. Medusa as Female Eye or Icon in Atwood, Murdoch, Carter, and Plath
  2. Gillian M.E. Alban
  3. pp. 163-182
  4. DOI: 10.1353/mos.2013.0045
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  1. Index
  3. pp. 183-186
  4. DOI: 10.1353/mos.2013.0035
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
  4. DOI: 10.1353/mos.2013.0038
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