1. Color Plate
  2. restricted access
  1. Art and Development
  2. Yona Friedman
  3. pp. 149-150
  4. restricted access
  1. Sun Drawing: Sculptures of Reflected Sunlight Connecting the Earth and Sky
  2. Janet Saad-Cook, M. E. Warlick
  3. pp. 151-158
  4. restricted access
  1. Idioms: A Silent Face of Photography
  2. Leszek Brogowski
  3. pp. 159-163
  4. restricted access
  1. My Painting and My Dream
  2. Long Quan
  3. pp. 165-166
  4. restricted access
  1. The Use of Computers in the Arts: Simulation versus Abstraction
  2. Harold J. McWhinnie
  3. pp. 167-170
  4. restricted access
  1. Public Sculpture as a Collaboration with a Community
  2. Will Nettleship
  3. pp. 171-174
  4. restricted access
  1. The Markov Process as a Compositional Model: A Survey and Tutorial
  2. Charles Ames
  3. pp. 175-187
  4. restricted access
  1. The Computer: A Composer’s Collaborator
  2. Sever Tipei
  3. pp. 189-195
  4. restricted access
  1. Review of Artwriting by David Carrier
  2. Donald Brook
  3. pp. 197-200
  4. restricted access
  1. A Response to Donald Brook
  2. David Carrier
  3. pp. 198-199
  4. restricted access
  1. A Rejoinder to David Carrier
  2. Donald Brook
  3. pp. 199-200
  4. restricted access
  1. The Space Chronometer: An Orbiting Clock for Humanity
  2. Chris Coles, Alan Jefferson
  3. pp. 201-213
  4. restricted access
  1. Throwing Light on Metamerism—Quantifying the Change in a Colour Match Caused by Change of Illuminant
  2. S.J. Edwards
  3. pp. 215-218
  4. restricted access
  1. How to Design Textures Using Recursive Composite Functions
  2. Clifford A. Pickover
  3. pp. 219-222
  4. restricted access
  1. The Need of Perception for the Perception of Needs
  2. Heinz Von Foerster, Larry Polansky
  3. pp. 223-226
  4. restricted access
  1. Art and Mathematics in the Thought of El Lissitzky: His Relationship to Suprematism and Constructivism
  2. Esther Levinger
  3. pp. 227-236
  4. restricted access
  1. Father Pavel Florensky and Vladimir Favorsky: Mutual Insights into the Perception of Space
  2. Kirill Sokolov, Auril Pyman
  3. pp. 237-244
  4. restricted access
  1. Theoretical and Practical Perspectives on Technology and the History of Art History
  2. David Carrier, Robert Cavalier
  3. pp. 245-249
  4. restricted access
  1. Adaptive Computer Graphics for Research in Aesthetics
  2. Elaine Lewis, Robert Garneau, Marek Holynski
  3. pp. 251-254
  4. restricted access
  1. Can Science Be an Art?: Epistemology as the Vehicle for a Trip from Science to Art and Back
  2. John Stewart
  3. pp. 255-261
  4. restricted access
  1. Good Sound Foundation
  2. Arthur Stidfole
  3. pp. 263-264
  4. restricted access
  1. Computer Art in China
  2. Liu Yong-Qin, Hu Nong
  3. pp. 264-265
  4. restricted access
  1. Henry W. Levison: A Personal Tribute
  2. Joy Turner Luke
  3. pp. 265-266
  4. restricted access
  1. Thematic Origins of Scientific Thought: Kepler to Einstein by Gerald Holton (review)
  2. David Topper
  3. p. 267
  4. restricted access
  1. Artists’ Pigments. A Handbook of their History and Characteristics, vol. 1 ed. by Robert L. Feller (review)
  2. J. William Shank, Elizabeth Crumley
  3. pp. 267-268
  4. restricted access
  1. Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906–1951 by Ralph C. Croizier (review)
  2. Makepeace Tsao
  3. p. 268
  4. restricted access
  1. Basic Issues in Aesthetics by Marcia Muelder Eaton (review)
  2. Elmer H. Duncan
  3. p. 269
  4. restricted access
  1. Creativity and the Imagination: Case Studies from the Classical Age to the Twentieth Century by Mark Amsler (review)
  2. Elmer H. Duncan
  3. p. 269
  4. restricted access
  1. Leonardo da Vinci as a Musician by Emanuel Winternitz (review)
  2. Jean-Bernard Condat
  3. p. 270
  4. restricted access
  1. Modern Art and Modern Science: The Parallel Analysis of Vision by Paul C. Vitz, Arnold B. Glimcher (review)
  2. Virginia Pills Rembert
  3. pp. 270-272
  4. restricted access
  1. Cosmology, Physics and Philosophy by Benjamin Gal-Or (review)
  2. P. T. Landsberg
  3. p. 272
  4. restricted access
  1. Frank Lloyd Wright’s Larkin Building: Myth and Fact by Jack Quinan, and: Louis H. Sullivan: The Banks by Lauren S. Weingarden (review)
  2. Eva Belik
  3. p. 273
  4. restricted access
  1. From Paradox To Reality by Fritz Rohrlich (review)
  2. p. 273
  3. restricted access
  1. Picasso’s Guernica ed. by Ellen C. Oppler (review)
  2. pp. 273-274
  3. restricted access
  1. Illuminations: A Bestiary by Rosamund Wolff Purcell, Stephen Jay Gould (review)
  2. p. 274
  3. restricted access
  1. 20th Century Drawings from the Whitney Museum of American Art by Paul Cummings (review)
  2. p. 274
  3. restricted access
  1. King Herod’s Dream: Caesarea on The Sea by Kenneth G. Holum, et al. (review)
  2. p. 274
  3. restricted access
  1. The Miniature Wall Paintings of Thera by Lyvia Morgan (review)
  2. p. 274
  3. restricted access
  1. The Safer Arts: The Health Hazards of Arts and Crafts Materials by John R. Harrison, Michael McCann (review)
  2. p. 274
  3. restricted access
  1. Commentaries
  2. Evelyn Rosenberg, Cai Guo-Qiang, Bart Hopkin, Joan Marter, Stefan Morawski, Arthur Loeb, Rudolf Arnheim, Jan Jagodzinski, Barbara Perry, David L. Crawford, Roger F. Malina
  3. pp. 279-286
  4. restricted access
  1. Books Received
  2. pp. 274-275
  3. restricted access