1. International Aspects of Leonardo
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  3. pp. 1-2
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  1. R. Buckminster Fuller 1895–1983
  2. John Pastier
  3. p. 3
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  1. Monitoring Nature’s Sounds with Terrain-Based Constructions
  2. Leif Brush, Gloria DeFilipps Brush
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  1. Letterpress Language: Typography as a Medium for the Visual Representation of Language
  2. Johanna Drucker
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  1. Primitive Paintings: Connections to Realism and Constructivism
  2. Gorki Bollar
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  2. Brad McCormick
  3. pp. 20-23
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  1. On Lacquer Painting
  2. Qiao Shi-guang, Yu Xiao-xing
  3. pp. 24-26
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  1. Combining Color Xerography with the Techniques of Silkscreen and Intaglio
  2. Frances Valesco, Suzanne Fried
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  1. Art and Technology: Innovations Report from the Twelfth International Sculpture Conference
  2. Mike Mosher
  3. pp. 33-34
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  1. Creativity and Education: Some Critical Remarks
  2. Joseph Abinun
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  1. Source and Limits of Human Intellect
  2. Leon N. Cooper
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  1. The New Media as Contexts for Creativity
  2. Anthony Smith
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  1. Street Murals by Volker Barthelmeh (review)
  2. Ralph Putzker
  3. p. 52
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  2. Harry Rand
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  1. American Prints: Process and Proofs by Judith Goldman (review)
  2. Edith Smith
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  2. Nancy Hubbe
  3. p. 53
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  1. Rodin in Perspective ed. by Ruth Butler (review)
  2. S. I. Clerk
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  2. Carson I. A. Ritchie
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  1. Still Life Painting, from Antiquity to the Twentieth Century by Charles Sterling (review)
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  2. John A. Walker
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  2. Timothy Weston
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  1. International Directory of Exhibiting Artists ed. by V. B. Smith (review)
  2. Ralph Putzker
  3. p. 55
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  1. The Contemporary Oil Painter’s Handbook by Clifford T. Chieffo (review)
  2. Frank Covino
  3. p. 56
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  1. Stained Glass—A Guide to Information Sources. Vol. 10 ed. by Darlene Brady, William Serban (review)
  2. Susan Glyn
  3. pp. 56-57
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  2. Pierre Szekely
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  2. Hugh Mercer Curtler
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  3. p. 58
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  2. J. Lukasiewicz
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  2. J. Lukasiewicz
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  1. Fundamentals of Interactive Computer Graphics by James D. Foley, Andries Van Dam (review)
  2. Richard Land
  3. p. 59
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  1. Mapping Information: The Graphic Display of Quantitative Information by Howard T. Fisher (review)
  2. Richard Land
  3. pp. 59-60
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  1. The Fourth Dimension and Non-Euclidian Geometry in Modern Art by Linda Dalrymple Henderson (review)
  2. Roger F. Malina
  3. p. 60
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  1. Brucken … Asthetik und Gestaltung (Bridges … Aesthetics and Design) by Fritz Leonhardt (review)
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  2. James Goldman
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  3. p. 61
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  2. Harry Rand
  3. p. 61
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  1. The Art of Painting on Glass by Albinas Elskus (review)
  2. Nan Conklin
  3. pp. 61-62
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  1. Byte Book of Computer Music ed. by Christopher Morgan (review)
  2. S. Wilson
  3. p. 62
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  1. The Evolution of Culture in Animals by John Tyler Bonner (review)
  2. Ellen Dissanayake
  3. p. 62
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  2. Gifford Phillips
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  1. Russia on Canvas: Il’ya Repin by Fan Parker, Stephen Jan Parker (review)
  2. Kirill Sokolov
  3. p. 63
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  2. David A. Walsh
  3. pp. 63-64
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  2. Donald J. Bush
  3. p. 64
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  2. Joseph Germana
  3. pp. 64-65
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  1. On American Art During ’30s and ’40s. Abstract Expressionism: The Formative Years by Robert Carleton Hobbs, Gail Levin (review)
  2. S. I. Clerk
  3. p. 65
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  2. Dorothy Grotz
  3. p. 65
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  2. Peggy Lecroart
  3. p. 66
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  1. Variations in Watercolor by Naomi Brotherton and Lois Marshall, and: Controlled Watercolor Painting by Leo Stoutsenberger (review)
  2. James W. Davis
  3. p. 66
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  1. Letters
  2. Alfonz Lengyel, James Pridgeon, Fernando R. Casas
  3. p. 68
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  1. Illustrations
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  1. Cambridge Introduction to the History of Art: The Twentieth Century by Rosemary Lambert (review)
  2. Norman Narotzky
  3. pp. 54-55
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  1. Books Received
  2. pp. 66-67
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