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In this Issue

Table of Contents

  1. Color Plate
  3. restricted access
  1. Recovering the Wholeness of Art: Information Versus Material
  2. Itsuo Sakane
  3. pp. 259-261
  4. restricted access
  1. Gateway
  2. Junji Tsuchimoto, Roger F. Malina
  3. p. 263
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  1. The Civilization of Llhuros: The First Multimedia Exhibition in the Genre of Archaeological Fiction
  2. Norman Daly, Beauvais Lyons
  3. pp. 265-271
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  1. Schemas: The Evolution of a Minimal Visual Art Form
  2. Robert Emmett Mueller
  3. pp. 273-280
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  1. The Road to Abstraction: Progressing from Image to Symbol
  2. Karl Hagedorn, Diana Cavallo
  3. pp. 281-284
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  1. Process(ing) Interactive Art: Using People as Paint, Computer as Brush and Installation Site as Canvas
  2. Sonya Rapoport
  3. pp. 285-288
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  1. Six-Point Perspective on the Sphere: The Termesphere
  2. Dick A. Termes
  3. pp. 289-292
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  1. A Review of Ruth Crawford Seeger: Memoirs, Memories, Music by Matilda Guame
  2. Larry Polansky
  3. pp. 293-297
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  1. On Behaviorism, Causality and Cybernetics
  2. Arthur L. Loeb
  3. pp. 299-302
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  1. Image Processing in Chicago Video Art, 1970–1980
  2. Christine Tamblyn
  3. pp. 303-310
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  1. Discovery through Interaction: A Cognitive Approach to Computer Media in the Visual Arts
  2. Peter Beyls
  3. pp. 311-315
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  1. Critique and a Science for the Sake of Art: Fractals and the Visual Arts
  2. Noel Gray
  3. pp. 317-320
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  1. A New Universal Vision: The Casa da Cor (House of Colour) Project
  2. Philippe Henry
  3. pp. 321-323
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  1. Portraiture: An Experimental Study of the Creative Process
  2. Vladimir J. Konecni
  3. pp. 325-328
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  1. Escher Correspondence in the Roosevelt Collection
  2. J. Taylor Hollist
  3. pp. 329-331
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  1. Private Worlds and the Technology of the Imaginary: Effects of Science and Technology on Human Representations and Self-Conceptions
  2. Luigi Lentini
  3. pp. 333-339
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  1. The Exhibition Catalog as a Distancing Apparatus: Current Tendencies in the Promotion of Exhibition Documents
  2. Robert C. Morgan
  3. pp. 341-344
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  1. A Call for an Education Initiative at NASA: Remembering the Road to Hagerstown
  2. Robert A. Brown
  3. pp. 345-350
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  1. Colors Do Look Different After a Lens Implant!
  2. Walter C. Granville
  3. pp. 351-354
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  1. Art and Science in Italy: Special Events in 1989
  2. Michele Emmer
  3. pp. 355-356
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  1. A New Music Engineering Technology Degree
  2. Ted Kastelic
  3. pp. 356-357
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  1. Search for Directions
  2. Alexius Appl, Eva Belik
  3. pp. 358-359
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  1. A Note on the Visualization of Heart Sounds
  2. Clifford A. Pickover
  3. pp. 359-361
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  1. Picturing Spherical Lissajous Figures
  2. Clifford A. Pickover
  3. p. 361
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  1. Serious Questions. An ABC of Skeptical Reflections by Erwin Chargaff (review)
  2. István Hargittai
  3. p. 362
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  1. Deus Ex Machina ed. by D. Lowe, P. Schutze, M. Trudgeon (review)
  2. Roger F. Malina
  3. pp. 362-363
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  1. Antifascism in American Art by Cécile Whiting (review)
  2. Elmer H. Duncan
  3. p. 363
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  1. Seeing Voices. A Journey into the World of the Deaf by Oliver Sacks (review)
  2. Rudolf Arnheim
  3. p. 364
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  1. Ecological Communication by Niklas Luhmann (review)
  2. Leo Narodny
  3. pp. 364-365
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  1. The Golden Relationship: Book 1, Universal Patterns by Martha Boles, Rochele Newman (review)
  2. Leo Narodny
  3. p. 365
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  1. The Nonsexist Wordfinder: A Dictionary of Gender-Free Usage by Rosalie Maggio (review)
  2. Pamela Grant-Ryan
  3. pp. 365-366
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  1. Heritage of Music. Vol. 1: Classical Music and its Origins; Vol. 2: The Romantic Era; Vol. 3: The Nineteenth-Century Legacy; Vol. 4: Music in the Twentieth Century ed. by Michael Raeburn, Alan Kendall (review)
  2. Allan Shields
  3. pp. 366-367
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  1. Looking at the overlooked. Four essays on still life painting by Norman Bryson (review)
  2. John W. Cooper
  3. p. 367
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  1. The Meanings of Modern Design by Peter Dormer (review)
  2. John W. Cooper
  3. p. 367
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  1. Art in the Eighties by Edward Lucie-Smith (review)
  2. John W. Cooper
  3. p. 367
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  1. Soviet Reviews
  2. Bulat M. Galeyev, Rimma V. Lerman
  3. pp. 367-369
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  1. Comment on Review of “Kandinsky’s Teaching at the Bauhaus: Color Theory and Analytical Drawing”
  2. Rudolf Arnheim
  3. p. 371
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  1. Correction
  3. p. 371
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  1. Speakers’ Network
  3. pp. 372-373
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  1. Books Received
  3. pp. 369-370
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