1. Color Plate
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  1. Sounds, Musics and Leonardo
  2. Larry Polansky, Roger F. Malina, Elliot Mazer
  3. pp. 1-2
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  1. Spatiai-Synesthetic Art through 3-D Projection: The Requirements of a Computer-Based Supermedium
  2. Robert Mallary
  3. pp. 3-16
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  1. Epigenetic Painting: Software as Genotype
  2. Roman Verostko
  3. pp. 17-23
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  1. Robot Choreography: Moving in a New Direction
  2. Margo K. Apostolus
  3. pp. 25-29
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  1. Concrete-Neon: A Paradoxical Alliance in Modern Sculpture
  2. Alain Buscarlet, Brigitte Kessel
  3. pp. 31-34
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  1. An Artist Explores the Concept of Levels in Matter
  2. Gertrude Myrrh Reagan
  3. pp. 35-40
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  1. Tapestry Design
  2. Yuan Yun-Fu, Joseph Pedoto, Shao Dazhen, Chen Shun-Xing
  3. pp. 41-44
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  1. The Composition of Auditory Space: Recent Developments in Headphone Music
  2. Durand R. Begault, Larry Polansky
  3. pp. 45-52
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  1. The Computer as the Artist’s Alter Ego
  2. Otto Laske
  3. pp. 53-66
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  1. A Review of The Music of Ben Johnston by Heidi Von Gunden
  2. Larry Polansky
  3. pp. 67-69
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  1. Experiments with Mirror Reflections
  2. Naomi Asakura, Junzo Shuto
  3. pp. 71-74
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  1. Randomness, Rules and Compositional Structure in Design
  2. Michael Eckersley
  3. pp. 75-80
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  1. Pictorial Communication: Pictures and the Synthetic Universe
  2. Stephen R. Ellis
  3. pp. 81-86
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  1. Computers and Dance: A Bibliography
  2. George Politis
  3. pp. 87-90
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  1. ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time Performance
  2. Kristi Allik, Shane Dunne, Robert Mulder
  3. pp. 91-97
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  1. Storing Art Images in Intelligent Computers
  2. Joan L. Kirsch and, Russell A. Kirsch
  3. pp. 99-106
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  1. The Meteorological Odyssey of Vincent van Gogh
  2. Stanley David Gedzelman
  3. pp. 107-116
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  1. Amplifying the Mind’s Eye: Sketching and Visual Cognition
  2. Jonathan Fish, Stephen Scrivener
  3. pp. 117-126
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  1. VDT Hazards in Art
  2. Angela Babin
  3. pp. 127-128
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  1. Space Art: A Call for a Space Art Ethics Committee
  2. Jean-Marc Philippe, Philippe Poncet
  3. pp. 129-132
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  1. Synthesis: Visual Arts in the Electronic Culture, International Seminar with Experimental Workshop (1988)
  2. Manfred Eisenbeis
  3. pp. 133-138
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  1. The All-Union School Festival: ‘Light and Music’ (Kazan, 20–30 September 1987)
  2. Bulat Galeyev
  3. pp. 134-136
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  1. Viewer into Player: Notes on the Interactive Computer Art Installations at the 1988 SIGGRAPH Exhibition of Computer Art
  2. Jane Veeder
  3. pp. 136-138
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  1. Spectral Art: Photographing the Light Spectra of Gases in Electric Discharge Tubes
  2. Ronald A. Brown, Gary Burgess, Roger Malina
  3. p. 139
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  1. Quasicrystals for Architecture: The Visual Properties of Three-Dimensional Penrose Tessellation
  2. Tony Robbin, Roger F. Malina
  3. pp. 140-141
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  1. Reflections on the History of Art: Views and Reviews ed. by E. H. Gombrich and Richard Woodfield (review)
  2. Allan Shields
  3. p. 143
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  1. Beauty and the Brain: Biological Aspects of Aesthetics ed. by Ingo Rentschler, Barbara Herzburger, and David Epstein (review)
  2. Roger F. Molina
  3. p. 144
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  1. Beauty and the Brain: Biological Aspects of Aesthetics ed. by Ingo Rentschier, Barbara Herzberger, and Davis Epstein (review)
  2. Rudolf Arnheim
  3. pp. 144-145
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  1. Parables of Sun Light: Observations on Psychology, the Arts, and the Rest by Rudolf Arnheim (review)
  2. Elizabeth Crumley
  3. p. 145
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  1. Vers une Culture de L’interactivité ed. by C. Faure and A. Bacchetti (review)
  2. Roger F. Malina
  3. pp. 145-146
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  1. Art, Science and Technology ed. by Peter Hill (review)
  2. Roger F. Malina
  3. p. 146
  4. restricted access
  1. Windows on Creativity and Invention ed. by Jacques Richardson (review)
  2. Roger F. Malina
  3. pp. 146-147
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  1. Memoir of a Modernist’s Daughter by Eleanor Munro (review)
  2. Allan Shields
  3. pp. 147-148
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  1. Is the Body Obsolete? ed. by Kevin Kelley (review)
  2. Roger F. Malina
  3. p. 148
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  1. Auditory Processing of Complex Sounds ed. by William A. Yost and Charles S. Watson (review)
  2. A. John Mallinckrodt
  3. p. 148
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  1. ‘Event’ Arts and Art Events by Stephen C. Foster (review)
  2. Bridget Jolly
  3. pp. 148-149
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  1. Gardner’s Whys and Wherefores by Martin Gardner (review)
  2. David Topper
  3. p. 149
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  1. Science, Order, and Creativity by David Bohm and F. David Peat (review)
  2. Leo Narodny
  3. pp. 149-150
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  1. Archimedes’ Revenge. The Joys and Perils of Mathematics by Paul Hoffman (review)
  2. John W. Cooper
  3. p. 150
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  1. Making Art Pay by Bernard Denvir and Howard Gray (review)
  2. John W. Cooper
  3. p. 150
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  1. The Poetics of Gardens by Charles W. Moore, William J. Mitchell, and William Turnbull, Jr. (review)
  2. Elizabeth Crumley
  3. p. 150
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  1. Publications
  2. pp. 152-154
  3. restricted access
  1. Response to Joan Marter’s Comment
  2. Elizabeth Rankin
  3. p. 155
  4. restricted access
  1. Reply to Jan Jagodzinski
  2. Tom Anderson
  3. p. 155
  4. restricted access
  1. Let’s Have More Borodin
  2. Ian D. Rae
  3. p. 156
  4. restricted access
  1. Reply to Lan D. Rae: Borodin’s Relations with Women
  2. George B. Kaufman
  3. p. 156
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  1. Comment on “How to Texture Design Using Recursive Composite Functions”
  2. Akhlesh Lakhtakia
  3. pp. 156-157
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  1. Commentary On “Need Of Perception For The Perception Of Needs”
  2. Lebbeus Woods
  3. pp. 157-158
  4. restricted access
  1. Response to Lebbeus Woods’s Comment
  2. Heinz Von Foerster
  3. p. 158
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  1. Comment On “The Markov Process As A Compositional Model”
  2. David Zicarelli
  3. p. 158
  4. restricted access
  1. Comment On “The Computer: A Composer’s Collaborator”
  2. Phil Winsor
  3. pp. 158-159
  4. restricted access
  1. Comment on “Art and Mathematics in the Thought of Lissitzky”
  2. S. A. Mansbach
  3. pp. 159-160
  4. restricted access
  1. Faber Birren 1900–1988
  2. Kenneth E. Burchett
  3. p. 160
  4. restricted access
  1. Correction by Brian Reffin Smith
  2. Brian Reffin Smith
  3. p. 160
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  1. Comments on “The Space Chronometer”
  2. Robert Dixon
  3. p. 161
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  1. Response to Robert Hansen’s Comment
  2. Tomás Garcia Salgado
  3. pp. 161-162
  4. restricted access
  1. Albert Friscia: Kinetic Artist, 22 July 1911–2 October 1989
  2. Roger Malina
  3. p. 162
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  1. Response to Comments by Pawlowski and Morawski
  2. Grzegorz Sztabinski
  3. pp. 162-163
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  1. Correction: Holography Marketplace
  2. p. 163
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  1. Correction: Holography Issue Editorial Board
  2. p. 163
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  1. Books Received
  2. pp. 150-152
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  1. Videotapes Received
  2. p. 152
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