1. The Subject of Inversion: Hölderlin’s “Wie wenn am Feiertage …”
  2. Alexis C. Briley
  3. pp. 477-501
  4. DOI: 10.1353/mln.2013.0040
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  1. L’effet d’histoire: Historiography in C. F. Meyer’s Novella The Amulet
  2. Andrea Krauß
  3. pp. 502-529
  4. DOI: 10.1353/mln.2013.0038
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  1. Unsettling the Land: Ludwig Strauss’s Journey from German Romanticism to Neoclassical Hebrew
  2. Rachel Seelig
  3. pp. 530-552
  4. DOI: 10.1353/mln.2013.0042
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  1. Kafka’s Intermediaries: Notes on Deferral, Gesture and Guilt
  2. Wayne Stables
  3. pp. 553-579
  4. DOI: 10.1353/mln.2013.0045
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  1. Modal Revolutions: Friedrich Hölderlin and the Task of Poetry
  2. Gabriel Trop
  3. pp. 580-610
  4. DOI: 10.1353/mln.2013.0047
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  1. Framework: On W. G. Sebald’s Austerlitz
  2. Alexander Verdolini
  3. pp. 611-638
  4. DOI: 10.1353/mln.2013.0043
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  1. Da-da: “Articulatory Gestures” and the Emergence of Sound Poetry
  2. Tobias Wilke
  3. pp. 639-668
  4. DOI: 10.1353/mln.2013.0044
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  1. Zwischen Eros und Mitteilung. Die Frühromantik im Symposion der „Athenaeums-Fragmente“ by May Mergenthaler (review)
  2. Yael Almog
  3. pp. 669-671
  4. DOI: 10.1353/mln.2013.0037
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  1. Afterness: Figures of Following in Modern Thought and Aesthetics by Gerhard Richter (review)
  2. David L. Clark
  3. pp. 671-676
  4. DOI: 10.1353/mln.2013.0039
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  1. Kafka’s Jewish Languages: The Hidden Openness of Tradition by David Suchoff (review)
  2. Kata Gellen
  3. pp. 676-679
  4. DOI: 10.1353/mln.2013.0041
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  1. Contributors
  2. pp. 680-682
  3. DOI: 10.1353/mln.2013.0046
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