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Table of Contents

  1. Love, Hope, and the Nature of Merci in Machaut's Musical Balades Esperance (B13) and Je ne cuit pas (B14)
  2. Elizabeth Eva Leach
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/frf.2003.0037
  5. restricted access
  1. Mariage et "honnete amitie" dans l' Heptameron de Marguerite de Navarre: des ideaux ecclesiastique et aristocratique a l' agape du dialogue humaniste
  2. Reinier Leushuis
  3. pp. 29-56
  4. DOI: https://doi.org/10.1353/frf.2003.0038
  5. restricted access
  1. Condillac: Language, Thought, and Morality in the Man and Animal Debate
  2. R. Christopher Coski
  3. pp. 57-75
  4. DOI: https://doi.org/10.1353/frf.2003.0032
  5. restricted access
  1. Le Docteur noir : A French Romantic Drama in Blackface
  2. Barbara T. Cooper
  3. pp. 77-90
  4. DOI: https://doi.org/10.1353/frf.2003.0030
  5. restricted access
  1. Confessions d'une femme pudique: Annie Ernaux
  2. Michele Bacholle
  3. pp. 91-109
  4. DOI: https://doi.org/10.1353/frf.2003.0028
  5. restricted access
  1. The "Wounds of Locality": Living and Writing the Local in Patrick Chamoiseau's Ecrire en pays domine
  2. Richard Watts
  3. pp. 111-129
  4. DOI: https://doi.org/10.1353/frf.2003.0039
  5. restricted access
  1. Formes litteraires et conscience historique. Aux origines de la litterature francaise 1100-1250 (review)
  2. Alain Corbellari
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/frf.2003.0031
  5. restricted access
  1. Courtly Contradictions: The Emergence of the Literary Object in the Twelfth Century (review)
  2. Andrew Cowell
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/frf.2003.0033
  5. restricted access
  1. La Vengeance dans la litterature d'Ancien Regime (review)
  2. Claudie Bernard
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/frf.2003.0029
  5. restricted access
  1. Au pays des perroquets. Feerie theatrale et narration chez Flaubert (review)
  2. Mary Donaldson-Evans
  3. pp. 137-139
  4. DOI: https://doi.org/10.1353/frf.2003.0035
  5. restricted access
  1. Of Vietnam: Identities in Dialogue (review)
  2. Marie-Paule Ha
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/frf.2003.0036
  5. restricted access
  1. Why the French Love Jerry Lewis: From Cabaret to Early Cinema (review)
  2. Sam DiIorio
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/frf.2003.0034
  5. restricted access
  1. Books Received
  3. p. 145
  4. DOI: https://doi.org/10.1353/frf.2003.0027
  5. restricted access