1. Illustration
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  1. Leonardo: Smorgasbord, Collage or Synthesis?
  2. Roger F. Malina
  3. pp. 1-2
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  1. Elusive Imagery of the Lightstick
  2. Bill Bell, Theodore E. Parks, Robert B. Post, Peter Richards
  3. pp. 3-10
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  1. Computer-Aided Correlation of Musical and Visual Structures
  2. Theo Goldberg, Günther Schrack, Frank Popper
  3. pp. 11-17
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  1. Generative Photography: A Systematic, Constructive Approach
  2. Gottfried Jäger, Herbert W. Franke, Jean Stken
  3. pp. 19-25
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  1. A Collaborative Investigation of the Line: Interactive Computer-Aided Drawings
  2. Imrich Bertók, Jozef Jankovič
  3. pp. 27-30
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  1. Exploring ‘The Found’: A Communications Approach to Art and Architecture
  2. Mit Mitropoulos
  3. pp. 31-33
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  1. Solar-Powered Kinetic Sculpture: A Collaborative Educational Experiment
  2. Andrew Stonyer, Ken Ford, Malcolm Hughes, Roger Linford, John Holloway
  3. pp. 35-38
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  1. Computer Graphics: Color-Based Time
  2. Edward Zajec
  3. pp. 39-43
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  1. Sculpture, Theater and Art Performance: Notes on the Convergence of the Arts
  2. Silvio Gaggi
  3. pp. 45-52
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  1. Photography and the Recording Process in the Age of Mechanical Reproduction
  2. William E. Melin
  3. pp. 53-60
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  1. Guidelines for Constructing a Fisheye Perspective
  2. Michael Moose
  3. pp. 61-64
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  1. Illusion and Delusion: The Media and the Natural Scientist
  2. Michael J. Clark, John Holloway
  3. pp. 65-70
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  1. Signs, Systems, Structures, Space in Basic Architectural Design
  2. Alex Mailer
  3. pp. 71-76
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  1. Theoretical Perspectives on the Arts, Sciences and Technology
  2. David Carrier
  3. pp. 77-80
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  1. Color: Essence and Logic by Rolf G. Kuehni (review)
  2. George A. Agoston
  3. p. 89
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  1. Alfred North Whitehead The Man And His Work, Vol. I, 1861–1910 by Victor Lowe (review)
  2. J. Guberman
  3. p. 91
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  1. Letters
  2. pp. 92-94
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  1. Books Received
  2. p. 91
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