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In this Issue

Table of Contents

  1. ‘Bona cadentia dictaminum’: Reconstructing Word Setting in Machaut’s Songs
  2. David Maw
  3. pp. 383-432
  4. restricted access
  1. The famous and new Italian taste’: The Dissemination of Italian Sacred Music in the Southern Netherlands, 1675–1755
  2. Stefanie Beghein
  3. pp. 433-451
  4. restricted access
  1. ‘The glory of having a national music’: A Translation of and Critical Commentary on the First Two Sections of José Subirá’s ‘La tonadilla escénica: Sus obras y sus autores’ (1933)
  2. Elisabeth Le Guin
  3. pp. 452-486
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  1. La Tonadilla Escénica: Sus Obras Y Sus Autores
  2. José Subira
  3. pp. 487-510
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  1. Plus ça change…: Thinking again about Debussy and Ravel
  2. David J. Code
  3. pp. 511-518
  4. restricted access
  1. The Music Library of a Noble Florentine Family: A Catalogue Raisonné of Manuscripts and Prints of the 1720s to the 1850s collected by the Ricasoli Family now housed in the University of Louisville Music Library ed. by Susan Parisi, John Carr, Caterina Pampaloni, and Robert Lamar Weaver (review)
  2. John A. Rice
  3. pp. 519-520
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  1. The Dramatic Symphony: Issues and Explorations from Berlioz to Liszt by Robert Tallant Laudon (review)
  2. Julian Rushton
  3. pp. 520-521
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  1. History in Mighty Sounds: Musical Constructions of German National Identity 1848–1914 by Barbara Eichner (review)
  2. Mark Berry
  3. pp. 521-524
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  1. Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud by Ian Biddle, and: Music and the Politics of Negation by James R. Currie (review)
  2. James Garratt
  3. pp. 524-529
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  1. Sea-changes: Melville–Forster–Britten: The Story of Billy Budd and its Operatic Adaptation by Hanna Rochlitz (review)
  2. Arnold Whittall
  3. pp. 531-533
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  1. P. I. Chaykovsky—N. F. fon Mekk: Perepiska ed. by P. E. Vaydman (review)
  2. Philip Ross Bullock
  3. pp. 533-536
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  1. Ravel Studies ed. by Deborah Mawer (review)
  2. Caroline Potter
  3. pp. 536-538
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  1. Music, Poetry, Propaganda: Constructing French Cultural Soundscapes at the BBC during the Second World War by Claire Launchbury (review)
  2. Christina Baade
  3. pp. 538-541
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  1. Hans Werner Henze: Tristan (1973) by Stephen Downes (review)
  2. Mark Berry
  3. pp. 541-543
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  1. Music in the USA: A Documentary Companion ed. by Judith Tick with Paul Beaudoin (review)
  2. Deniz Ertan
  3. pp. 543-546
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  1. Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)
  2. Marguerite Boland
  3. pp. 546-548
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  1. West End Broadway: The Golden Age of the American Musical in London by Adrian Wright (review)
  2. William A. Everett
  3. pp. 548-550
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  1. The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror ed. by Joseph P. Fisher and Brian Flota (review)
  2. Peter Tregear
  3. pp. 550-552
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  1. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond ed. by Erik Levi and Florian Scheding (review)
  2. Peter Tregear
  3. pp. 552-554
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  1. Hip-Hop Turntablism, Creativity and Collaboration by Sophy Smith, and: Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)
  2. Justin Williams
  3. pp. 554-557
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  1. Music and Politics by John Street (review)
  2. Eric Drott
  3. pp. 557-560
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  1. Musical Renderings of the Philippine Nation by Christi-Anne Castro (review)
  2. David Kendall
  3. pp. 560-563
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  1. Music in Pacific Island Cultures: Experiencing Music, Expressing Culture by Brian Diettrich, Jane Freeman Moulin, and Michael Webb (review)
  2. Anna Stirr
  3. pp. 563-565
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  1. Correspondence: To the Editors of ‘Music & Letters’
  2. Michael Lorenz
  3. p. 566
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  1. David T. Bretherton replies:
  2. David T. Bretherton
  3. p. 567
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  1. ‘Music & Letters’ Awards
  3. p. 569
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  1. Authors of Articles in this Issue
  3. p. 569
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  1. Portuguese Piano Music: An Introduction and Annotated Bibliography by Nancy Lee Harper (review)
  2. Walter Aaron Clark
  3. pp. 529-531
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  1. Books Received
  3. pp. 570-571
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