1. Image Plate
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  1. Science and Technology and the Purpose of Art
  2. Yusuf A. Grillo
  3. pp. 503-504
  4. restricted access contents
  1. Gateway
  2. William C. Castell, Roger F. Malina, Bulat M. Galeyev, Christian Schiess
  3. pp. 505-510
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  1. Symmetry: A Social Symbol and Two Monuments
  2. Emanuel Dion, Timo Kahlen
  3. pp. 511-517
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  1. Has My Practice of Science Influenced My Art?
  2. Jacques Mandelbrojt
  3. pp. 519-524
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  1. The Rise of the Polypol Sculpture
  2. Eugene L. Wachspress
  3. pp. 525-530
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  1. Reviving a Forgotten Pyrotechnical Art Form: Pyrotechnics and Twentieth-Century Performance Art
  2. David Hall
  3. pp. 531-534
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  1. Some Notes about Soviet Computer Music
  2. Mark Rais
  3. pp. 535-539
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  1. Computer Graphics in Art-and-Design Education: The Problem of Planning for Change
  2. Michael Kitson
  3. pp. 541-547
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  1. Robot Choreography: The Paradox of Robot Motion
  2. Margo K. Apostolos
  3. pp. 549-552
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  1. Art in Outerspace: Gauging Public Response to High-Technology Art
  2. KT Boyce
  3. pp. 553-556
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  1. Animate Tokens: Their Design and Application to Dance
  2. James H. Bradford, Paillette Côté-Laurence
  3. pp. 557-562
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  1. Computer Graphics for the Analysis of Perspective in Visual Art: Las Meninas, by Velázquez
  2. Frederic Chordá, Ruth Gore
  3. pp. 563-567
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  1. Health Hazards in the Arts and Crafts
  2. Shalini Gupta, Michael McCann, John Harrison
  3. pp. 569-572
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  1. L. S. Termen: Faustus of the Twentieth Century
  2. Bulat M. Galeyeu
  3. pp. 573-579
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  1. A Quantum Mechanical Interpretation of Observation
  2. Leo Narodny
  3. pp. 581-582
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  1. Thinking of Oneself as a Computer
  2. Sally Pryor
  3. pp. 585-590
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  1. Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies
  2. Stelarc
  3. pp. 591-595
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  1. The Orbiting Unification Ring-Space Peace Sculptures: Progress Report on Global Art in Space
  2. Arthur R. Woods, Marco C. Bernasconi
  3. pp. 601-606
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  1. Reanimating Nature: The Integration of Science with Human Experience
  2. Mae-Wan Ho
  3. pp. 607-615
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  1. WRO: Festival Wizualnych Realizacji Okolomuzycznych (Sound Basis Visual Art Festival)
  2. Richard Kolodziejski
  3. pp. 617-618
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  1. Decision at Prix Ars Electronica ’90
  2. Christine Schöpf
  3. p. 619
  4. restricted access contents
  1. CETECH: Centre Europeen de Technoculture
  2. Elie Theafilakis
  3. p. 620
  4. restricted access contents
  1. Clocker: For Amplified Clock, Performer with Galvanic Skin Response Sensor and Digital Delay System
  2. Alvin Lucier
  3. pp. 621-622
  4. restricted access contents
  1. Virtual Voltage Sculptures
  2. Clifford A. Pickover
  3. pp. 622-624
  4. restricted access contents
  1. The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture by Gianni Vattimo (review)
  2. David Pariser
  3. pp. 625-627
  4. restricted access contents
  1. James Turrell: The Art of Light and Space by Craig Adcock (review)
  2. Roger F. Malina
  3. p. 627
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  1. A Delicate Balance: Technics, Culture and Consequence by the IEEE Society for the Social Implications of Technology (review)
  2. Roger F. Molina
  3. pp. 627-628
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  1. Modernism in Design ed. by Paul Greenhalgh (review)
  2. John Cooper
  3. p. 628
  4. restricted access contents
  1. NASA Visions of Space: Capturing the History of NASA by Robin Kerron (review)
  2. Roger F. Malina
  3. p. 628
  4. restricted access contents
  1. Aaron’s Code: Meta-Art, Artificial Intelligence and the Work of Harold Cohen by Pamela McCorduck (review)
  2. Roger F. Malina
  3. pp. 628-629
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  1. The Desert is No Lady: Southwestern Landscapes in Women’s Writing and Art ed. by Vera Norwood, Janice Monk (review)
  2. Elizabeth Crumley
  3. p. 629
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  1. The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979 by David Craven (review)
  2. Robert C. Morgan
  3. pp. 629-631
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  1. Three Hundred Years of Irish Watercolours and Drawings by Patricia Butler (review)
  2. Sean O’Driscoll
  3. p. 631
  4. restricted access contents
  1. Visual Perception by Nicholas J. Wade, Michael Swanston (review)
  2. John Cooper
  3. p. 631
  4. restricted access contents
  1. Interpreting Contemporary Art ed. by Stephen Bann, Willian Allen (review)
  2. John Cooper
  3. pp. 631-632
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  1. Trackings: Composers Speak With Richard Dufallo by Richard Dufallo (review)
  2. John Cooper
  3. p. 632
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  1. Twentieth-Century Music by Robert P. Morgan (review)
  2. John Cooper
  3. p. 632
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  1. Music with Words: A Composer’s View by Virgil Thomson (review)
  2. John Cooper
  3. p. 632
  4. restricted access contents
  1. Music Animation Machine Demonstration Reel by Stephen Malinowski (review)
  2. Roger F. Mulina
  3. p. 632
  4. restricted access contents
  1. Response to David R. Topper
  2. Arthur L. Loeb
  3. p. 635
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  1. Second International Symposium on Electronic Art (SISEA): Report and Introduction
  2. Wim van der Plas
  3. pp. 583-584
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  1. Books Received
  2. p. 633
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