1. Illustration
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  1. Chinese Artists Work with Contemporary Science and Technology
  2. Shao Dazhen
  3. p. 1
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  1. Seeing and Making
  2. Madhoor Kapur
  3. pp. 1-2
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  1. Procedural Art with Computer Graphics Technology
  2. Michel Bret
  3. pp. 3-9
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  1. Excerpts from “Out of This the Sculptural Forms Come”: The Posthumous Papers of Kenneth Campbell
  2. Kenneth Campbell
  3. pp. 11-18
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  1. Seeking the Image of Space in the Infinity of Nature: Installations
  2. Dariusz Lipski
  3. pp. 19-23
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  1. Sequence of Earlier Heaven: The Record As a Medium for the Electroacoustic Composer
  2. Barry Truax
  3. pp. 25-28
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  1. Self-Portraits As Presentations of Self
  2. W. Ray Crozier, Paul Greenhalgh
  3. pp. 29-33
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  1. Computer Choreology Project at the University of Sydney
  2. Don Herbison-Evans, George Politis
  3. pp. 34-38
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  1. A Genealogy of Video
  2. Paul Ryan
  3. pp. 39-44
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  1. Dance, Video, Notation and Computers
  2. Don Herbison-Evans
  3. pp. 45-50
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  1. Causality: Ruin Time and Ruins
  2. Florence M. Hetzler
  3. pp. 51-55
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  1. Visualization of a Die and Other Objects in Four-Dimensional Space
  2. Koji Miyazaki
  3. pp. 56-60
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  1. Postmodernity, Métaphore manquée, and the Myth of the Trans-avant-garde
  2. Nicholas Zurbrugg
  3. pp. 61-70
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  1. The Winged Paintbrush: Aviation Genre Art
  2. Luther Y. Gore
  3. pp. 71-75
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  1. On a Ghost of Historiography Past
  2. David R. Topper
  3. pp. 76-78
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  1. The Higher School of Art and Design in Łódź: Tradition and the Present
  2. Agnieszka Grochulska
  3. pp. 79-80
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  1. Spie’s O-E Lase ’87: An Artist’s Perspective
  2. Tulla Lightfoot
  3. pp. 81-82
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  1. A Manual of Painting Materials and Techniques by Mark D. Gottsegen (review)
  2. Joy Turner Luke
  3. pp. 90-91
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  1. M.C. Escher: Art and Science ed. by H.S.M. Coxeter (review)
  2. Robert Dixon
  3. pp. 91-92
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  1. Using Computers to Create Art by Stephen Wilson (review)
  2. Makepeace Tsao
  3. p. 92
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  1. Computer Graphics for Designers and Artists by Isaac Victor Kerlow, Judson Rosebush (review)
  2. Stephen Wilson
  3. pp. 92-93
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  1. The Natural Sciences and the Arts: Aspects of Interaction from the Renaissance to the 20th Century ed. by Allan Ellenius (review)
  2. David Topper
  3. pp. 93-94
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  1. The Golden Relationship: Art, Math, Nature (Book 1: Universal Patterns) by Martha Boles, Rochelle Newman (review)
  2. David Topper
  3. pp. 94-95
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  1. The Principles of Harmony and Contrast of Colors and Their Applications to the Arts ed. by M.E. Chevreul, Faber Birren (review)
  2. Joy Turner Luke
  3. pp. 95-96
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  1. The Principles of Harmony and Contrast of Colors and Their Applications to the Arts by M.E. Chevreul (review)
  2. Roy Osborne
  3. pp. 96-97
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  1. The Forms of Colour by Karl Gerstner (review)
  2. Robert Dixon
  3. p. 97
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  1. The Forms of Colour by Karl Gerstner (review)
  2. Peter Lloyd Jones
  3. pp. 97-98
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  1. Artists Against War and Fascism—Papers of the First American Artists’ Congress (1930) ed. by Matthew Baigell, Julia Williams (review)
  2. Frances Pohl
  3. pp. 98-100
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  1. Medieval Religion and Technology by Lynn White, Jr. (review)
  2. Vladimir Tamari
  3. pp. 100-101
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  1. Rodchenko: The Complete Work by S.O. Khan-Magomedov (review)
  2. John Bowlt
  3. pp. 101-102
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  1. Russian Samizdat Art by John E. Bowlt, et al. (review)
  2. Nicoletta Misler
  3. pp. 102-103
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  1. Understanding Music Through Sound Exploration and Experiments by Janet L.S. Moore (review)
  2. Allan Shields
  3. p. 103
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  1. The Psychology of Perspective and Renaissance Art by Michael Kubovy (review)
  2. David Carrier
  3. pp. 103-104
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  1. Short Reviews
  2. pp. 104-105
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  1. Publications
  2. pp. 106-108
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  1. Software Survey
  2. p. 108
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  1. Commentaries
  2. Michael Eckersley, H. J. McWhinnie, Alexandre Vitkine, René Paul Barilleaux, Martin Richardson
  3. pp. 109-110
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  1. Books Received
  2. pp. 105-106
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