1. Color Plate
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  1. Biology and Art
  2. Péter Érdi
  3. pp. 1-2
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  1. Structural Elements of Dynamical Chemical Patterns
  2. Stefan C. Müller, Theo Plesser, Benno Hess
  3. pp. 3-10
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  1. The Representation of Dynamics in Imaginary and Multiple Dimensions
  2. Arun V. Holden
  3. pp. 11-14
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  1. Noise, Form, Art
  2. F. Molnar, V. Molnar
  3. pp. 15-20
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  1. Interior Forms: A Comparison of Sculpture with the Cell Cytoskeleton
  2. Will Nettleship, Sheldon Penman
  3. pp. 21-26
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  1. Organisms and Minds as Dynamic Forms
  2. B. C. Goodwin
  3. pp. 27-31
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  1. The Evolution of Form and Pattern
  2. P. T. Saunders
  3. pp. 33-38
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  1. The Search for ‘Real’ Form
  2. Aldo d’Angelo
  3. pp. 39-46
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  1. Paintings Inspired by Biological Forms
  2. Nicole d’Agaggio
  3. pp. 47-48
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  1. The Universe in a Drop: My Graphics
  2. Yuri S. Shibanov, Galina Grishook
  3. pp. 49-54
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  1. Symmetry-Induced Disappearance of Reality: The Leibniz Effect
  2. Otto E. Rössler
  3. pp. 55-59
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  1. A Biological Basis for the Golden Section in Art and Design
  2. Harold J. McWhinnie
  3. pp. 61-63
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  1. Universals in Apotropaic Symbolism: A Behavioral and Comparative Approach to Some Medieval Sculptures
  2. Christa Sütterlin
  3. pp. 65-74
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  1. Botany and Art in Leonardo’s Leda and the Swan
  2. Barbara Hochstetler Meyer, Alice Wilson Glover
  3. pp. 75-82
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  1. The Measurement of Music and the Cerebral Clock: A New Theory
  2. Ernst Pöppel, Barbara Herzberger
  3. pp. 83-89
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  1. Time Structure in the Music of Central Africa: Periodicity, Meter, Rhythm and Polyrhythmics
  2. Simha Arom
  3. pp. 91-99
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  1. The Role of Patterning in Music
  2. Dana Wilson
  3. pp. 101-106
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  1. A Transcendental Concept for Cybernetic Art in the 21st Century
  2. Vladimir Bonacić
  3. pp. 109-111
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  1. Physicists and Painters: The Similar Search for Meaning
  2. Giorgio Careri
  3. pp. 113-115
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  1. Art and Shape-Memory Alloys
  2. Jean-Marc Philippe, Philippe Poncet
  3. pp. 117-120
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  1. Meaning and Interpretation ed. by Charles Travis (review)
  2. Leo Narodny
  3. p. 121
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  1. Making Color Sing by Jeanne Dobie (review)
  2. Leo Narodny
  3. pp. 121-122
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  1. Color Theory and its Application in Art and Design by George A. Agoston (review)
  2. Ralph Brocklebank
  3. p. 122
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  1. Color Theory and its Application in Art and Design by George A. Agoston (review)
  2. Joy Turner Luke
  3. pp. 122-125
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  1. The End of the History of Art? by Hans Belting (review)
  2. David Pariser
  3. pp. 125-126
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  1. Secret Teachings in the Art of Japanese Gardens: Design Principles, Artistic Values by David A. Slawson (review)
  2. Rudolf Arnheim
  3. pp. 126-127
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  1. Art and Concept: A Philosophical Study by Lucian Krukowski (review)
  2. Elmer H. Duncan
  3. p. 127
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  1. Selected Musical Compositions—Adriaan Daniel Fokker (1948–1972) by Rudolf Rasch (review)
  2. Douglas Keislar
  3. pp. 127-128
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  1. Architecture Transformed: A History of Photography of Buildings from 1839 to the Present by Cervin Robinson, Joel Herschman (review)
  2. Eva Belik
  3. pp. 128-129
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  1. Imagery, Vol. 4: Recent Practice and Theory ed. by Milton Wolpin, Joseph E. Shorr, Lisa Krueger (review)
  2. Donald Brook
  3. pp. 129-130
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  1. Darkness at Night: A Riddle of the Universe by Edward Harrison (review)
  2. Robert Dixon
  3. pp. 131-132
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  1. The Advancement of Science and its Burdens: The Jefferson Lecture and other Essays by Gerald Holton (review)
  2. David Topper
  3. pp. 132-133
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  1. How We Understand Art. A Cognitive Developmental Account of Aesthetic Experience by Michael Parsons (review)
  2. Robert Dixon
  3. pp. 133-134
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  1. Romanian Folk Painting on Glass by Juliana Dancu, Dumitru Dancu (review)
  2. p. 134
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  1. Unknown Impressionists by Kathleen Adler (review)
  2. p. 135
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  1. The Triumph of Vulgarity. Rock Music in the Mirror of Romanticism by Robert Pattison (review)
  2. p. 135
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  1. Evolution and Metamorphosis of Leonardo
  2. Pameia Grant-Ryan
  3. pp. 147-148
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  1. Books Received
  2. pp. 135-140
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