1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: 10.1353/amu.2013.0023
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  1. Steel and Strawberries: How Chinese Rock Became State-Sponsored
  2. Jeroen Groenewegen-Lau
  3. pp. 3-33
  4. DOI: 10.1353/amu.2013.0021
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  1. “It’s Our Culture”: Dynamics of the Revival and Reemergence of Punjabi Jhummar
  2. Gibb Schreffler
  3. pp. 34-76
  4. DOI: 10.1353/amu.2013.0025
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  1. There Is No Amen in Shaman: Traditional Music Preservation and Christianity in South Korea
  2. Roald Maliangkay
  3. pp. 77-97
  4. DOI: 10.1353/amu.2013.0027
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  1. Venerable Traditions, Modern Manifestations: Understanding Mayuzumi’s Bunraku for Cello
  2. Lisa M. Cook
  3. pp. 98-131
  4. DOI: 10.1353/amu.2013.0029
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  1. Tulila: Muzik Bujukan Mandailing by Edi Nasution (review)
  2. Lawrence Ross
  3. pp. 132-135
  4. DOI: 10.1353/amu.2013.0022
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  1. Burma’s Pop Music Industry: Creators, Distributors, Censors by Heather MacLachlan (review)
  2. Jennifer Milioto Matsue
  3. pp. 135-138
  4. DOI: 10.1353/amu.2013.0024
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  1. Sizhu Instrumental Music of South China: Ethos, Theory and Practice by Alan R. Thrasher (review)
  2. Yu Hui
  3. pp. 139-142
  4. DOI: 10.1353/amu.2013.0026
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  1. Music in China: Experiencing Music, Expressing Culture by Frederick Lau (review)
  2. Ying Diao
  3. pp. 142-144
  4. DOI: 10.1353/amu.2013.0028
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  1. Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer by Peter M. Chang, and: The Music of Chou Wen-chung by Eric C. Lai (review)
  2. John Winzenburg
  3. pp. 145-154
  4. DOI: 10.1353/amu.2013.0030
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  1. About the Contributors
  3. pp. 155-157
  4. DOI: 10.1353/amu.2013.0031
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