In this Issue

Table of Contents

From the Editor

Ricardo D. Trimillos
pp. 1-2
DOI: https://doi.org/10.1353/amu.2013.0023
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Steel and Strawberries: How Chinese Rock Became State-Sponsored

Jeroen Groenewegen-Lau
pp. 3-33
DOI: https://doi.org/10.1353/amu.2013.0021
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“It’s Our Culture”: Dynamics of the Revival and Reemergence of Punjabi Jhummar

Gibb Schreffler
pp. 34-76
DOI: https://doi.org/10.1353/amu.2013.0025
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There Is No Amen in Shaman: Traditional Music Preservation and Christianity in South Korea

Roald Maliangkay
pp. 77-97
DOI: https://doi.org/10.1353/amu.2013.0027
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Venerable Traditions, Modern Manifestations: Understanding Mayuzumi’s Bunraku for Cello

Lisa M. Cook
pp. 98-131
DOI: https://doi.org/10.1353/amu.2013.0029
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Tulila: Muzik Bujukan Mandailing by Edi Nasution (review)

Lawrence Ross
pp. 132-135
DOI: https://doi.org/10.1353/amu.2013.0022
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Burma’s Pop Music Industry: Creators, Distributors, Censors by Heather MacLachlan (review)

Jennifer Milioto Matsue
pp. 135-138
DOI: https://doi.org/10.1353/amu.2013.0024
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Sizhu Instrumental Music of South China: Ethos, Theory and Practice by Alan R. Thrasher (review)

Yu Hui
pp. 139-142
DOI: https://doi.org/10.1353/amu.2013.0026
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Music in China: Experiencing Music, Expressing Culture by Frederick Lau (review)

Ying Diao
pp. 142-144
DOI: https://doi.org/10.1353/amu.2013.0028
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Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer by Peter M. Chang, and: The Music of Chou Wen-chung by Eric C. Lai (review)

John Winzenburg
pp. 145-154
DOI: https://doi.org/10.1353/amu.2013.0030
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About the Contributors

pp. 155-157
DOI: https://doi.org/10.1353/amu.2013.0031
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