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In this Issue

Table of Contents

  1. Plates
  3. restricted access
  1. Leonardo’s Unity of Artistic and Scientific Ideas
  2. Aleksandra Mańczak, Adam Sumera
  3. pp. 1-2
  4. restricted access
  1. Gateway
  2. Randall A. Stickrod, Roger F. Malina, Denise E. M. Penrose
  3. pp. 3-5
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  1. Influences and Motivations in the Work of a Palestinian Artist/Inventor
  2. Vladimir Faik Tamari
  3. pp. 7-14
  4. restricted access
  1. Hair Salon TV: A Computer-Controlled Video Installation
  2. Nancy Paterson
  3. pp. 15-17
  4. restricted access
  1. Transportable Neon Equipment for the Light Sculptor
  2. Christian Schiess, Peter Richards
  3. pp. 19-22
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  1. Drawing with Sound
  2. Karen Frimkess Wolff
  3. pp. 23-29
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  1. Patterns in Pictures for Art and Science
  2. David Phillips
  3. pp. 31-39
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  1. Musical-Kinetic Art in the USSR
  2. Bulat M. Galeyev
  3. pp. 41-47
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  1. Why Artists Should Program
  2. Craig Hickman
  3. pp. 49-51
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  1. Compound Tilings and Perfect Colourings
  2. J. F. Rigby
  3. pp. 53-62
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  1. Art on a Two-Dimensional Flame Table
  2. Harold A. Daw
  3. pp. 63-65
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  1. Science and Beauty: Aesthetic Structuring of Knowledge
  2. Mihai Nadin
  3. pp. 67-72
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  1. Outer Space and Inner Space
  2. Rudolf Arnheim
  3. pp. 73-74
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  1. From Knowledge to Visual Creation: Some Information about the Department of Visual Knowledge at the Academy of Fine Arts in Wroclaw, Poland
  2. Janusz Grzonkowski
  3. p. 75
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  1. A Course on Art and Science Delivered at the Université de Provence
  2. Jacques Mandelbrojt
  3. pp. 76-78
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  1. Chez Arc-En-Ciel
  2. Sydney Cash
  3. p. 79
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  1. Faster!
  2. Arthur M. Ganson
  3. pp. 79-80
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  1. Windchyme
  2. Russell Herrman
  3. pp. 80-81
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  1. Team Illusion
  2. David B. Hickman
  3. p. 81
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  1. Aurora Variant
  2. Jerome Kirk
  3. p. 81
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  1. Tall Boy
  2. O. Evan Lewis
  3. pp. 81-82
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  1. Garbage
  2. Robert Mulder, Kristi Allik
  3. p. 82
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  1. Nose Wazoo
  2. Jim Pallas
  3. p. 83
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  1. ’Scape
  2. Mamoru Sato
  3. pp. 83-84
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  1. Labyrinthe De Lumière
  2. Austine Wood-Comarow
  3. pp. 84-86
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  1. Specimen UI2 (The American Rat Race)
  2. Nancy Worthington, Judith Fein
  3. p. 86
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  1. The Odyssey
  2. Fortner Anderson
  3. p. 87
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  1. Speakers’ Corners
  2. Benoit Maubrey, Judy Malloy
  3. p. 87
  4. restricted access
  1. Huge Uterus
  2. Lutz Bacher
  3. p. 87
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  1. Elegba’s Stratagem
  2. Collis Davis
  3. pp. 87-88
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  1. We Make Memories
  2. Abbe Don
  3. p. 88
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  1. Living Cinema
  2. Robert Edgar
  3. p. 88
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  1. The Electronic Diary
  2. Lynn Hershman
  3. p. 88
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  1. Bird Dance
  2. Christopher Janney
  3. p. 88
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  1. Five Knitted Fractals
  2. Eleanor Kent
  3. pp. 88-89
  4. restricted access
  1. Invisible Cities
  2. Michael McNabb
  3. p. 89
  4. restricted access
  1. Wringer/Washer TV
  2. Nancy Paterson
  3. p. 89
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  1. From Osiris to Sinai
  2. Sonya Rapoport
  3. pp. 89-90
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  1. Early Programming: An Interactive Installation
  2. Sara Roberts
  3. p. 90
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  1. Diagram Poems, Intergrams
  2. Jim Rosenberg
  3. pp. 90-91
  4. restricted access
  1. ArtEngine
  2. Fred Truck
  3. p. 91
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  1. The Science of Art: Optical Themes in Western Art From Brunelleschi to Seurat by Martin Kemp (review)
  2. Rudolf Arnheim, Elizabeth Crumley
  3. pp. 92-93
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  1. Computers, Pattern, Chaos and Beauty: Graphics From an Unseen World by Clifford A. Pickover (review)
  2. Roger F. Malina
  3. pp. 93-94
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  1. A Fuller Explanation: The Synergetic Geometry of R. Buckminster Fuller by Amy C. Edmondson, and: Buckminster Fuller’s Universe: An Appreciation by Lloyd Steven Sieden (review)
  2. István Hargittai
  3. pp. 94-95
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  1. Toward an Aesthetic Criticism of Technology by Wolhee Choe (review)
  2. Roger F. Malina
  3. pp. 95-96
  4. restricted access
  1. Response to Review of Toward an Aesthetic Criticism of Technology Comment by Wolhee Choe (review)
  2. Wolhee Choe
  3. pp. 96-97
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  1. The Real Thing: Imitation and Authenticity in American Culture, 1880–1940 by Miles Orvel (review)
  2. David Pariser
  3. pp. 97-98
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  1. The Sackbut Blues by Gale Young (review)
  2. Larry Polansky
  3. p. 98
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  1. The Beauty of Light by Ben Bova (review)
  2. Joy Turner Luke
  3. p. 98
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  1. Comment on “On the Aesthetics of Sierpinski Gaskets Formed from Large Pascal’s Triangles”
  2. Akhlesh Lakhtakia, Elizabeth Crumley
  3. p. 102
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  1. Comment on “How I Came to Paint the Crab Nebula: The Development of Cosmic Themes in My Oil Paintings”
  2. Alicia Faxon
  3. pp. 102-103
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  1. Comment on “The Meteorological Odyssey of Vincent van Gogh”
  2. Ursula Seibold
  3. p. 103
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  1. Response to Ursula Seibold’s Comment
  2. Stanley David Gedzelman
  3. pp. 103-104
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  1. Correction
  3. p. 104
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  1. Books Received
  3. p. 99
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