1. Illustration
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  1. Visual Art, Sound, Music and Technology
  2. Roger F. Malina
  3. pp. 103-105
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  1. Obituary
  2. Jan Zach
  3. p. 105
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  1. Sound Sculpture: Sounds, Shapes, Public Participation, Education
  2. François Baschet, Bernard Baschet
  3. pp. 107-114
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  1. Visual Music: Searching for an Aesthetic
  2. Tom DeWitt
  3. pp. 115-122
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  1. Imagine the Goddess! A Rebirth of The Female Archetype in Sculpture
  2. Liliane Lijn
  3. pp. 123-130
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  1. Research of the Sounds of Literature: Formant Music and a Prosodic Notation for Performance
  2. Ernest Robson
  3. pp. 131-138
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  1. The Glass Harmonica: A Return from Obscurity
  2. Gerhard Finkenbeiner, Vera Meyer
  3. pp. 139-142
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  1. The Relocation of Ambient Sound: Urban Sound Sculpture
  2. Bill Fontana
  3. pp. 143-147
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  1. Interactive Sound Installations Using Microcomputers
  2. George K. Shortess
  3. pp. 149-153
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  1. Progress in Color Composition
  2. Rudolf Arnheim
  3. pp. 165-168
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  1. Automated Composition in Retrospect: 1956–1986
  2. Charles Ames
  3. pp. 169-185
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  1. The Musical Mind: The Cognitive Psychology of Music by John A. Sloboda (review)
  2. Allan Shields
  3. p. 193
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  1. Great Masters of the Violin: From Corelli and Vivaldi to Stern, Zukerman and Perlman by Boris Schwarz (review)
  2. Allan Shields
  3. pp. 193-194
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  1. Charles Ives: The Ideas Behind The Music by J. Peter Burkholder (review)
  2. Allan Shields
  3. pp. 194-195
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  1. Artificial Intelligence: The Very Idea by John Haugeland, and: Mind Over Machine by Hubert L. Dreyfus, Stuart B. Dreyfus (review)
  2. Stephen Wilson
  3. pp. 195-196
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  1. Art and Education by Donald Brook (review)
  2. Vic Gray
  3. p. 196
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  1. Arthur Dove: Nature as Symbol by Sherrye Cohn (review)
  2. Vladimir Tamari
  3. pp. 196-197
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  1. Constructivist Architecture in the USSR by Anatole Kopp (review)
  2. John Bowlt
  3. pp. 197-198
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  1. The Aesthetic Experience: An Anthropologist Looks at the Visual Arts by Jacques Maquet (review)
  2. Allan Shields
  3. p. 198
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  1. The Periodic Table by Primo Levi (review)
  2. Leon Tsao
  3. pp. 198-199
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  1. Solid Cues by Gerald Feinberg (review)
  2. Leo Narodny
  3. p. 199
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  1. World War I and the Weimar Artists: Dix, Grosz, Beckmann, Schlemmer by Matthias Eberle (review)
  2. Rudolf Arnheim
  3. pp. 199-200
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  1. Publications
  2. pp. 201-204
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  1. Commentaries
  2. pp. 205-212
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  1. The Mills College Center for Contemporary Music’s Seminar in Formal Methods Series: A Documentary Survey
  2. Larry Polansky, John Levin
  3. pp. 155-163
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  1. Books Received
  2. pp. 200-201
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