1. Psychology and Art in Leonardo
  2. W. R. Crozier, A. J. Chapman, Rudolf Arnheim, Karen Tsao
  3. pp. 161-162
  4. restricted access
  1. Psychology and the Arts: An Historical Summary
  2. W. Ray Crozier, Antony J. Chapman
  3. pp. 163-164
  4. restricted access
  1. Social Interaction in Photographing
  2. Halla Beloff
  3. pp. 165-171
  4. restricted access
  1. C. P. Snow’s Fiction of Two Cultures
  2. Peter Stringer
  3. pp. 172-176
  4. restricted access
  1. Cézanne’s Landscapes and the Functions of Vision
  2. Pavel Machotka
  3. pp. 177-179
  4. restricted access
  1. On the Horizon: Picture Perception and Gibson’s Concept of Information
  2. Sheena Rogers, Alan Costali
  3. pp. 180-182
  4. restricted access
  1. Art and Ambiguity
  2. Judith Farr Tormey, Alan Tormey
  3. pp. 183-187
  4. restricted access
  1. Unusual Pictures: An Analysis of Some Abnormal Pictorial Structures in a Painting by Juan Gris
  2. John Willats
  3. pp. 188-192
  4. restricted access
  1. The Scientific Study of Artistic Creativity
  2. Gerald C. Cupchik
  3. pp. 193-195
  4. restricted access
  1. The Cognitive Basis of Aesthetic Experience
  2. Margot D. Lasher, John M. Carroll, Thomas G. Bever
  3. pp. 196-199
  4. restricted access
  1. The Psychology of Abstraction and the Visual Arts
  2. Robert W. Witkin
  3. pp. 200-203
  4. restricted access
  1. Children’s Sensitivity to Stylistic Features in Literature
  2. Christine Massey, Howard Gardner, Paula Blank, Ellen Winner
  3. pp. 204-207
  4. restricted access
  1. Artistic Value Judgments and the Value of Judging the Arts
  2. Hans Kreitler, Shulamith Kreitler
  3. pp. 208-211
  4. restricted access
  1. Imaginary Worlds Take Shape: A Study of Creative Work in Sculpture
  2. Margery B. Franklin
  3. pp. 212-216
  4. restricted access
  1. Some Psychological Processes in the Development of the Creativity of Van Gogh and Faraday
  2. Ken Rouse
  3. pp. 217-221
  4. restricted access
  1. Art Images Associated with States of Expanded Consciousness: A Study of the Individual Case
  2. Peter Butcher
  3. pp. 222-224
  4. restricted access
  1. Stylistic Evolution in European Music
  2. Colin Martindale, Anne Uemura
  3. pp. 225-228
  4. restricted access
  1. A New Measure of ‘Good Taste’ in Visual Art
  2. H. J. Eysenck
  3. pp. 229-231
  4. restricted access
  1. Laypeople as Architectural Designers
  2. Roderick J. Lawrence
  3. pp. 232-236
  4. restricted access
  1. Understanding Religion Through the Psychology of Art
  2. Benjamin Beit-Hallahmi
  3. pp. 237-240
  4. restricted access
  1. Art-making in Clinical Training for Conceptualization, Integration, and Self-awareness
  2. Harriet Wadeson, Pat Allen
  3. pp. 241-242
  4. restricted access
  1. Processing Literary Works Under Repeated Presentation
  2. L. Halasz
  3. pp. 243-244
  4. restricted access
  1. Advances in Intrinsic Motivation and Aesthetics ed. by Hy. I. Day (review)
  2. Michael J. Apter
  3. p. 249
  4. restricted access
  1. The Experience of Motivation: The Theory of Psychological Reversals by Michael J. Apter (review)
  2. Kim James
  3. pp. 249-250
  4. restricted access
  1. The Promise of Cognitive Psychology by Richard E. Mayer (review)
  2. Kim James
  3. pp. 250-251
  4. restricted access
  1. Art and the Creative Unconscious by Erich Neumann (review)
  2. Donald Brook
  3. p. 251
  4. restricted access
  1. Essays on Art and Ontology by Leone Vivante (review)
  2. David R. Topper
  3. p. 251
  4. restricted access
  1. The Art and Science of Visual Illusions by Nicholas Wade (review)
  2. James F. Watkins
  3. pp. 251-252
  4. restricted access
  1. Illusions, Patterns and Pictures: A Cross-Cultural Perspective by J. B. Deregowski (review)
  2. Sheldon Richmond
  3. p. 252
  4. restricted access
  1. The Anthropology of Art by Robert Layton (review)
  2. James A. Goldman
  3. p. 253
  4. restricted access
  1. Ruskin and the Art of the Beholder by Elizabeth K. Helsinger (review)
  2. Doug Sandle
  3. p. 254
  4. restricted access
  1. The English Vision: The Picturesque in Architecture, Landscape and Garden Design by David Watkin (review)
  2. Rod Hackney
  3. p. 254
  4. restricted access
  1. The Cultural Critics: From Matthew Arnold to Raymond Williams by Lesley Johnson (review)
  2. Ralph A. Smith
  3. pp. 254-255
  4. restricted access
  1. L’Image, Communication Fonctionelle by Abraham A. Moles, Elizabeth Rohmer (review)
  2. Jacques Mandelbrojt
  3. p. 255
  4. restricted access
  1. Lifelong Learning and the Visual Arts: a Book of Readings ed. by Donald Hoffman, Pearl Greenburg, Dale Fitmer (review)
  2. Vic Gray
  3. pp. 255-256
  4. restricted access
  1. Egon Schiele by Simon Wilson (review)
  2. Christopher Crouch
  3. p. 256
  4. restricted access
  1. The Many Worlds of Archile Gorky by Karlen Mooradian (review)
  2. Michael Fitzgerald
  3. p. 256
  4. restricted access