1. Plates
  2. restricted access
  1. Leonardo’s Unity of Artistic and Scientific Ideas
  2. Aleksandra Mańczak, Adam Sumera
  3. pp. 1-2
  4. restricted access
  1. Gateway
  2. Randall A. Stickrod, Roger F. Malina, Denise E. M. Penrose
  3. pp. 3-5
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  1. Influences and Motivations in the Work of a Palestinian Artist/Inventor
  2. Vladimir Faik Tamari
  3. pp. 7-14
  4. restricted access
  1. Hair Salon TV: A Computer-Controlled Video Installation
  2. Nancy Paterson
  3. pp. 15-17
  4. restricted access
  1. Transportable Neon Equipment for the Light Sculptor
  2. Christian Schiess, Peter Richards
  3. pp. 19-22
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  1. Drawing with Sound
  2. Karen Frimkess Wolff
  3. pp. 23-29
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  1. Patterns in Pictures for Art and Science
  2. David Phillips
  3. pp. 31-39
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  1. Musical-Kinetic Art in the USSR
  2. Bulat M. Galeyev
  3. pp. 41-47
  4. restricted access
  1. Why Artists Should Program
  2. Craig Hickman
  3. pp. 49-51
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  1. Compound Tilings and Perfect Colourings
  2. J. F. Rigby
  3. pp. 53-62
  4. restricted access
  1. Art on a Two-Dimensional Flame Table
  2. Harold A. Daw
  3. pp. 63-65
  4. restricted access
  1. Science and Beauty: Aesthetic Structuring of Knowledge
  2. Mihai Nadin
  3. pp. 67-72
  4. restricted access
  1. Outer Space and Inner Space
  2. Rudolf Arnheim
  3. pp. 73-74
  4. restricted access
  1. A Course on Art and Science Delivered at the Université de Provence
  2. Jacques Mandelbrojt
  3. pp. 76-78
  4. restricted access
  1. Chez Arc-En-Ciel
  2. Sydney Cash
  3. p. 79
  4. restricted access
  1. Faster!
  2. Arthur M. Ganson
  3. pp. 79-80
  4. restricted access
  1. Windchyme
  2. Russell Herrman
  3. pp. 80-81
  4. restricted access
  1. Team Illusion
  2. David B. Hickman
  3. p. 81
  4. restricted access
  1. Aurora Variant
  2. Jerome Kirk
  3. p. 81
  4. restricted access
  1. Tall Boy
  2. O. Evan Lewis
  3. pp. 81-82
  4. restricted access
  1. Garbage
  2. Robert Mulder, Kristi Allik
  3. p. 82
  4. restricted access
  1. Nose Wazoo
  2. Jim Pallas
  3. p. 83
  4. restricted access
  1. ’Scape
  2. Mamoru Sato
  3. pp. 83-84
  4. restricted access
  1. Labyrinthe De Lumière
  2. Austine Wood-Comarow
  3. pp. 84-86
  4. restricted access
  1. Specimen UI2 (The American Rat Race)
  2. Nancy Worthington, Judith Fein
  3. p. 86
  4. restricted access
  1. The Odyssey
  2. Fortner Anderson
  3. p. 87
  4. restricted access
  1. Speakers’ Corners
  2. Benoit Maubrey, Judy Malloy
  3. p. 87
  4. restricted access
  1. Huge Uterus
  2. Lutz Bacher
  3. p. 87
  4. restricted access
  1. Elegba’s Stratagem
  2. Collis Davis
  3. pp. 87-88
  4. restricted access
  1. We Make Memories
  2. Abbe Don
  3. p. 88
  4. restricted access
  1. Living Cinema
  2. Robert Edgar
  3. p. 88
  4. restricted access
  1. The Electronic Diary
  2. Lynn Hershman
  3. p. 88
  4. restricted access
  1. Bird Dance
  2. Christopher Janney
  3. p. 88
  4. restricted access
  1. Five Knitted Fractals
  2. Eleanor Kent
  3. pp. 88-89
  4. restricted access
  1. Invisible Cities
  2. Michael McNabb
  3. p. 89
  4. restricted access
  1. Wringer/Washer TV
  2. Nancy Paterson
  3. p. 89
  4. restricted access
  1. From Osiris to Sinai
  2. Sonya Rapoport
  3. pp. 89-90
  4. restricted access
  1. Early Programming: An Interactive Installation
  2. Sara Roberts
  3. p. 90
  4. restricted access
  1. Diagram Poems, Intergrams
  2. Jim Rosenberg
  3. pp. 90-91
  4. restricted access
  1. ArtEngine
  2. Fred Truck
  3. p. 91
  4. restricted access
  1. The Science of Art: Optical Themes in Western Art From Brunelleschi to Seurat by Martin Kemp (review)
  2. Rudolf Arnheim, Elizabeth Crumley
  3. pp. 92-93
  4. restricted access
  1. Computers, Pattern, Chaos and Beauty: Graphics From an Unseen World by Clifford A. Pickover (review)
  2. Roger F. Malina
  3. pp. 93-94
  4. restricted access
  1. Toward an Aesthetic Criticism of Technology by Wolhee Choe (review)
  2. Roger F. Malina
  3. pp. 95-96
  4. restricted access
  1. Response to Review of Toward an Aesthetic Criticism of Technology Comment by Wolhee Choe (review)
  2. Wolhee Choe
  3. pp. 96-97
  4. restricted access
  1. The Real Thing: Imitation and Authenticity in American Culture, 1880–1940 by Miles Orvel (review)
  2. David Pariser
  3. pp. 97-98
  4. restricted access
  1. The Sackbut Blues by Gale Young (review)
  2. Larry Polansky
  3. p. 98
  4. restricted access
  1. The Beauty of Light by Ben Bova (review)
  2. Joy Turner Luke
  3. p. 98
  4. restricted access
  1. Comment on “On the Aesthetics of Sierpinski Gaskets Formed from Large Pascal’s Triangles”
  2. Akhlesh Lakhtakia, Elizabeth Crumley
  3. p. 102
  4. restricted access
  1. Comment on “How I Came to Paint the Crab Nebula: The Development of Cosmic Themes in My Oil Paintings”
  2. Alicia Faxon
  3. pp. 102-103
  4. restricted access
  1. Comment on “The Meteorological Odyssey of Vincent van Gogh”
  2. Ursula Seibold
  3. p. 103
  4. restricted access
  1. Response to Ursula Seibold’s Comment
  2. Stanley David Gedzelman
  3. pp. 103-104
  4. restricted access
  1. Correction
  2. p. 104
  3. restricted access
  1. Books Received
  2. p. 99
  3. restricted access