1. Image Plate
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  1. Science and Technology and the Purpose of Art
  2. Yusuf A. Grillo
  3. pp. 503-504
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  1. Gateway
  2. William C. Castell, Roger F. Malina, Bulat M. Galeyev, Christian Schiess
  3. pp. 505-510
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  1. Symmetry: A Social Symbol and Two Monuments
  2. Emanuel Dion, Timo Kahlen
  3. pp. 511-517
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  1. Has My Practice of Science Influenced My Art?
  2. Jacques Mandelbrojt
  3. pp. 519-524
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  1. The Rise of the Polypol Sculpture
  2. Eugene L. Wachspress
  3. pp. 525-530
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  1. Reviving a Forgotten Pyrotechnical Art Form: Pyrotechnics and Twentieth-Century Performance Art
  2. David Hall
  3. pp. 531-534
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  1. Some Notes about Soviet Computer Music
  2. Mark Rais
  3. pp. 535-539
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  1. Computer Graphics in Art-and-Design Education: The Problem of Planning for Change
  2. Michael Kitson
  3. pp. 541-547
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  1. Robot Choreography: The Paradox of Robot Motion
  2. Margo K. Apostolos
  3. pp. 549-552
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  1. Art in Outerspace: Gauging Public Response to High-Technology Art
  2. KT Boyce
  3. pp. 553-556
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  1. Animate Tokens: Their Design and Application to Dance
  2. James H. Bradford, Paillette Côté-Laurence
  3. pp. 557-562
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  1. Computer Graphics for the Analysis of Perspective in Visual Art: Las Meninas, by Velázquez
  2. Frederic Chordá, Ruth Gore
  3. pp. 563-567
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  1. Health Hazards in the Arts and Crafts
  2. Shalini Gupta, Michael McCann, John Harrison
  3. pp. 569-572
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  1. L. S. Termen: Faustus of the Twentieth Century
  2. Bulat M. Galeyeu
  3. pp. 573-579
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  1. A Quantum Mechanical Interpretation of Observation
  2. Leo Narodny
  3. pp. 581-582
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  1. Thinking of Oneself as a Computer
  2. Sally Pryor
  3. pp. 585-590
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  1. Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies
  2. Stelarc
  3. pp. 591-595
  4. restricted access
  1. Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives
  2. John Whitney Sr.
  3. pp. 597-599
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  1. The Orbiting Unification Ring-Space Peace Sculptures: Progress Report on Global Art in Space
  2. Arthur R. Woods, Marco C. Bernasconi
  3. pp. 601-606
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  1. Reanimating Nature: The Integration of Science with Human Experience
  2. Mae-Wan Ho
  3. pp. 607-615
  4. restricted access
  1. WRO: Festival Wizualnych Realizacji Okolomuzycznych (Sound Basis Visual Art Festival)
  2. Richard Kolodziejski
  3. pp. 617-618
  4. restricted access
  1. Decision at Prix Ars Electronica ’90
  2. Christine Schöpf
  3. p. 619
  4. restricted access
  1. CETECH: Centre Europeen de Technoculture
  2. Elie Theafilakis
  3. p. 620
  4. restricted access
  1. Laughter in the Ruins: The Kaleidoscope as a Problematic—Theoretical and Visual Excess in Cultural Theory, Science and Language Theory
  2. Gray Noel
  3. p. 621
  4. restricted access
  1. Clocker: For Amplified Clock, Performer with Galvanic Skin Response Sensor and Digital Delay System
  2. Alvin Lucier
  3. pp. 621-622
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  1. Virtual Voltage Sculptures
  2. Clifford A. Pickover
  3. pp. 622-624
  4. restricted access
  1. The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture by Gianni Vattimo (review)
  2. David Pariser
  3. pp. 625-627
  4. restricted access
  1. James Turrell: The Art of Light and Space by Craig Adcock (review)
  2. Roger F. Malina
  3. p. 627
  4. restricted access
  1. A Delicate Balance: Technics, Culture and Consequence by the IEEE Society for the Social Implications of Technology (review)
  2. Roger F. Molina
  3. pp. 627-628
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  1. Modernism in Design ed. by Paul Greenhalgh (review)
  2. John Cooper
  3. p. 628
  4. restricted access
  1. NASA Visions of Space: Capturing the History of NASA by Robin Kerron (review)
  2. Roger F. Malina
  3. p. 628
  4. restricted access
  1. Aaron’s Code: Meta-Art, Artificial Intelligence and the Work of Harold Cohen by Pamela McCorduck (review)
  2. Roger F. Malina
  3. pp. 628-629
  4. restricted access
  1. The Desert is No Lady: Southwestern Landscapes in Women’s Writing and Art ed. by Vera Norwood, Janice Monk (review)
  2. Elizabeth Crumley
  3. p. 629
  4. restricted access
  1. The New Concept of Art and Popular Culture in Nicaragua Since the Revolution in 1979 by David Craven (review)
  2. Robert C. Morgan
  3. pp. 629-631
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  1. Three Hundred Years of Irish Watercolours and Drawings by Patricia Butler (review)
  2. Sean O’Driscoll
  3. p. 631
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  1. Visual Perception by Nicholas J. Wade, Michael Swanston (review)
  2. John Cooper
  3. p. 631
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  1. Interpreting Contemporary Art ed. by Stephen Bann, Willian Allen (review)
  2. John Cooper
  3. pp. 631-632
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  1. Trackings: Composers Speak With Richard Dufallo by Richard Dufallo (review)
  2. John Cooper
  3. p. 632
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  1. Twentieth-Century Music by Robert P. Morgan (review)
  2. John Cooper
  3. p. 632
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  1. Music with Words: A Composer’s View by Virgil Thomson (review)
  2. John Cooper
  3. p. 632
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  1. Music Animation Machine Demonstration Reel by Stephen Malinowski (review)
  2. Roger F. Mulina
  3. p. 632
  4. restricted access
  1. Response to David R. Topper
  2. Arthur L. Loeb
  3. p. 635
  4. restricted access
  1. Second International Symposium on Electronic Art (SISEA): Report and Introduction
  2. Wim van der Plas
  3. pp. 583-584
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  1. Books Received
  2. p. 633
  3. restricted access