Articles

  1. The Impact of the Novel on French Cinema of the 30s
  2. Dudley Andrew
  3. pp. 3-13
  4. DOI: 10.1353/esp.1990.0046
  5. restricted access contents
  1. Pirandello at the Movies: L’Herbier, Chenal, and the Late Mattia Pascal
  2. Alan Williams
  3. pp. 14-25
  4. DOI: 10.1353/esp.1990.0055
  5. restricted access contents
  1. Tirez sur le PP
  2. Tom Conley
  3. pp. 26-37
  4. DOI: 10.1353/esp.1990.0002
  5. restricted access contents
  1. Les deux yeux de la chouette: Note sur l’intervalle du cinéma et de la littérature chez Alain Robbe-Grillet
  2. Marie-Claire Ropars-Wuilleumier
  3. pp. 38-46
  4. DOI: 10.1353/esp.1990.0012
  5. restricted access contents
  1. Durasian (Pre) Occupations
  2. Lynn A. Higgins
  3. pp. 47-57
  4. DOI: 10.1353/esp.1990.0022
  5. restricted access contents
  1. Pleasures of Voicing: Oral Intermittences in Two Films by Alain Resnais
  2. Keith Cohen
  3. pp. 58-67
  4. DOI: 10.1353/esp.1990.0032
  5. restricted access contents
  1. A Fraying of Voices: Jean-Luc Godard’s Prénom Carmen
  2. Verena Andermatt Conley
  3. pp. 68-80
  4. DOI: 10.1353/esp.1990.0042
  5. restricted access contents
  1. Le Sphinx
  2. Jean-Louis Leutrat, Suzanne Liandrat-Guigues
  3. pp. 81-91
  4. DOI: 10.1353/esp.1990.0051
  5. restricted access contents
  1. Ecriture and Cinematic Practice in Agnès Varda’s Sans toit ni loi
  2. Florianne Wild
  3. pp. 92-104
  4. DOI: 10.1353/esp.1990.0060
  5. restricted access contents

Book Reviews

  1. The Vulgar Rabelais by Carol Clark (review)
  2. Barbara C. Bowen
  3. p. 105
  4. DOI: 10.1353/esp.1990.0008
  5. restricted access contents
  1. Child of Paradise: Marcel Carné and the Golden Age of French Cinema by Edward Baron Turk (review)
  2. John J. Michalczyk
  3. p. 106
  4. DOI: 10.1353/esp.1990.0018
  5. restricted access contents
  1. Kaléidoscope: Analyses de films by Jean-Louis Leutrat (review)
  2. David Wills
  3. p. 107
  4. DOI: 10.1353/esp.1990.0028
  5. restricted access contents
  1. The Cinema of Ousmane Sembene. A Pioneer of African Film by François Pfaff (review)
  2. M. Elisabeth Mudimbe-Boyi
  3. pp. 108-109
  4. DOI: 10.1353/esp.1990.0038
  5. restricted access contents
  1. Machine, Metaphor, and the Writer by Bettina Knapp (review)
  2. Linda Klieger Stillman
  3. pp. 109-110
  4. DOI: 10.1353/esp.1990.0048
  5. restricted access contents
  1. The Limits of Narrative: Essays on Baudelaire, Flaubert, Rimbaud & Mallarmé by Nathaniel Wing (review)
  2. Wallace Martin
  3. pp. 110-111
  4. DOI: 10.1353/esp.1990.0057
  5. restricted access contents
  1. Dada and Surrealist Film ed. by Rudolf E. Kuenzli (review)
  2. Bettina L. Knapp
  3. pp. 111-112
  4. DOI: 10.1353/esp.1990.0005
  5. restricted access contents
  1. Screen/Play: Derrida and Film Theory by Peter Brunette, David Wills (review)
  2. Gregory L. Ulmer
  3. pp. 112-113
  4. DOI: 10.1353/esp.1990.0015
  5. restricted access contents
  1. Oulipo: A Primer of Potential Literature by Warren Motte (review)
  2. Robert Morrissey
  3. pp. 113-114
  4. DOI: 10.1353/esp.1990.0025
  5. restricted access contents