1. Forbidden Water: A Thought on the Nature of Poet
  2. David Bottoms
  3. pp. 191-200
  4. DOI: 10.1353/cea.2013.0029
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  1. The Actor’s Nature in Mise-en-scène: Chekhovian Kinesthesia and Cinematic Performance
  2. Ian Dixon
  3. pp. 201-211
  4. DOI: 10.1353/cea.2013.0030
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  1. Sustaining Refusal and Imagining New Societies: The Scarlet Letter, “Bartleby,” and the Production of “Somewhere Else”
  2. Jeffrey Gross
  3. pp. 212-223
  4. DOI: 10.1353/cea.2013.0026
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  1. “Neither a Servant nor a Family Member”: Recognizing the Unsustainable Nature of Stratification in Our Profession
  2. Anne Wiegard
  3. pp. 224-234
  4. DOI: 10.1353/cea.2013.0023
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  1. Removing the Masks of Lady Liberty: The Grotesque in the Literatures of the “Defeated” Americas
  2. Crystal Spears
  3. pp. 235-242
  4. DOI: 10.1353/cea.2013.0027
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  1. The Nature of Compassionate Orientalism in Elizabeth Gaskell’s Cranford
  2. Karsten Piep
  3. pp. 243-249
  4. DOI: 10.1353/cea.2013.0021
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  1. Revising the Pastoral, Revising the I/Eye: The Pastoral Speaker in Louise Glück’s A Village Life
  2. Katie Piper Greulich
  3. pp. 250-257
  4. DOI: 10.1353/cea.2013.0028
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  1. Nature, Phosphate, and Harry Crews’s Naked in Garden Hills
  2. Keith Huneycutt
  3. pp. 258-269
  4. DOI: 10.1353/cea.2013.0035
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  1. The Nature of the Life of the Artist in Willa Cather’s The Song of the Lark
  2. Lisa Bouma Garvelink
  3. pp. 270-277
  4. DOI: 10.1353/cea.2013.0025
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  1. “‘Wisdom Cries the Dawn Deacon’: Thomas Merton and ‘The Ox Mountain Parable’”
  2. Paul M. Pearson
  3. pp. 278-284
  4. DOI: 10.1353/cea.2013.0033
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  1. Writing the Nation and the Impossibility of Form: Reading the Nature of Genre in Ralph Ellison’s Unfinished Novel
  2. Edward Ardeneaux IV
  3. pp. 285-292
  4. DOI: 10.1353/cea.2013.0022
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  1. First-Year English: Welcoming Different Learners to the Table
  2. Judith Palmer, Jan Thompson
  3. pp. 293-302
  4. DOI: 10.1353/cea.2013.0024
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  1. Fat Words, Fat Souls: Momaday, Hemingway, and the Nature of Truth
  2. Grant Bain
  3. pp. 303-309
  4. DOI: 10.1353/cea.2013.0020
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  1. The Topography of Gay Identity: Alan Hollinghurst’s The Line of Beauty
  2. Myron Yeager
  3. pp. 310-319
  4. DOI: 10.1353/cea.2013.0034
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  1. Editor’s Introduction: Thoughts about the CEA Conference in Savannah: April 4–6, 2013
  2. Jeraldine Kraver
  3. pp. 189-190
  4. DOI: 10.1353/cea.2013.0031
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  1. Contributors
  2. pp. 320-323
  3. DOI: 10.1353/cea.2013.0032
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