In this Issue

Table of Contents

The Impact of the Novel on French Cinema of the 30s

Dudley Andrew
pp. 3-13
DOI: https://doi.org/10.1353/esp.1990.0046
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Pirandello at the Movies: L’Herbier, Chenal, and the Late Mattia Pascal

Alan Williams
pp. 14-25
DOI: https://doi.org/10.1353/esp.1990.0055
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Tirez sur le PP

Tom Conley
pp. 26-37
DOI: https://doi.org/10.1353/esp.1990.0002
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Les deux yeux de la chouette: Note sur l’intervalle du cinéma et de la littérature chez Alain Robbe-Grillet

Marie-Claire Ropars-Wuilleumier
pp. 38-46
DOI: https://doi.org/10.1353/esp.1990.0012
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Durasian (Pre) Occupations

Lynn A. Higgins
pp. 47-57
DOI: https://doi.org/10.1353/esp.1990.0022
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Pleasures of Voicing: Oral Intermittences in Two Films by Alain Resnais

Keith Cohen
pp. 58-67
DOI: https://doi.org/10.1353/esp.1990.0032
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A Fraying of Voices: Jean-Luc Godard’s Prénom Carmen

Verena Andermatt Conley
pp. 68-80
DOI: https://doi.org/10.1353/esp.1990.0042
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Le Sphinx

Jean-Louis Leutrat, Suzanne Liandrat-Guigues
pp. 81-91
DOI: https://doi.org/10.1353/esp.1990.0051
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Ecriture and Cinematic Practice in Agnès Varda’s Sans toit ni loi

Florianne Wild
pp. 92-104
DOI: https://doi.org/10.1353/esp.1990.0060
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The Vulgar Rabelais by Carol Clark (review)

Barbara C. Bowen
p. 105
DOI: https://doi.org/10.1353/esp.1990.0008
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Child of Paradise: Marcel Carné and the Golden Age of French Cinema by Edward Baron Turk (review)

John J. Michalczyk
p. 106
DOI: https://doi.org/10.1353/esp.1990.0018
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Kaléidoscope: Analyses de films by Jean-Louis Leutrat (review)

David Wills
p. 107
DOI: https://doi.org/10.1353/esp.1990.0028
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The Cinema of Ousmane Sembene. A Pioneer of African Film by François Pfaff (review)

M. Elisabeth Mudimbe-Boyi
pp. 108-109
DOI: https://doi.org/10.1353/esp.1990.0038
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Machine, Metaphor, and the Writer by Bettina Knapp (review)

Linda Klieger Stillman
pp. 109-110
DOI: https://doi.org/10.1353/esp.1990.0048
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The Limits of Narrative: Essays on Baudelaire, Flaubert, Rimbaud & Mallarmé by Nathaniel Wing (review)

Wallace Martin
pp. 110-111
DOI: https://doi.org/10.1353/esp.1990.0057
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Dada and Surrealist Film ed. by Rudolf E. Kuenzli (review)

Bettina L. Knapp
pp. 111-112
DOI: https://doi.org/10.1353/esp.1990.0005
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Screen/Play: Derrida and Film Theory by Peter Brunette, David Wills (review)

Gregory L. Ulmer
pp. 112-113
DOI: https://doi.org/10.1353/esp.1990.0015
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Oulipo: A Primer of Potential Literature by Warren Motte (review)

Robert Morrissey
pp. 113-114
DOI: https://doi.org/10.1353/esp.1990.0025
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