1. Plate
  2. restricted access
  1. The First International Symposium on Electronic Art (FISEA)
  2. Ton Hokken, Johan den Biggelaar, Wim van der Plas
  3. p. 1
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  1. Perceptual Correspondences of Abstract Animation and Synthetic Sound
  2. Adriano Abbado
  3. pp. 3-5
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  1. Art and Education in the Telematic Culture
  2. Roy Ascott
  3. pp. 7-11
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  1. The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge to Visual Art
  2. Jürgen Claus
  3. pp. 13-18
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  1. Logic and Time-Based Art Practice
  2. Ernest Edmonds
  3. pp. 19-20
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  1. Computational Art
  2. A. Eliëns
  3. pp. 21-25
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  1. Establishing a Tonic Space with Digital Color
  2. Brian Evans
  3. pp. 27-30
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  1. The Creation Station: An Approach to a Multimedia Workstation
  2. Henry S. Flurry
  3. pp. 31-37
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  1. Computer Music Languages … and the Real World
  2. Mathias Fuchs
  3. pp. 39-42
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  1. Computer Graphics and Animation as Agents of Personal Evolution in the Arts
  2. Robin G. King
  3. pp. 43-46
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  1. Storing Art Images in Intelligent Computers
  2. Joan L. Kirsch, Russell A. Kirsch
  3. pp. 47-54
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  1. The Making of a Film with Synthetic Actors
  2. N. Magnenat-Thalmann
  3. pp. 55-62
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  1. Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/Performer’s Testimony
  2. Philippe Ménard
  3. pp. 63-68
  4. restricted access
  1. Geometric Image Modelling of the Musical Object
  2. Michel Naranjo, Assuh Koffi
  3. pp. 69-72
  4. restricted access
  1. The Computer: Liberator or Jailer of the Creative Spirit
  2. John Pearson
  3. pp. 73-80
  4. restricted access
  1. The Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows
  2. Patric D. Prince
  3. pp. 81-88
  4. restricted access
  1. The Staging of Leonardo’s Last Supper: A Computer-Based Exploration of Its Perspective
  2. Lillian F. Schwartz
  3. pp. 89-96
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  1. State-of-the-Art Art
  2. Seth Shostak
  3. pp. 97-98
  4. restricted access
  1. A New Language for Artistic Expression: The Electronic Arts Landscape
  2. Joan Truckenbrod
  3. pp. 99-102
  4. restricted access
  1. Some Issues in the Development of Computer Art as a Mathematical Art Form
  2. Richard Wright
  3. pp. 103-110
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  1. Orphics: Computer Graphics and the Shaping of Time with Color
  2. Edward Zajec
  3. pp. 111-116
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  1. Abstracts
  2. Anna Campbell Bliss, John Coate, Carl Loeffler, Robert Mallary, Harold J. McWhinnie, Joseph Nechvatal, Vernon Reed, David Rosenboom, Frederick John Truck, Phil Winsor
  3. pp. 117-123
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